Quotes About Figure

I really don't understand how bipartisanship is ever going to work when one of the parties is insane. Imagine trying to negotiate an agreement on dinner plans with your date, and you suggest Italian and she states her preference would be a meal of tire rims and anthrax. If you can figure out a way to split the difference there and find a meal you will both enjoy, you can probably figure out how bipartisanship is going to work the next few years.

Watt's concern, deep as it appeared, was not after all what the figure was, in reality, but with what the figure appeared to be, in reality.

Figure out what you believe in and what you're willing to fight for, then figure out what your special talents are and apply them to it.

You could stand here sick with ten illnesses today, and tomorrow have no evidence of any of them. Your body has the ability to replenish itself that fast. But most of you do not have the ability to change your thoughts that fast. So the amount of time that it takes between sickness and wellness is only the amount of time that it takes for me to figure out how to let it in - for me to figure out how to feel good, when I'm looking at something that makes me feel bad.

After all, when you're talking about an authority figure oppressing against people, it's the people that hold that authority figure up. If you want to get free of this bondage, then we need to think about ways to free ourselves, rather than looking to the oppressors to free us.

Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you do later. If you survive.

The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot. Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure. Norman Mailer and Vidal, the same thing. The bestselling writers now, there's no great animal energy with them.

I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

It's difficult to talk to people who whisper even at home, afraid of Americans eavesdropping on them. It's not a figure of speech, not a joke, I'm serious.

I mean, I never liked being told what to do. It's one of the reasons I dropped out of school. Give me something to assemble, I won't look at the directions, I'll try to figure it out by myself. It's why I love Ikea furniture.

I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.

Books are like truth serum-- if you don't read, you can't figure out what's real.

But when two people feel something, they ought to respect that enough to figure it out

There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.

If you're flying with your children, it's best to book them on the same flight and not on one where they have more legroom and are leaving at a different time. They could get there earlier than you, and that causes resentment. Two-year-olds can also never figure out those connecting flights. It just makes it harder, so travel as a family.

Kids are smart. Knowledge is power. Let them figure things out. Don't turn into that grown-up who they won't come to.

If you read a label and just look up the ingredients, you'll be able to figure out really easily what's good for you and what's bad.

Some religions believe that there's a hierarchy, that you don't have a connection, but you must go through the shaman or the priest or whoever the religious leader is. And that's what surprises me, that some people who find a huge value in these kinds of systems also seem to enjoy ILLUSIONS. I can't figure it out.

Figure out what you are meant to contribute to the world and make sure you contribute it. If this requires public speaking or networking or other activities that make you uncomfortable, do them anyway. But accept that they're difficult, get the training you need to make them easier, and reward yourself when you're done.

Nobody has ever denied that when it comes to his trade - gigolo - John Forbes Kerry is one of the all-time greats. He's in the Gigolo Hall of Fame. See, a really good gigolo might snag one heiress in a lifetime with a nine-figure trust fund. Kerry has married two. When it comes to gigolos, he's Steve Jobs.

To some, the image of a pale body glimmering on a dark night whispers of defeat. What good is a God who does not control his Son's suffering? But another sound can be heard: the shout of a God crying out to human beings, "I LOVE YOU." Love was compressed for all history in that lonely figure on the cross, who said that he could call down angels at any moment on a rescue mission, but chose not to - because of us. At Calvary, God accepted his own unbreakable terms of justice. Any discussion of how pain and suffering fit into God's scheme ultimately leads back to the cross.

Beautiful mind, tortured soul. I do have to figure out why I am attracted to these broken birds.

Age, what is it? It's not a figure that has ever meant anything to me.

The Reverend grinned, his fangs flashing. "You know, I've heard this rumor… about a member of the Brotherhood who's celibate. Yeah, go figure, a warrior who abstains. And I've heard a few other things about this male. He's down to one leg. Has a scarred sociopath for a twin. You wouldn't by any chance know of such a Brother?" Phury shook his head. "Nope.

I figure if Doc is right about the time I have left,I should wrap up my adolescence in the next few days, get into my early productive stages about the third week of school, go through my midlife crisis during Martin Luther King Jr's birthday, redouble my efforts at productivity and think about my legacy, say, Easter, and start cashing in my 401(k)s a couple weeks before Memorial Day.

A lonely man is a lonesome thing, a stone, a bone, a stick, a receptacle for Gilbey's gin, a stooped figure sitting at the edge of a hotel bed, heaving copious sighs like the autumn wind.

It took me a long time to figure out what Holly Golightly was all about. One night after midnight I was still trying. I don't drink much, but I was sipping. And it came to me. I wrote [“Moon River”] in half an hour.

I was lucky enough to know exactly what I wanted to do when I was growing up. I think one of the hardest things to figure out in life is what your calling is, and what truly makes you happy - not what you want to work at, but what you want to do.

Ignorant men differ from beasts only in their figure.

Well, the experience for me making a film is the most profound one. I really don’t have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you’re done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I’m kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself.

Stephen Hawking is getting a divorce. That's scary. If the smartest guy in the world can't figure out women, we're screwed.

You're able to use a search engine, like Google or Bing or whatever. But those engines don't understand anything about pages that they give you; they essentially index the pages based on the words that you're searching, and then they intersect that with the words in your query, and they use some tricks to figure out which pages are more important than others. But they don't understand anything.

My character of the Tramp, the millions of workers symbolized in that one figure.

If Jesus Christ isn't the central figure in our lives and in our churches, we're only fooling ourselves.

If you work on a new product launch, spent time in a new geography, or work to develop a completely new skill, you have no choice but to figure out new ways to solve problems.

I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.

I have the face of an ageing choirboy and the build of an undernourished featherweight. If you can figure out my success on the screen you're a better man than I.

Stop doing what you're able to do and figure out what you were made to do - then do lots of that.

But the greatest thing about music is putting it out there for people to figure out. You want the listener to find the song on their own. If you give too much away, it takes away from the imagination.

Senator John McCain is unlike anybody else in not - not just in the Senate but in American politics. He`s unlike anybody else in American life. In his public life and in his heroics in war. He`s a singular figure in American life and American history. I think for everybody who has ever had a political difference with him that just instantly evaporates in the face of wanting the best for him because of cancer.

I believe in intelligence, and I believe also that there are inherited differences in intellectual ability, but I do not believe that intelligence is a simple scalar endowment that can be quanitified by attaching a single figure to it—an I.Q. or the like.

Were I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, But seeming so for my peculiar end. For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, ’tis not long after But I will wear my heart upon my sleeve For daws to peck at. I am not what I am

I spent most of my teen years trying to figure out the rules of life, theories for why things happened, why people behaved as they did, and mostly I came to the conclusion that either there were no rules, or the rules sucked. Reading science fiction wasn't about imagining myself into some more exciting life filled with adventure, it was about finding a world where things worked the way I wanted them to.

As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.

Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul's research is extraordinary; his writing is taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.

If you have a headache every Monday morning when it is time for you to go to work, perhaps you're driving the wrong car, perhaps you're taking the wrong route, or you may be in the wrong line of work. Obviously, only you can figure out the message.

Sometimes directors may not give you words, you know? They may not talk at all! You've just got to use your radar to figure out how you can get to the center and not lose yourself, but still be directed at the same time.

I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.