Quotes About Dark

O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!

Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.

Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.

What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.

Doctor Who is pretty dark, I think. Generally its dark; its always been dark.

I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.

Feeling at peace, however fragilely, made it easy to slip into the visionary end of the dark-sight. The rose shadows said that they loved the sun, but that they also loved the dark, where their roots grew through the lightless mystery of the earth. The roses said: You do not have to choose.

I mean, creatures who only exist in the dark don't know they're missing the sun, right? But once you've seen the sun. Once you've seen it light up the world ... once you've felt its heat all around you ... inside you ..." He clutched his own chest, and my heart cracked open. "Its hard to live in the dark after the sun dies.

Dark matter and dark energy are two things we measure in the universe that are making things happen, and we have no idea what the cause is.

I SEE thee better in the dark, I do not need a light. The love of thee a prism be Excelling violet. I see thee better for the years That hunch themselves between, The miner’s lamp sufficient be To nullify the mine. And in the grave I see thee best— Its little panels be A-glow, all ruddy with the light I held so high for thee! What need of day to those whose dark Hath so surpassing sun, It seem it be continually At the meridian?

You are at the same time arrogant and self-loathing. You are a puzzle. But the ancient truth remains: as the light grows dimmer, things begin to become harder to see. I came to love you in time, but I feared the dark side as well. I still do. You have tremendous potential, potential for joy or hate, light or dark, life or death. But in the end, you choose. What a gift, what a joy to witness.

Even a room which must be dark needs at least a crack of light to know how dark it is.

I like to write about things that are dark or twisted. Where the poetry seems to be is when you start in the dark and reach for the light - that's what makes it not depressing to me.

If you're ever in a dark place, don't resort to violence. Talk to someone; whether it be a therapist, teacher, parent, or just someone you can trust. We all have our dark places and it's important that you get help.

I dreamed of you. I dreamed you were wandering in the dark, and so was I. We found each other. We found each other in the dark.

A dark poem is meant to redeem the dark part.

When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.

Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to him from one moment to the next, or how one will bear it. This is irreducible. And it's true of everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.

We shall go forward together. The road upwards is stony. There are upon our journey dark and dangerous valleys through which we have to make and fight our way. But it is sure and certain that if we persevere - and we shall persevere - we shall come through these dark and dangerous valleys into a sunlight broader and more genial and more lasting than mankind has ever known.

But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of a cliff, but you're moving slowly, not sure which direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give away, how you could just slip a bit and suddenly plunge into the dark.

Bro, it's dark. You can't go to a strange building with a mysterious address in the dark. Haven't you ever seen a horror movie?

What difference, being a pawn for the Light or a pawn for the Dark?" "There is a great difference. One difference is that for the Dark, certainly, you are a pawn. For the Light, you are a free human being, free to make mistakes, to do wrong, even. You are free to choose, whether or not you believe it.

Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark.

Light our fire and protect us from the dark, blah blah, light our way and keep us toasty warm, the night is dark and full of terrors, save us from the scary things, and blah blah blah some more.

'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.

Mother Mary of Anabolic Grace, we got Teras incoming?” He levels angry blue eyes on me. “You’re a hex, lady, dark luck, powerful bad juju, ken?” “Only to people who try to kidnap me,” I tell him sweetly, and March snorts, so I feel obliged to add, “Or rescue me…” And then Dina makes a pfft sound. “Or who travel with me…” My gaze sweeps around the darkened interior, trying to find an ally, but nobody will hold my eyes more than two seconds, it seems. “Fine, frag you all, I’m dark juju, bad luck, and you’re all doomed.

Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.

There is of course a dark side to panto because there are always baddies and you can't have a baddie without a dark side. But most of the time the baddies become good.

Greed has been with human beings forever. We have a number of things in our species that you would call 'the dark side,' and greed is one of them. If you don't put certain structures in place or restrictions on those parts of our being that come from that dark place, then it gets out of control.

I don't go on the Internet. I never go on the Internet. I don't go on Twitter. I'm not on Facebook. I've seen friends go into dark, dark holes of sadness because of that. Frankly, I don't have the time or the attention span for it.

It's a dark culture that we live in. But you were called to glow in the dark.

I'm very into dark colors. I try to rock the dark against the ghost white skin as much as humanly possible.

The dark comedies tend to be in a non-releasable area. There can be romantic comedies. There can be dramas. But there's no 'dark comedy' inbox for the advertising.

Previously, even in Egypt, men had not learned to see straight. They fumbled in the dark, and didn't quite know where they were, or what they were. Like men in a dark room, they only felt their existence surging in the darkness of other creatures. We, however, have learned to see ourselves for what we are, as the sun sees us. The Kodak bears witness.

Whatever the regulations are, you can be as dark and disturbing as you want and we're going to go in that direction. The intention is to be as dark and scary as possible with the show. And that was our whole kind of plan going in, to make it scary. So we're going to explore all kinds of things.

It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.

Personal prejudice: Hispanic and Latino women with blond hair look like hookers to me, no matter how clean or cute they are. Somehow those skin tones that look so good with dark, dark hair just don't work for me with lighter shades.

The subject I liked best was painting, but the teachers didn't approve of my experiments and sometimes criticized me in front of the whole class. Maybe my love for photography came from that humiliation: a photo is something that you develop and print yourself, in the dark, and that remains in the dark until you decide to show it.

A moment, and its glory was no more. The sun went down beneath the long dark lines of hill and cloud which piled up in the west an airy city, wall heaped on wall, and battlement on battlement; the light was all withdrawn; the shining church turned cold and dark; the stream forgot to smile; the birds were silent; and the gloom of winter dwelt on everything.

I like a person who knows how to say something dark at a very dark moment. The darker the moment and the darker the comic, the better. Something that is so wrong on all levels.

Some men live their lives terrified. Terrified of the night and all that is dark. I will live my life eternally in fear of the light of day.

I was raised with the Bible Belt mentality, and by coming to California, I came out of this dark place and unlearned a lot of things I'd been taught.

If you treat your employees like mushrooms (keep them in the dark and regularly throw crap on them), it's entirely likely you will get precisely the work you deserve in return.

And this is a kiss like none before, a kiss that could overcome the dark of deep space night. It's a falling star, flame, ice. It's pure as water from a snow-fed mountain spring. This is what you dream a kiss to be. To have a kiss just like this each and every day! How satisfying life would be.

He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.

Why are there beings at all instead of nothing? That is the question. Presumably it is not arbitrary question, "Why are there beings at all instead of nothing"- this is obviously the first of all questions. Of course it is not the first question in the chronological sense [...] And yet, we are each touched once, maybe even every now and then, by the concealed power of this question, without properly grasping what is happening to us. In great despair, for example, when all weight tends to dwindle away from things and the sense of things grows dark, the question looms.

May we, as image makers, shapers of the culture, set our sights on things we value, rituals we engage in that heal and serve. May our images honor the ordinary endeavors of common people, and may they make their way to the eyes of the weary - light to the dark, fire to the chill.

We've always lived in dark times. There has always been a range of human experience from the sublime to the brutal, and stories reflect it. It's no less brutal now; each age has its horrors.