Quotes About Drama

When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.

The real challenge in acting is in comedy. It's easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it's so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It's horrific and you feel like dying right there.

I just feel incredibly lucky. I went to drama school and about 28 of us graduated. I graduated from drama school in 2000, and I would say about two of us are working and able to make a living out of it. It is a tough profession. To have the kind of success I have had is really amazing, and I am incredibly grateful.

As for writing about temptation, there's no drama without temptation, and no novel without drama.

The Drama Years is filled with heart-stirring stories, just-been-there advice from recent teens and practical, actionable tips for parents. It's full of real girls talking about everything from stress and body image to love and materialism. Reading this book, I cringed in recognition of my own drama years, just wishing this book had been around back then and so grateful I'll have it as a guide for my own daughter.

Some people have this really clear memory of making that decision, and I don't. My earliest memories of being involved with drama or acting were in elementary school. My sister and I got dropped off at an after-school improvisation class, a time-killer for kids while parents were doing the groceries. I'm 6 years old, and I remember running amok and playing these games.

I think if I had come out of drama school and been an instant Hollywood superstar, I would be taking long, leisurely holidays.

It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy.

Mascara is my daily essential. I pile it on top and bottom lashes during the day. If I'm going out, I'll add the individual Eylure lashes at the outer corners for more drama.

I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.

My mythic version of America is very much about parents and children, and in my experience, the suburban setting is where that particular drama plays out. Which isn't to say that there aren't parents and children in cities or on farms. I just don't know them.

I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.

The drama's altar isn't on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it's roof, now, the commonplace crow caws candidly.

There’s something kind of rewarding about playing the hurricane. My job is to create drama and chaos and there’s a lot of fun to be had doing that.

I would love to do some straight drama. A lot of times it's not up to the actor, it's up to the producer. It's up to the powers that be.

I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.

Would you like to know the great drama of my life? It is that I have put my genius into my life...I have put only my talent into my works.

I have my team. Like if you see everyone around me - I have my hair and makeup girl, my assistant. They're very calm, they're all about positive energy. There're no drama queens. Everyone wants everyone else to have a positive experience. There are no agendas. I think it creates a healthy environment and there are no boundaries to cross.

I have always loved both drama and comedy.

It is a reality show... this show is never without drama.

If you're doing a drama that has some comedic elements you can't forget that it's primarily a very serious film that has some light relief.

I know I have a face like a model, but I’m actually just a goofy drama nerd underneath.

I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.

My favorite play in drama school was 'The Bacchae.' It's about a king who literally gets eaten alive by all the women in the play in a kind of orgy - it's related to the word 'bacchanal' - and I loved that idea of animalistic chaos and following our own desires.

Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of being.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

When I read great literature, great drama, speeches, or sermons, I feel that the human mind has not achieved anything greater than the ability to share feelings and thoughts through language.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.

People think drama drives story, but I think the comedy is really the heart and soul.

Only the truth can set us free from the fear, the drama and the conflict of our lives.

I get fixated when I'm bleeding -- I can see why they went in for blood-letting in the medieval times because it makes you feel a bit better. When I cut myself, the drama of it calms me down.

Then why don’t you and Bubba have girlfriends? (Nick) I don’t want the drama of it. After the last one burnt up all my clothes with my Jack Daniel’s Black Label collection and tried to decapitate me with my CDs, I decided I’d take a hiatus for a bit. (Mark)

The offering up or cleaning up ego stuff is called purification. Purification is the act of letting go. This is done out of discriminative awareness. That is, you understand that you are an entity passing through a life in which the entire drama is an offering for your awakening.

When I did 'Battlestar Galactica' it was the first time I really understood science fiction. That was a very political drama, but set in spaceships so people didn't really take it seriously. But some really fascinating things were explored in that.

Now, drama is quite useful at helping us to understand what our position is and, conversely, we might then understand why our theatre is being destroyed

I'm probably not very funny. The scripts just don't come in, or the ones that do aren't that good. I suppose I'm just an old drama queen, really.

There is a dichotomy between people who feel economic principles should order human civilization and people who believe humanitarian principles should order human civilization. That essential disagreement is underlying practically all our world drama.

The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.

I've always enjoyed family movies anyway. And I grew up loving actors who could hop around and play in something very family friendly, big, playful - and then go and do drama and comedy as well.

John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago.

The drama is the book of the people.

Once, a French journalist told me that all my films are the same. I said, 'Excuse me? I work hard to make them different.' What she meant was that in my films there is a character that faces insurmountable odds, and they overcome them. But I thought that might be true, but you need certain factors for drama, and you need to overcome them.

There's a big difference between "not caring" or being "nihilistic" about a topic and simply not being enrolled by the drama presented by other people. Just because my characters choose not to react in standard, socially-appropriate ways - that does not mean they don't care. They just reject ordinary dramas.

I'm here to challenge myself and to see whether I can shape-shift in an environment that's actually quite daunting, but which I think would be nice to shine a light into. The destination of any interesting drama is that you shine a light into a place that not many people know about.

There's no need for drama and hate, y'all. Let's love each other! We're all human, right?

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

I wasn't one of the ones voted most likely to succeed when I was at drama school, but I persevered and concentrated on the acting rather than going to the right parties and getting the right agent. Eventually, after ten years, it paid off.

I'm still primarily interested in observing as closely as possible the shifting weather between people. I think the master of this sort of thing, and a writer who has meant a great deal to me, is Henry James: there's a magical way that he has of turning the slightest gesture into a whole world of drama and feeling.