Quotes About Experience

Experience is the best teacher. But in our day and time, what we need is wisdom, because wisdom overcomes experience, because experience is wisdom, but there's a level of wisdom that overcomes the experience, and that's the experience that's already lived by others. I'm not trying to repeat the histories. I already learned from what they did.

When we hold to the core, the opposite sides are the same if they are seen from the center of the moving circle. I do not experience; I am experience. I am not the subject of experience; I am that experience. I am awareness. Nothing else can be I or can exist.

People should go to the works and experience them. Because just having an idea or picture in mind is absolutely not the experience that's necessary. Even just landing in Albuquerque or Salt Lake City or Las Vegas was immediately part of the experience. And then you'd get in a car from the airport and take these very long trips - in Michael Heizer's case, it was three hours by car to get to his work. And then there's walking around and into the piece and seeing it from different angles. The kinetic experience of being a part of it physically was very important for me.

That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.

....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.

This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.

So often we experience things in life, and yet never see the connections between them. When we are given hardship, or feel pain, we often fail to consider that the experience may be the direct cause or result of another action or experience. Sometimes we fail to recognize the direct connection between the pain in our lives and our relationship with Allah SWT

I wish I could give you a lot of advice, based on my experience of winning political debates. But I don't have that experience. My only experience is at losing them.

Our behavior is a function of our experience. We act according to the way we see things. If our experience is destroyed, our behavior will be destructive. If our experience is destroyed, we have lost our own selves.

Young men are as apt to think themselves wise enough, as drunken men are to think themselves sober enough. They look upon spirit to be a much better thing than experience; which they call coldness. They are but half mistaken; for though spirit without experience is dangerous, experience without spirit is languid and ineffective.

With the audience, I always say it's about giving the people an experience. And what the experience is about, it transcends just the music, and genre, and the venue. It's about the people coming together to share a profound and transformative moment. So that means the listener is actively engaged, and the listener is a part of the show, they're a part of the experience.

Experience arises together with theoretical assumptions not before them, and an experience without theory is just as incomprehensible as is (allegedly) a theory without experience.

First you guess. Don't laugh, this is the most important step. Then you compute the consequences. Compare the consequences to experience. If it disagrees with experience, the guess is wrong. In that simple statement is the key to science. It doesn't matter how beautiful your guess is or how smart you are or what your name is. If it disagrees with experience, it's wrong. That's all there is to it.

To live means to experience-through doing, feeling, thinking. Experience takes place in time, so time is the ultimate scarce resource we have. Over the years, the content of experience will determine the quality of life. Therefore one of the most essential decisions any of us can make is about how one's time is allocated or invested.

We experience a body experiencing an outer world. But really, the experience of the outer world, as well as the experience of the body, are not happening in two different places.

The only thing better than "hands-on" experience is hands-off experience - enough experience to understand that some things will turn out better if left alone.

That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.

The process of writing can be a powerful tool for self-discovery. Writing demands self-knowledge; it forces the writer to become a student of human nature, to pay attention to his experience, to understand the nature of experience itself. By delving into raw experience and distilling it into a work of art, the writer is engaging in the heart and soul of philosophy - making sense out of life.

The one experience that I hope every student has at some point in their lives is to have some belief you profoundly, deeply hold, proved to be wrong because that is the most eye-opening experience you can have, and as a scientist, to me, is the most exciting experience I can ever have.

If you have a good experience in a restaurant, you tell 2 people. If you have a bad experience, you tell 10 people.

If I should certainly say to a novice, 'Write from experience and experience only,' I should feel that this was rather a tantalizing monition if I were not careful immediately to add, 'Try to be one of the people on whom nothing is lost.'

I repeat that the poor, the sufferers from leprosy, the rejected, the alcoholics, whom we serve, are beautiful people. Many of them have wonderful personalities. The experience which we have by serving them, we must pass on to people who have not had that wonderful experience.

I think a lot of things are written from experience, but then you become a writer and talk about other people's experience and you tell stories. I mean, you can't just tell your own story all the time.

We learn from experience that men never learn anything from experience.

You can't show somebody what it's like to experience loss, but you can soundtrack it and help them experience their own loss. I am so lucky to have this venue to be able to say and talk about all the stuff I've been through.

What art ought to do is tell stories which are moment-by-moment wonderful, which are true to human experience, and which in no way explain human experience.

In all chaos there is a cosmos, in all disorder a secret order... we are caught and entangled in aimless experience... Only when all props and crutches are broken, and no cover from the rear offers even the slightest hope of security, does it become possible for us to experience an archetype that up till then had lain hidden behind the meaningful nonsense played out by the anima. This is the archetype of meaning, just as the anima is the archetype of life itself.

It opposes the dogmatic application to all cases of what is adequate only for piecemeal aggregates. The question is whether an approach in piecemeal terms, through blind connections, is or is not adequate to interpret actual thought processes and the role of the past experience as well. Past experience has to be considered thoroughly, but it is ambiguous in itself; so long as it is taken in piecemeal, blind terms it is not the magic key to solve all problems.

Take every failure as an experience, cause to be successful you need experience.

You'd have a quality insurance department, where they're making sure there aren't any glitches or weird things, and that the guests have a great experience and seamless experience. You'd also have security. So, we laid out the corporate structure, and then we cherry-picked from that the people who would be brought into the most conflict and the most day-to-day relationship with each other and with the hosts.

Underneath our ordinary lives, underneath all the talking we do, all the moving we do, all the thoughts in our minds, there's a fundamental groundlessness. It's there bubbling along all the time. We experience it as restlessness and edginess. We experience it as fear. It motivates passion, aggression, ignorance, jealousy, and pride, but we never get down to the essence of it.

Personal experience, therefore, is everything in Zen. No ideas are intelligible to those who have no backing of experience.

The brand is only as good as your products, so.. if people have a good experience on Virgin Atlantic or if they have a good experience on Virgin trains or.. if they have a Virgin mobile phone and they can get straight through to our people and they're well looked after and then they'll try the next product that we launch.

I want to suggest a feeling. It's ridiculous to assume you can state an opinion. Somebody else can never relate to the lyric in the same way because their whole experience is different. You can only suggest, then people add their own history and experience to the lyrics.

I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.

If we try to hold on to our partial glimpses of the divine, we cut it down to our own size and close our minds. Like it or nor, our human experience of anything or anybody is always incomplete: there is usually something that eludes us, some portion of experience that evades our grasp.

Wisdom before experience is only words; wisdom after experience is of no avail.

I think that the American people are curious about who a candidate is, what their background is, who their family is, what their faith experience has been, their education, their work experience. All of those are factors that voters look at because they want to take a measure of the individual.

Although nature commences with reason and ends in experience it is necessary for us to do the opposite, that is to commence with experience and from this to proceed to investigate the reason.

Lisp is worth learning for the profound enlightenment experience you will have when you finally get it; that experience will make you a better programmer for the rest of your days, even if you never actually use Lisp itself a lot.

Why it's okay for people to tape the shows? Because even so, there's no way you can bottle up the experience. You can take the notes home, but that experience is one you have to be there.

Nine years of experience is very different from one year of experience, nine times.

Let's not forget that for thousands of years the institution of marriage has been between a man and a woman. Until quite recently, in a limited number of countries, there has been no such thing as a marriage between persons of the same gender. Suddenly we are faced with the claim that thousands of years of human experience should be set aside because we should not discriminate in relation to the institution of marriage. When that claim is made, the burden of proving that this step will not undo the wisdom and stability of millennia of experience lies on those who would make the change.

Writers in the nineteenth century - people like George Eliot and Flaubert - were accustomed to addressing particular communities with which they shared not only linguistic meanings but also an experience and history. Those communities have progressively split in the twentieth century, and grown more heterogeneous, and writers emerging from minority communities have found themselves addressing audiences closer to their experience and history - a phenomenon derided by conservative white men as identity politics and multiculturalism in the arts.

Christ taught an astonishing thing about physical death: not merely that it is an experience robbed of its terror but that as an experience it does not exist at all. To "sleep in Christ," like one that wraps the drapery of his couch about him, and lies down to pleasant dreams.

The experience of light in a very pure form always creates happiness. The experience of desire and aversion tends to create unhappiness.

The key point to understand is that prosperity is an internal experience, not an external state, and it is an experience that is not tied to having a certain amount of money.

What is the secret of success? Right decisions. How do you make right decisions? Experience. How do you gain experience? Wrong decisions.