Quotes About Dance

We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.

I am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster - the girls dance and dance and dance with their sweet lord, who has made himself so abundant as to be in the arms of each and every girl. But the moment the girls become possessive, the moment each one imagines that Krishna is her partner alone, he vanishes. So it is that we should not be jealous of God.

It's beautiful to dance alone, beautiful to dance with your children, beautiful to dance with your friends, beautiful to dance with your lover, or even collectively. But the ultimate dance is the one we do by ourselves, when we make ourselves known to God.

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.

Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"

If there were a ritual dance of the androgyne, Tai chi as performed by this master could be that dance. It is neither a masculine dance nor a feminine dance. It has the strength and grace of both.

When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.

GRINNING, DUCKING MY HEAD FOR BALANCE, I START TO SPIN WILDLY AS I CAN. THAT IS MY FAVORITE DANCE, BECAUSE IT CONTAINS A SECRET. THE FASTER I TWIRL, THE MORE I AM STILL INSIDE. MY DANCE IS ALL MOTION WITHOUT, ALL SILENCE WITHIN. AS MUCH AS I LOVE TO MAKE MUSIC, IT'S THE UNHEARD MUSIC THAT NEVER DIES. AND SILENCE IS MY REAL DANCE, THOUGH IT NEVER MOVES. IT STANDS ASIDE, MY CHOREOGRAPHER OF GRACE, AND BLESSES EACH FINGER AND TOE.

It's nice for me to have a ballet as a kind of platform for creativity, because unlike modern dance or contemporary dance or downtown dance, ballet is formalized, and there's something orthodox about it that I like. I like that there's less emphasis on subversion and innovation. I actually think that my musical vernacular or my musical voice is also less inclined toward innovation and subversion. I think I'm a traditionalist.

The tango is a very interior dance. It's not an exterior - it's not flashy and all over the floor. It's a very interior dance when you see the old guys dance in the clubs. I learned everything from the old guys in the clubs.

There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.

Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.

Every day I go out and climb, like a dancer who works on his dance. He probably has some goals, some pieces he would like to perform, but his main goal is to work on his dance. This is how he expresses himself. Both he and I are interested in the same thing. It’s the dance that counts.

If I hear dance music, my body starts to move. Whatever the dance music is, I can't help it. With all that, I still felt, well, rock is a little higher art, but it wasn't. Right now, because I have so much experience with dance charts, I started to realize that it's incredible art. This is going to be known one day as high art.

I'm not naturally a gifted dancer, and I don't enjoy it. I didn't go to any of those classes in drama school 'cause I was like, "I'm not going to dance. I don't need to learn to dance." I regret that.

One is the path of devotion, what in India is called BHAKTI yoga, the path of love and devotion - a Meera, a Chaitanya, dancing and singing, losing themselves completely in the act. When Meera is dancing there is only dance, there is no Meera; the dancer is completely merged into the dance. When Chaitanya is singing and dancing there is no Chaitanya; he has become one with the act.

Western dance begins with its feet firmly planted on the ground whereas Butoh begins with a dance wherein the dancer tries in vain to find his feet

Well, I took ballet for many, many years, so my whole childhood really revolved around dance class. I grew up around dance; my mother was a dancer.

Religion in the West has a very wrong connotation. It has almost reached to a point where the very word 'religion' creates a repulsion, where the very word 'religion' reminds one of dead churches and dead priests. It reminds one of serious looking people, long faces. It has lost the capacity to dance, to sing, to celebrate. And when a religion has lost the capacity to dance, to celebrate, to sing, to love, just to be, then it is no more religion - it is a corpse, it is theology. Theology is dead religion.

Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside...." It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals.

You dance because you have to. Dance is an essential part of life that has always been with me.

I go to a dance class myself called BBS - Body By Simone - its little mini dance routines and I am often the oldest person in the room although I forget that. I'm fairly fit.

Dance music makes us dance. Let us get off our couch and spin around!

In fact, I wasn't going to dance in Xanadu, but several journalists told me that Olivia Newton-John kept saying how sad she was that she wouldn't get the chance to dance with me. So I finally said, "All right, throw in a number." But I'm through with dancing.

I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.

I actually sing horribly, but I used to dance pretty good. I was a gymnast, and you can usually use those gymnastic tricks with dance. Plus, they're so much fun to do. That wasn't really a big part of my career. It was just a phase.

I was born to be a ballerina - my physique, my spirit, my feeling for music. What I am can only be expressed in dance. I am an erotic woman and that's what dance is.

In Hinduism, Shiva the Cosmic Dancer, is perhaps the most perfect personification of the dynamic universe. Through his dance, Shiva sustains the manifold phenomena in the world, unifying all things by immersing them in his rhythm and making them participate in the dance - a magnificent image of the dynamic unity of the Universe.

World is a dance. Mindfulness is witnessing that dance.

I find it hard to act unprofessionally because I can't do drama at school, it's hard for me to do drama out of school, I don't have time any more. I dance as well. I don't have time to work and dance and still have a good social life. I miss that security but I'm hoping that this is a good time for me. I'm trying to do as much as possible to get myself out there and hopefully it will work out.

Rent-a-tile' means when you go to a dance hall, some people take the middle of the dance floor and do their thing.

If you don't go to a dance you can never be rejected but you'll never get to dance either.

I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

Because dancing is way more fun than the treadmill, I downloaded the video of Beyonces Single Ladies and started to learn her dance. Let me tell you, if I ever did that dance in a club, I would still be a single lady! But what a workout!

We cannot make another person change his or her steps to an old dance, but if we change our own steps, the dance no longer can continue in the same predictable pattern.

I don't want people who want to dance; I want people who have to dance.

I'm the guy that stands out in all the crowds, so I don't get out there and dance, but I can dance.

So dance music is now pop music. So now, as a dance producer, what do I have to do? So I'm starting to do alien music, because pop is not pop anymore; we need to go alien to be independent.

I'm a bad walker but I can dance tango. You know why? Put your hand up. Push on my fingertips and just hold it. In tango, your feet are free but the top of your body pushes, so if I feel like I'm gonna fall, my partner can catch me. So I walk with a stick but I can totally dance the tango. It's a romantic kind of thing.

Nobody cares if you can't dance well. Just get up and dance.

If you work without love, you are working like a slave. When you work with love, you work like an emperor. Your work is your joy, your work is your dance.

In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.

Dance is an ephemeral, a fleeting art. To describe this momentum, every movement on stage, in words is virtually impossible.

I've never seen a Lindy Hopper who wasn't smiling. It's a happy dance. It makes you feel good.

With my ninth mind I resurrect my first and dance slow to the music of my soul made new.

I'm not going to say it's easy, but I do have an ease with picking up fight choreography because of my dance training.