Quotes About Fashion

I'm very interested in fashion shows. For me they're at the center of everything. What happens on the side, that's the energy - it's fashion week - but fashion shows are at the heart of it. I function more like a stylist. I'm inspired, and then I try to find it on the street. What's great about a blog is that you can do completely crazy things like take the moustache shoes Marc Jacobs did for Louis Vuitton for spring and talk about what that has to do with moustaches. In fashion, what people are looking for is inspiration and new ideas all the time.

Moving fashion used to be one of my chief goals. It's not necessarily any more. Fashion needs to change when life changes. You only need to move fashion forward when there's a reason to move fashion forward.

While the fashion industry may, at least at the top end, be thriving, the notion of fashion itself is becoming more and more meaningless. Any discipline in fashion has long since evaporated; the idea of a single fashionable skirt length, or heel height, is incomprehensible. The definition of the fashionable has become so skimpy that it refers not to the mode of dress of everyday people--the clothes that have sufficiently caught the popular imagination to be worn in a widespread manner--but only to the styles that momentarily excite members of the fashion caravan.

I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.

Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.

You know, even though I'm in fashion, I don't, like, do fashion. Fashion isn't me, even though I work in it. It's just materialistic stuff. I just want to do whatever makes me happy...Like being totally conscious. Laughing is, like, my favorite thing to do. Being with friends, having fun...being a bit daft.

I love beautiful women. I love to show their personality, their sexuality. There's a fashion side to my erotic pictures: I love beautiful shoes and jewellery. But the erotic work I do is too daring and provocative for a fashion magazine. It's more fun, and if you have the right girl who likes it, more exciting, too. It's fashion photography, but with fewer clothes.

I think that a lot of our fashion history shows do touch on important issues. Fashion and Technology obviously does, because technology is impacting fashion in so many ways, from computer-assisted design to the way we actually purchase clothes online.

Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.

I am super passionate about my new business because it has the potential to disrupt the fashion industry in a positive way. Master & Muse is providing a place to buy better. There are many big issues in producing fashion today, and the consumer doesn't fully understand the problems at hand. That is where we come in. We are providing awareness, information, and great fashion.

There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.

I told myself that I would not come back to women's fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer's needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one's quality of life.

There are a bunch of different ways to look at the fashion industry. Is it shallow to work in fashion? Yes, it can be. But does fashion transform a woman who might feel like nothing and unimportant to glamorous and gorgeous? Yes, it does. Does it employ a huge sector of America? Yes, it does.

When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.

In terms of fashion, I think the biggest influence that I had was my father. My pops, he was really into men's fashion and read all of the magazines.

Fashion is in the sky, the streets, fashion has to do with ideas, the way in which we live, the events surrounding us.

The gays like 'Project Runway' because it's a fashion, and the gays are into fashion and into design. It's a creative industry, and most of the gays are pretty creative, in general. That's just like the culture. We're not all into politics necessarily. We're more into the creative environment. I also think Heidi is a big draw. The boys love Heidi and think she's so fabulous. I just think it's a glitzy, fun show, and there are also always lots of gay boys on it, and, you know, that's fun.

Fashion Week was at Bryant Park and there were a few shows like Marc Jacobs, or when Alexander McQueen came to town, that were offsite, Helmut [Lung] was offsite, but it was very intimate. It wasn't the way it is today where you have a thousand people at the show. You may have had 200 to 250 and it was really the trade and you know fashion greats.

Architecture has joined the world of fashion, but fashion is passing and architecture is timeless.

What inspires me is what I see people wearing on the streets of the world from New York to London and beyond. I get my ideas and inspiration from pounding the pavement all over the world. Today, fashion is dictated by individual style. To me, the fashion of the future is anything that a young guy or girl feels good wearing as long as it's put together in the right way.

Fashion is not simply a matter of clothes. Fashion is in the air, born upon the wind. One intuits it. It is in the sky and on the road.

Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.

You cannot live your life in the elitist world of fashion and not step out or you're disconnected. You have to realize that fashion is not the endgame.

The Internet, really. It's amazing what you can find. There are so many different resources on the Internet and I got into blogging because of my friend's sister who had a blog, Fashion Robot, which she stopped a few months ago just because it was too much time ... I started taking more of an interest in fashion, and going to more websites like Style.com or whatever. Eventually I made a hasty decision and made my own.

Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.

I don't consider [my] photographs fashion photographs. The photographs were for fashion, but at the same time they had an ulterior motive, something more to do with the world in general.

I was going to the flea markets to buy furniture. It was getting done the way it was getting done - on a small scale and with a lot of soul and heart and risk. We did fashion like fashion was done before - spontaneously, with joy and freedom, and that's what created our identity.

I think that the lack of intuition in fashion today is one of the most dangerous things. My fear is that our business is turning into a bag business, and it's all about the bag. But it's not only about the bag. It's about the women. And it's not about a bag or a shoe or the jewelry. It's only about women. . . . Being almost politically correct and doing only what you expect without the ability to make mistakes is very dangerous to fashion. We have to go with our heart. We have to go with our intuition.

There's always been a separation between fashion and what I call my 'deeper' work. Fashion is where I make my living. I'm not knocking it. It's a pleasure to make a living that way. It's pleasure and then there's the deeper pleasure of doing my portraits. It's not important what I consider myself to be, but I consider myself to be a portrait photographer.

Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.

But the judge would have to be people in the fashion world and a bunch of random girls. Because guys in the league aren't trying to impress guys in the league. They're trying to impress people who have clout in the fashion world and women.

I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.

I think fashion is just part of my life and if it hadn't been fashion then it would have been something else.

Some guys are afraid of "fashion" even those this isn't really fashion. It's more "style". A lot of guys don't want to look like they care too much. The idea of standing in a fiting room and trying things on and saying, "How does this look?" I think maybe that experience is a little bit intimidating.

Within the fashion industry, being on shoots and working with agencies and other models, it's never been an issue being anything other than straight. It's so accepted within this industry. Out of every community that I'm a part of, or have been in, the fashion industry has been the most accepting. To the point where it was celebrated. I'd be on set talking about my girlfriend and someone would say "Oh, you're a lesbian! That's amazing." It's such a warm, welcoming community in that sense.

I don't like women who follow fashion in the sense of becoming victims of it. I like women who have elegance, who have allure, who use fashion, rather than the other way around.

People still cheat on their wives, that hasn't fallen out of fashion. We all speak of it badly, but it has not fallen out of fashion.

Writing about fashion forces you to overcome the nagging feeling that fashion doesn't "matter", that it's trivial or fleeting. I just look at it anthropologically, which is different from the way I'd write about art.

I was spoiled when I worked in the magazine world. Fashion closets are heaven and I seem to model my organization after a fashion closet.

[Kanye West] took me to a fashion meeting in Paris once. I'd never met these people; I was so nervous. It was the beginning of our relationship, and I didn't know anyone in fashion. And he passed out at the table. I'm like, "I'm so sorry, we're jet-lagged." You don't know the number of times I've had to say that. I always flat-out lie that he's jet-lagged, even if we've been home for months.

The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.

Sometimes I feel fashion is not open-minded enough. We need to push the old crowd to believe in what I believe, in the new generation. I remember when I started, my campaigns and and how I connected my love for music with fashion were a tiny bit controversial because they were like, 'How can you bring hip-hop or music into a luxury world?' or 'How you can be so connected to digital and use social media in luxury world?' Now it's changed, obviously, for the best, but I still think that we could push a bit more.

I think fashion is just part of my life and if it hadn't of been fashion then it would have been something else.

Never,ever confuse what happens on a runway with fashion. A runway is spectacle. It's only fashion when a woman puts it on. Being well dressed hasn't much to do with having good clothes. It's a question of good balance and good common sense.

I was in fashion school, my brother has a law background, and my sister-in-law had worked in production, but none of us had a proper fashion business education.

Fashion should be something that in the morning, when you open your window, you say, "Oh fantastic, sun!" Then you take your shower, you say, "OK fantastic, which colour I wear today because I feel happy?" This should be fashion.

Because I worked in fashion, I know that I like fashion. Haute couture is a form of art that I can appreciate. I'm definitely not someone who wakes up every day and thinks about what I'm going to wear, but on the red carpet, it's reflective of the mood I'm in, or the movie I'm going to represent.