Quotes About Emotion

An emotion is only an emotion. It's just a small part of your whole being. You are much more than your emotion. An emotion comes, stays for a while, and goes away, just like a storm. If you're aware of that, you won't be afraid of your emotions.

When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.

Emotion is always new and the word has always served; therein lies the difficulty of expressing emotion.

When you act, it's better not to fake the emotion. It's better to find the emotion within yourself and your experiences, and see if you can bring that back to the surface, so that you can then literally hand it off to the character, and then let him run with it.

The challenge has always been to wrest emotion out of a [doll's] face that we think of as only having one emotion. It's moving a light, moving my camera; it's just this mental investment that I make, and suddenly, everything changes. Parenthetically, I have to say, I don't particularly like dolls, nor have I ever liked them. That's something I really wanted to get out there right away.

Because we all just function, the rest of us, just go to work and come home; artists make life bearable. They give perspectives on things we never knew you could have. They bring joy. They explore inner human emotion, and at its best, the full dynamic range of that emotion.

The starting-point for all systems of aesthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we call works of art.

Poetry should begin with emotion in the poet, and end with the same emotion in the reader. The poem is simply the instrument of transferance.

I knew, deep down, that love, though a beautiful beginning, isn't enough. It's the practice of honoring and caring for another that's noble, not the emotion of love itself. The emotion is the easy part.

I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.

So take a new approach as to how you feel emotions. It's not about the right emotion or the wrong emotion; it's about honoring the way that you're feeling. We tend to think that being sensitive is a weakness, but it really gives us an ability to be compassionate and to appreciate so many things in the world.

I think, as human beings, we at times overvalue the intellect and we undermine the body. I don't mean a body externally and the shape of a body. I mean the intelligence of a body, the memories that a body can store, how a body feels emotion, and how a body processes emotion.

All art, in spite of the struggles of some critics to prove otherwise, is based on emotion and projects emotion.

A good actor makes clear the meaning of the words. A better actor gives also the emotion of the part. The best actor adds emotion of which the character is unconscious.

Anytime you feel negative emotion, stop and say: 'Something is important here, otherwise I would not be feeling this negative emotion. What is it that I want?' And then simply turn your attention to what you DO want. In the moment that you turn your attention to what you want, the negative attraction will stop, and in the moment the negative attraction stops, the positive attraction will begin. And in that moment, your feelings will change from not feeling good to feeling good.

The hardest thing to get is true emotion. I always believe you need to earn that with the audience. You can't just tell them ok, be sad now. Humor, you can add. Even to the last minute you can be adding little bits of humor. But the true earned emotion is something that you really have to craft.

Gay men may seek sex without emotion; lesbians often end up in emotion without sex.

Vinyaya was being openly antagonistic, and that was an emotion that could be trusted, unless of course it was a bluff and the commander was a secret fan of his, unless it was a double bluff and she really did feel antagonistic.

[Mystery] is the fundamental emotion that stands at the cradle of true art and true science.

I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.

Regret is such a pointless emotion, don't you agree?

Technically, I'm not a guitar player, all I play is truth and emotion.

And if thought and emotion can persist in this way so long after the brain that sent them forth has crumpled into dust, how vitally important it must be to control their very birth in the heart, and guard them with the keenest possible restraint.

They ended every speech with the word hiro, which means: like I said. Thus each man took responsibility for intruding into the inarticulate murmur of the spheres. To hiro they added the word koue, a cry of joy or distress, according to whether it was sung or howled. Thus they essayed to piece the mysterious curtain which hangs between all talking men: at the end of every utterance a man stepped back, so to speak, and attempted to interpret his words to the listener, attempted to subvert the beguiling intellect with the noise of true emotion.

No, there's going to be no even tenor with me. The more uneven it is the happier I shall be. And when my time comes to die, I'll be able to die happy, for I will have done and seen and heard and experienced all the joy, pain, thrills — every emotion that any human ever had — and I'll be especially happy if I am spared a stupid, common death in bed.

There is no such thing as privacy between a deity and his worshipper. There are no secrets, no glossed-over failures. Only promises kept and abandoned, sins committed and imagined, and raw emotion. How many of us are ready to have our lives judged? What would happen if we were found wanting?

Every beauty and greatness in this world is created by a single thought or emotion inside a man. Every thing we see today, made by past generations, was, before its appearance, a thought in the mind of a man or an impulse in the heart of a woman.

We see them [animals] as the Ice Age is ending and we know that actually in the long run, they're not going to make it. And there's something beautiful about that, beautifully sad. The way the characters are woven together in the film adds to the emotion because they need each other. The message is that it doesn't matter what species you are, you can still love each other and that is a fantastic message.

... it's impossible to register any emotion without using some muscle which, in time, will produce a wrinkle. ... By the time she is thirty, a starlet has been carefully taught to smile like a dead halibut. The eyes widen, the mouth drops open, but the eye muscles are never involved.

My interest is that there is a disconnect between the science and the size of the threat that people mention about nature, the planet and the climate, and the emotion that this triggers. So we are supposed to be extremely frightened people, but despite that we appear to sleep pretty well.

At times it does not really matter what language you are speaking, especially when you are emotional and try to reach other hearts. To transcend emotion, silence is the best language.

Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.

Fear is a manipulative emotion that can trick us into living a boring life.

Music can help you through any kind of emotion. It can help you through a break-up, make you dance, or help you realize or understand something about yourself... and if I can sing a song and make someone feel those things then I will feel like I have made a difference.

I MAY HAVE ALLOWED MYSELF SOME FLICKER OF EMOTION IN THE RECENT PAST, said Death, BUT I CAN GIVE IT UP ANY TIME I LIKE.

If the lyrics have meaning to it and it gives me a certain emotion, I think that's the most beautiful part about music - you can feel it and connect to it.

The greatest piece of acting or music or sculpture or what-have-you always has its roots in the truth of human emotion.

Pessimism is an emotion not a philosophy.

You can keep raising it, but at some point, everybody who believes in a minimum wage will say, "No, wait a minute. That's too much," and at that point, you have demonstrated that that there's no market relationship. You're just talking emotion. You're just talking "fairness." You're just talking being nice, and that's not how the market works. People aren't paid a wage because they're being nice to, or because it's fair. In the market, the market rules.

What a host of little incidents, all deep-buried in the past -- problems that had once been urgent, arguments that had once been keen, anecdotes that were funny only because one remembered the fun. Did any emotion really matter when the last trace of it had vanished from human memory; and if that were so, what a crowd of emotions clung to him as to their last home before annihilation? He must be kind to them, must treasure them in his mind before their long sleep.

We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.

Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.

The catalog of emotion that disappears when someone dies, and the degree to which we rely on a few people to record something of what life was to them, is almost too much to bear.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

My wife, my family, my friends - they've all taught me things about love and what that emotion really means. In a nutshell, loving someone is about giving, not receiving.

Fear is the emotion that makes us blind.

Surprise will be my last emotion, not fear.

Even when I'm singing on record there's a lot of times when I'll fight for a bit of imperfection. I might not have quite hit the note to the perfect pitch, but there was a soul in there and feeling that,to me, delivers the emotion of that moment. For me, doing a show, the excitement of singing live, and the possibility that you're not going to be perfect - that's the thrill of it.