Quotes About Fantasy

All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.

Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result isFantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.

The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.

But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they’re in a dire situation or comedic situation.

I wish more fantasy, especially the dominant fantasy that draws heavily on British and Christian lore, would wrestle with its own ethnospecific nature and what that means when the story is set somewhere where more than one belief system is in operation. If all you do is pay lip service to it, you can get the kind of thing where the writer has thrown one Hindu god into a Christianist fantasy (rendering said god by default a demon or otherwise inferior to the dominant religious system of the story, which is such an insult), and the hero is able to vanquish it by chanting a spell in church Latin.

Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.

My fantasy football team got mixed up in another fantasy and now they're stuck on a pirate ship with a chick in a Catwoman suit.

The difference between science fiction and fantasy … is simply this: science fiction has rivets and fantasy has trees.

What is appealing is the idea of attaining the unattainable and learning from it. Once you obtain a fantasy it becomes a reality, and that reality is not as exciting as your fantasy. Through the fantasies you learn to appreciate your own realities.

If nothing is more important to you than that you feel good, you can form a fantasy about someone who is in your life and they will begin to modify to meet your fantasy, because Law of Attraction is a very powerful thing.

An element of fantasy is needed when falling in love and I was unable to find the fantasy element with any of the male gender

There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.

... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.

Reality and fantasy, we need both of those to survive. If we don't have fantasy, dreams and all of those things, what's the point of carrying on? And you need to watch out for reality because buses come.

I do know what’s been useless to me is the online fantasy name generators. I’ve tried those a few times, and they say, ‘Just hit this button and we’ll generate 50 fantasy names,’ and they all turn out to be ‘Grisknuckle’.

When a woman is frozen of feeling, when she can no longer feel herself, when her blood, her passion, no longer reach the extremities of her psyche, when she is desperate; then a fantasy life is far more pleasurable than anything else she can set her sights upon. Her little match lights, because they have no wood to burn, instead burn up the psyche as though it were a big dry log. The psyche begins to play tricks on itself; it lives now in the fantasy fire of all yearning fulfilled. This kind of fantasizing is like a lie: If you tell it often enough, you begin to believe it.

The thinking person has the strange characteristic to like to create a fantasy in the place of the unsolved problem, a fantasy that stays with the person even when the problem has been solved and truth made its appearance.

I was also a science fiction and fantasy fan, growing up, in games and books and movies. I love Tolkien and I love Dungeons & Dragons, so the opportunity to have a fantasy-based RTS, or real time strategy game, at that time, seemed cool. I started playing it, and the early games were simple, but fun and they had these great heroes.

We have more brilliant fantasy novels than brilliant fantasy movies. Movies and TV are done by committee. But with a novel, it's really just one person running the show. That allows for a clarity and unity of vision that's pretty unique, artistically.

You'll never be fully engaged in where you are or where you're going by settling for normal. Here's a fact: No one who was normal ever made history. Drop that fantasy like a hot rock!

Once it's established that we are a team, I can demand of you and expect you to demand of me. Life without pain is an addiction and the fantasy of perpetual happiness is like the "delusion of fusion."

Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.

Fantasy allows for less rigorous worldbuilding and more vigorous exploration of moral questions. Sci-fi is opp.

Advertising reaches out to touch the fantasy part of people's lives. And you know, most people's fantasies are pretty sad.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.

All fantasy should have a solid base in reality.

I find that with fantasy, you lose yourself in it a lot. It's great to be able to go into a dark theater or turn off the lights in your house and just get sucked into this world. I remember watching Star Wars when I was a little kid when they did the re-release of all the originals. I couldn't even read yet but my uncle took me and he would read me the opening as the words were coming up on the screen. I just remember being so sucked into that and thinking, "I want to be Luke Skywalker."

I live between fantasy and reality at all times. In that way, I’m a librarian.

The photographer and the director are where reality and fantasy meet.

Not even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not, I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy - this implicit pact with the reader is my starting point.

This is going to take a while. I'm a fantasy author. We have trouble with the concept of brevity.

One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality.

I spent many years in grad school in English, so I've read a lot in a variety of genres. But adventure fantasy is my bread and butter as a reader, and probably always will be. So it's only natural that I came to that genre as a writer.

so your father told you once that you were his princess you won't see the castle you cannot find your prince and now you've grown a lot and your dress don't fit right your daddy's not a hero he stole your chariot so here you are in pieces trying to prove to us it's real the softness of your smile and the lies you want to feel the scales beneath your skin are showing off today there's evil in your heart and it wants out to play there's evil in your heart and it wants out to play there's evil in your heart and I have made a home here for me you'll burn it down with your fantasy

Stop setting goals. Goals are pure fantasy unless you have a specific plan to achieve them.

Imagination doesn’t just mean making things up. It means thinking things through, solving them, or hoping to do so, and being just distant enough to be able to laugh at things that are normally painful. Head teachers would call this escapism, but they would be entirely wrong. I would call fantasy the most serious, and the most useful, branch of writing there is. And this is why I don’t, and never would, write Real Books.

Metal guys are huge nerds. A good percentage of them are either horror or sci-fi or comic book or fantasy nerds.

Is this the life you really want? Or is it just the fantasy of it?

Fantasy and anger totally destroy the human body. Tolerance is the greatest human asset.

Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.

In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.

When we let go of our battles and open our heart to things as they are, then we come to rest in the present moment. This is the beginning and the end of spiritual practice. Only in this moment can we discover that which is timeless. Only here can we find the love that we seek. Love in the past is simply memory, and love in the future is fantasy. Only in the reality of the present can we love, can we awaken, can we find peace and understanding and connection with ourselves and the world.

Let me get this thing straight, Inigo--we had SCRAPS for dinner? I'M in YOUR fantasy and the best you can come up with is SCRAPS?" She turned toward the door then. "You have no chance of winning my heart.

One way or another the no doubt mad idea entered my mind that my own actions had historic importance and this fantasy (?) made it appear that people who harmed me were interfering with an important experiment.

My favorite water cooler topic is fantasy football. I used to make fun of friends for doing it and now I'm obsessed.

Love, love, love - all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures.

A lot of the ancient Norse myths and legends are the basis of a lot of the sci-fi, fantasy films out there. Telling these stories in a contemporary medium, it's all good.