Quotes About Figure

The only time I get frustrated with activist criticism is if I have recognized them, and invited them to work with me to figure out how we solve this problem that they're concerned about, and either they don't engage out of the sense of purity - "I'm not going to shake his hand" - or you're not sufficiently prepared so you don't even know what to ask for, or you're not being strategic as an activist and trying to figure out how the process has to work in order for you to get what you want.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

Fighters used to be afraid of the Russians, Cubans but then I'd figure them out and figure out how to beat them.

Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world - the figure of the sharp female called La Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented hair from turning gray, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine looked through the little window and sneezed into the sack.

I think the Russians are trying to figure out what to do. I don't think they know what to do with our president Donald Trump. I don't think they know what to do with the situation. They've been isolated when it comes to Syria and they're trying to figure out what their place in the world is going to be.

In life, the challenge is not so much to figure out how best to play the game; the challenge is to figure out what game you're playing

Donald Trump is sort of an Orwellian figure, an authoritarian figure who is twisting words in an Orwellian manner, "1984," to exercise power and control people's minds, or is he a 5-year-old who has an ego that needs to be fed, and the universe has to warp around his ego needs so he can feel good about himself, and everybody has to produce photos to make the monarch feel like he's made of gold.

When I paint figures it's never the idea of painting the beauty of the figure, it is using the figure to get across how I feel.

I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.

I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

Drug warriors' staunch opposition to needle exchanges to prevent the spread of HIV in addicts delayed the programs' widespread introduction in most states for years. A federal ban on funding for these programs wasn't lifted until 2009. Contrast this with what happened in the U.K. At the peak of the AIDS epidemic in the mid-1990s, the HIV infection rate in IV drug users in the U.K. was about 1%. In New York City, the American epicenter, that figure was 50%. The British had introduced widespread needle exchange in 1986. That country had no heterosexual AIDS epidemic.

Future benefits rarely figure in the minds of animals.

When I was a kid, we sat around the house. If I got bored, I'd have to figure out something to do.

If you're a kid who is always on the outside hoping to be on the inside, you're watching a lot. You're trying to figure out how to become a normal person in a society that considers you weird.

I mean, I never liked being told what to do. It's one of the reasons I dropped out of school. Give me something to assemble, I won't look at the directions, I'll try to figure it out by myself. It's why I love Ikea furniture.

I'd love to give Malcolm the truck. We're going to figure out how to make that happen.

When you play someone who is an iconic figure you can't go into it lightly.

It's about time that we as Arabs take things into our own hands and figure out our own future, rather than [keep depending] on some outside force to do it for us... particularly when intervention by this outside force has not particularly been beneficial to the region in recent history.

What happens when we're dead? The irony is that all our questions wil be answered after we die. We spend our whole life trying to figure out the truth and the only way we'll find out what it is, is to get hit by a bus. And the only comfort that religion offers is that God is driving that bus.

Theatrical times are different from concert times, to put it simply. Taking a figure like [Mahatma] Gandhi and setting him on a stage requires thinking about what theater is about and what the whole experience is about and what we're trying to communicate in that way, so you get into certain less abstract considerations.

The totality of our so-called knowledge or beliefs, from the most casual matters of geography and history to the profoundest laws of atomic physics or even of pure mathematics and logic, is a man-made fabric which impinges on experience only along the edges. Or, to change the figure, total science is like a field of force whose boundary conditions are experience.

She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.

I don't take off as many days as most other producers and songwriters, so I'm working every single day, and I do songs every day. So it's just about finding time, scheduling, getting in and cutting the records. I make it happen and that's the name of the game. It's no excuses - you gotta figure it out.

But when two people feel something, they ought to respect that enough to figure it out

When dealing with complex transportation issues, the best thing to do is pull up with a cold beer and let somebody else figure it out.

People build up a life, it becomes unsatisfactory, and they want to figure out how to change it like an outfit on a doll. But you can’t change life from the outside. We all know this now.

Food is a product of supply and demand, so try to figure out where the supplies are fresh, the suppliers are creative, and the demanders are informed.

For me, the most important thing is to continue to play well and to be a positive figure and hopefully a role model for kids as well.

One of the most astonishing things about Jesus is that as God he actually chose to come into our fallen, sick, twisted, unjust, evil, cruel, painful world and be with us to suffer like us and for us. Meanwhile, we spend most of our time trying to figure out how to avoid the pain and evil of this world while reading dumb books about the rapture just hoping to get out.

Facebook has been around for seven years. It has 500 million users. If you can't figure out how to make money off half a billion people in seven years, I'm going to go out on a limb and say you're unlikely to ever do.

To this principle of vanity, which philosophers call a mean one, and which I do not, I owe a great part of the figure which I have made in life.

In terms of what is the solution is going forward, in my view, it is the grassroots human-rights groups - both Israeli and Palestinian - that are doing exactly what needs to be done, which is building trust, developing relationships and building that sense of common community which is essential if we're going to figure out how to move forward.

I remember listening to Miles Davis in the car with my dad. I had just done my Grade 5 piano exam, and I was quite cocky. I said, 'It sounds like he's played the wrong note there.' I remember the look of horror on my dad's face, and thinking, 'Wow, I have to figure out why that is not acceptable.'

The nearest figure to myself would be Shakespeare.

I was interested in Armstrong to begin with because he is the most important figure in Jazz in the 20th Century. There's simply no question about it. I mean, if you're going to compare him to somebody, it's Shakespeare in terms of centrality of the tradition, in being at the beginning of it.

If we could just figure out how to have more fun at it, maybe more of us would join the ranks of those who seek after justice and mercy.

If Jesus Christ isn't the central figure in our lives and in our churches, we're only fooling ourselves.

I think it's hard for people to suspend the era they live in and understand the decisions that had to be made often during the western frontier era were life and death. You had to be resourceful and on your feet to try to figure out somebody. You didn't have the benefit of knowing who somebody was.

She not only kept her lovely figure, she's added so much to it.

I am very happy. Extremely, blissfully so. Even in my pain, I'm happy. I like crying. It makes me feel alive. Challenges, when you're in a tumultuous situation, are an opportunity to grow, an opportunity to get closer to God, an opportunity to find and kind of reform yourself, and to figure out what really matters and what your priorities are. Not that I'm welcoming tribulation, but I find that it is beneficial.

I think having a vision can make someone an influential man. I'm not talking about acting or anything like that, I'm talking about people I admire, whether it's a writer or a musician or a sports figure or a politician, whatever.

I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.

What identifies an individual as a king is how other people behave towards him. All authority is assumed, and if other people don't accept your authority then you don't have it. Perhaps the critical thing to being a convincing figure of authority is actually not to try too hard.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

Don’t buy market share. Figure out how to earn it.

When all you can think of is your own personal problems, you have nothing to give to your society. If you're trying to figure out where your next meal is coming from, you can't go march on Washington.

I lose sleep at night wondering whether we are intelligent enough to figure out the universe. I don't know.

Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor. ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal.