Quotes About Drama

I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.

There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.

Drama read to oneself is never drama at its best, and is not even drama as it should be.

I did all sorts of jobs after drama school - working in a bar, as a teaching assistant. I probably learned as much from them as I did at drama school.

I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.

There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.

I just feel incredibly lucky. I went to drama school and about 28 of us graduated. I graduated from drama school in 2000, and I would say about two of us are working and able to make a living out of it. It is a tough profession. To have the kind of success I have had is really amazing, and I am incredibly grateful.

I really love idiot, enlightened characters - these characters who fail to engage with the drama of their immediate circumstances; they fail to be reactive and enrolled by drama as it happens around them.

I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.

Learn to watch your drama unfold while at the same time knowing you are more than your drama.

As for writing about temptation, there's no drama without temptation, and no novel without drama.

I love drama - I would say more than I even love comedy - but I like in One Mississippi that I can go from a very moving moment to a Willy Wonka tube up my ass. I like the silliness as much as I like drama.

That's what David Caruso said to me. We were talking about the whole Emmy thing, and he said that one of the things about awards in this town is that a lot is about the drama - like the drama of the performance. And he said "Your show, The Wire, looks so real, it almost looks like a documentary. And people who aren't artists - a lot of people who vote for this stuff - don't get it."

I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.

Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

Each form of the acting is different. I think it keeps your mind active. TV, film and theater are different disciplines, as are independent films, opposed to studio films. There are differences in the size and the genre, or a period drama as opposed to a contemporary drama, or the types of characters.

I first got into acting when I was about 12. I started doing speech and drama lessons. All my friends were doing it at the time and my dad encouraged it. He encouraged any extracurricular activity.

It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy.

I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.

As much as everything can seem to be about patterns in your self and others, within the drama of all that, it's really all about knowing.

Is that why you hate me?" I ask. "Partly," She admits. "Jealousy is certainly involved. I also think you're a little hard to swallow. With your tacky romantic drama and your defender-of-the-helpless act. Only it isn't an act, which makes you more unbearable. Please feel free to take this personally.

"Suffragette" is an intense drama that tracks the story of the foot soldiers of the early feminist movement as they fight for the right to vote.

The idea that boxing lends itself to cinema so well is because it's usually a morality play - good against evil, insecurity and triumph, fear strikes out, so the audience can really get drawn into the drama of it. Also, it was sensual and very primal. I think subliminaly we do two things - life is a fight, life is a struggle and we understand that from our early, early, early ancestors, and life is a race.

Sometimes girls act all TNT Network because they know drama. That's when guys get all TBS around you because we think it's very funny.

I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.

I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.

I really enjoy comedy, but I also still really enjoy the drama aspect. So, I don't like to narrow my possible chances out there.

To awaken within the dream is our purpose now. When we are awake within the dream, the ego-created earth-drama comes to an end and a more benign and wonderous dream arises.

Eating is an agricultural act. Eating ends the annual drama of the food economy that begins with planting and birth. Most eaters, however, are no longer aware that this is true. They think of food as an agricultural product, perhaps, but they do not think of themselves as participants in agriculture. They think of themselves as 'consumers.'

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

Sometimes it can be bad to have too much family. Everybody gets involved in your problems, giving their opinion, gossiping, and making drama. But when bad things happen, they will be there to support you.

I really hope someday in Hollywood, some producer or director will hire me only to do drama.

This used to be about sex. The literature of my people was pornography, filled with cries for mercy, drama enacted on people without prolonged negotiation, partners engaged in a dance in the middle of a bonfire. Now, it's 300-page manuals about how to make sure nothing bad will happen.

I think there's definitely a way to tell a story, to also look at marriages that are working, but find drama from what's challenging them. That's what I think, certainly, 'Parenthood' is kind of about: the unexpected things that come up in your life that challenge you as a man, as a woman, as a husband and a wife, and as a parent.

It is not because I do not love my adopted land - it is the natural feeling of one far from home, who remembers those happy, carefree days when life flowed at full tide, without responsibility, flashing past one like the drama in a fascinating story of adventure and romance.

I worked at Mark Foy's during the day and studied drama at night.

You can't control what goes on around you, you can't. But for me, I think there's staples of these moments, that crazy moment where you think you're indestructible. That moment where you find out that you're not. And then that moment where all of a sudden you go, okay, I'm not indestructible but I'm gonna be okay. You have this life, and we all have these lives we live but it takes a bit of learning before you realize not every drama's going to kill you and not every hard day has to lead to another one.

I am so happy because I want more people to like martial arts movie not just martial arts audience. Even martial arts can be used in comedy, in drama, in horror movies, in different kinds of movies.

I like the idea of up-and-coming actors nowadays being a little different and not necessarily the drama-school stereotype, being a bit more edgy.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

I made reference continuously to the killings, the death, the life taken by all of these narcotrafficking gangs and human smugglers. I spoke of this problem as one of the wounds that Mexico suffers. It's a great pain that I'm taking, because this nation [Mexicans] doesn't deserve a drama like this one.

I like to do drama, something about life that could be disappointing.

At drama school, I was always playing the 11-year-old boys.

I paint the way I do because I can keep on putting more and more things in - like drama, pain, anger, love, a figure, a horse, my ideas of space. It doesn't matter if it differs from mine, as long as it comes from the painting, which has its own integrity and intensity.

What I learned, in the two months that we shot, I don't think I could have learned in two to four years of drama school. It's invaluable to me, and that's been the most fun. It's been nice to let this be a learning experience in everything.

With knowledge, our creation can go in any direction - from the worst kind of drama, to the most beautiful dream. Then the best way to express our creativity is with love and awareness of what we really are.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.