Quotes About Fantasy

I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.

Back in middle school, Catherine and I had gone through this stage where all we would read were fantasy books. We'd consume them like M&M's, by the fistful, J.R.R. Tolkien and Terry Brooks and Susan Cooper and Lloyd Alexander. Susan Boone looked, to me, like the queen of the elves (there's almost always an elf queen in fantasy books). I mean, she was shorter than me and had on a strange lineny outfit in pale blues and greens.

A fantasy can be equivalent to a paradise and if the fantasy passes, better yet, because eternal paradise would be very boring.

When I write a book, I put everything I have into it; so the more I have, the more the books become. Some people get freaked out by them: mostly the people who believe, mistakenly, that fantasy is about escaping reality. To them I say: If you have a problem with reality, you should be spending more time dealing with your life, and less time reading popcorn fantasy.

When I first saw Ellie, I knew it was her-- she was my fantasy. I didn't want it to be true, but every time I met her it was obvious, and the funny thing was that she was better than the fantasy, like I got more stuff than I'd imagined.

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.

When you just get fantasy stories that are about fairies or goblins, I just don't care. I'm never going to meet a goblin, it doesn't mean anything to me. So my definition of fantasy is very broad, it's anything to do with memory, or dreams, or ways of interpreting or making sense of the world.

I started off like everyone else does, slogging but having a compulsion to put words on paper. I didn't write or read horror or fantasy, other than children's fantasy, until I was in my teens

See fantasy is what people want, but reality is what they need. And I just retired from the fantasy part.

I'm interested in the parallel narrative of our fantasy lives. How the moment of 'now' that is palpably real, is surrounded by our memories, our dreams and hopes, the stories and connections that our brains make as we navigate a universe of fantasy, or unreality, or surreality. I'm keen to explore this very human experience, how our minds create our own realities, a blend of fact and interpretation of fact.

I'm not implying that fantasy is for kids. I'm saying that more and more people are finally realizing that there's more to fantasy stories than elves and wizards and goblin armies.

If it has horses and swords in it, it's a fantasy, unless it also has a rocketship in it, in which case it becomes science fiction. The only thing that'll turn a story with a rocketship in it back into fantasy is the Holy Grail.

I had this fantasy of becoming a neurosurgeon. You know, the normal Jewish boy fantasy, but I wanted to be a neurosurgeon for some reason. So I started in this unpleasant way. I was an assistant to the coroner, opening up corpses, taking the innards out, opening skulls, taking the brains out.

I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.

To become a big movie star like Joan Crawford you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me. I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.

MARVEL IS A CORNUCOPIA OF FANTASY, A WILD IDEA , A SWASHBUCKLING ATTITUDE , AN ESCAPE FROM THE HUMDRUM AND PROSAIC. IT'S A SERENDIPITOUS FEAST FOR THE MIND, THE EYE , AND THE IMAGINATION, A LITERATE CELEBRATION OF UNBRIDLED CREATIVITY, COUPLED WITH A TOUCH OF REBELLION AND AN INSOLENT DESIRE TO SPIT IN THE EYE OF THE DRAGON.

You never know how things are going to fit. So, you don't count your eggs until they hatch. You can't pre-project that. I mean, this was literally like a childhood fantasy of mine, to be able to work in action. You know, growing up on Disney films like Pocahontas and wanting to enter into that, or Aladdin and how he's fighting - being your own hero, being your own heroine is like every one's dream.

And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.

No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.

I do like fantasy films.

We have hopes that we can see rational American presidents; fair, obey the international law, deal with other countries according to mutual respect, parity, etc., but we all know that this is only wishful thinking and fantasy.

Before Sept. 11, the idea that Americans would voluntarily agree to live their lives under the gaze of a network of biometric surveillance cameras, peering at them in government buildings, shopping malls, subways and stadiums, would have seemed unthinkable, a dystopian fantasy of a society that had surrendered privacy and anonymity.

There are relatively few science fiction or fantasy books with the main character being an old person.

The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.

I think what a lot of action movies lose these days, especially the ones that deal with fantasy, is you stop caring at some point because you've lost human scale.

One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality.

Unless we are willing to escape into sentimentality or fantasy, often the best we can do with catastrophes, even our own, is to find out exactly what happened and restore some of the missing parts.

The three most disastrous inventions of our time have been the birth control pill, the camera and nuclear weaponry. The first offers sex in terms of sterility, the second reality in terms of fantasy, and the third security in terms of destruction.

If the general opinion is pessimistic, fantasy is going to hold its own.

SHADOW PROWLER is a fresh, exuberant take on territory that will be familiar to all fans of classic high fantasy. Alexey Pehov introduces a cast of charming, quirky, unsavory, even loathesome characters in a fast-paced, entertaining adventure.

If this were a fantasy world, there would be ten of me and we would each be doing what we wanted to do.

Now, for Romney to believe that somebody's grandmother is going to be so cut off she is going to self deport... He certainly shows no concern for the humanity of people who are already here... I think you have to live in worlds of Swiss bank accounts and Cayman Island accounts and automatic $20 million a year income with no work to have some fantasy this far from reality.

My love affairs were more often about the fantasy than the actual person I was involved with.

Wit is the appearance, the external flash, of fantasy. Hence its divinity and the similarity to the wit of mysticism.

Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.

I did a 'Love Boat!' And based on my trip on the 'Love Boat,' I said, 'I'd just as soon not do 'Fantasy Island.''

We are 'writers,' we are not supposed to be interested in filthy lucre, we are supposed to be starry eyed artistes. ... In Reality Land, we all want to maybe put dinner on the table once in a while, but in Fantasy Land, we are not supposed to be even interested in money because we are so caught up in the emotion of it all. That's an illusion, but people like it and it makes us feel holy or something so we all play along.

I always had a fantasy of being a chef, because I like kitchen life.

City of prose and fantasy, of capitalist automation, its streets a triumph of cubism, its moral philosophy that of the dollar. New York impressed me tremendously because, more than any other city, it is the fullest expression of our modern age.

I like fantasy. I've always been the kind of kid who likes to dream about other things I could be and exotic situations I could be in.

This is the real magic of fantasy fiction: it can feed souls and change lives.

Fantasy is an exercise bicycle for the mind. It might not take you anywhere, but it tones up the muscles that can.

I have so much respect for John [Galliano]s technical skill and the fantasy, its just something that I dont find relevant now, especially when it restricts a woman, because in every other area they have so much freedom.

Most of the characters I play are heavily engulfed in some sort of fantasy world.

No one will ever write a fantasy novel better than The Hobbit.

I believe that everybody, whether you believe in the afterlife or the chance of a near-death experience and you come back and you see someone [on the other side] - whether that has happened or not, I don't know, but certainly everyone has thought about it at some point or another in time. It's a fantasy that if there is anything out there like that, it would be just terrific, but that remains to be seen.

Writing is a cop-out. An excuse to live perpetually in fantasy land, where you can create, direct and watch the products of your own head. Very selfish.

What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.