Quotes About Figure

I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.

But here's the deal: If I were smart, I could figure out curling. If I were even smarter, I could figure out why people would actually watch other people doing it. I have tried. I can't. I can't even figure out the object of the game. Is it like darts? I just don't get it.

The quickest way to defuse fear or insecurity or anger is usually humor. I think comics figure that out quickly, and, once you figure it out, you think, 'Hey, if I can do this and get paid, that would be kind of cool.

The point is... you'd better figure out what your Customers - the Customers you want - value. Because that's what they'll buy. Anything else is a waste of their money, and they'll figure that out in a hurry.

Fighters used to be afraid of the Russians, Cubans but then I'd figure them out and figure out how to beat them.

Knowing I wasn't going anywhere, I frantically searched for some way to help her. A dark figure caught my eye. "Christian!" I yelled. He'd been staring at Lissa's retreating figure but glanced up at the sound of his name. One of my escorts shushed me and took my arm. "Be quiet." I ignored her. "Go after her," I called to Christian. "Hurry." He just sat there, and I suppressed a groan. "Go, you idiot!" My guardians snapped at me to be quiet again, but something inside of Christian woke up. Springing up from his lounging position, he tore off in the direction Lissa had traveled.

You don't have to fit into a particular box. You fit into a box that you're comfortable in, and you'll attract people with like minds. It took me a while to figure this out, but there are many ideals. You have to figure right what's best for you and that will radiate out of you. I think a certain amount of letting go and being brave and not being afraid to make mistakes to get there.

Buried is the strangest film I've ever done. I'll be the only person in the movie. So, I'm still trying to figure that out. I have a short but impactful amount of time to figure that out and that's all I'm doing when I get home. I won't bury myself, of course... that would be a sad end! And then the plan is to do Deadpool after that.

Figure skating is theatrical, and a part of it is wearing costumes. My costumes were very over-the-top and outrageous for figure skating. But for me, it's all beautiful. Even when nobody else believed they were beautiful, I felt beautiful in them.

I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.

My father combined many of the elements that were feared in the culture, but also he was a warm figure, a figure we needed. We depended on him to give us a little bit of strength and courage.

With a wonderful business, you can figure out what will happen; you can't figure out when it will happen. You don't want to focus on when, you want to focus on what. If you're right about what, you don't have to worry about when

Bob Dylan had been a big sort of presence in my life but I'd never quite registered what he was trying to tell me. He was always this kind of figure, a sort of bear-like figure in the corner of the room. You know, every time I imagined what Bob Dylan looked like, he looked a bit like Steve Earl used to look - with the beard.

I mean, he was something that happened to me, you know? But before he was this minor figure in the drama of my life he was - you know, the central figure in the drama of his own life.

I think what people were trying with me was to figure out who I was. They thought I was funny, but they were like, "How can we use this guy so he can regularly do this?" Does that make any sense? I think people were trying to figure out if my fat peg would fit in their square hole.

I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.

When I was a kid, we sat around the house. If I got bored, I'd have to figure out something to do.

There's a responsibility level that comes along with being a public figure. I can use this for really cool things. That really [allows] me to be very honest about my experiences.

I don't wake up in the morning and say, wow I've got a great idea for a story. But I sit down, and I figure well, let's see.

Sometimes people close a door because they’re trying to figure out a way to get you to knock.

People know where romantic comedies are going. It's not brain surgery to figure out the end of a romantic comedy.

I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.

There's really no "bad" people; there's just humans who are doing the best they can to figure life out. It's hard! We can all relate to that.

I would not be as married to locations and ideas, when I show up in the city that I'm actually going to shoot it in. You really have to roll with it. That perfect thing you have in your head just isn't going to be there sometimes, and you have to figure out what you're going to do, if you can't find it.

She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.

Show me a woman content with her figure and I'll show you a seven-year-old girl. Everybody else is engaged in the war against flab.

The individual writer is a lonely figure in the wilderness of agents, editors, chain bookstores, and dwindling numbers of independents. The stronger MWA can be, the better it can serve us, and the more respect it can bring to bear in dealing with the problems most of us face every day.

I'm constantly trying to figure out how to crack that mystery; how to make a novel that has a sense of immediacy of a short story. I try to do that and I'll try it again, but I'll never get it.

To add to the confusion, some of the court's decisions involved multiple concurrences and dissents, making it hard even for lawyers and judges to figure out what the law is and why.

Get money - but stop once in a while to figure what it is costing you to get it. No man gets it without giving something in return. The wise man gives his labor and ability. The fool gives his life.

Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.

I'm six-foot-five. I'm not going to win the gold medal in figure skating. But I can try, and that's what matters. Trying.

What makes people so impatient is what I can't figure; all the guy had to do was wait.

About three million computers get sold every year in China, people don't pay for the software. Someday they will, though. And as long as they're going to steal it, we want them to steal ours. They'll get sort of addicted, and then we'll somehow figure out how to collect sometime in the next decade.

I figure no matter how old you are, it's always going to be your first marriage and no life experience is going to make you a better judge of who you should marry.

Let’s take this figure of the feminist killjoy seriously. Does the feminist kill other people’s joy by pointing out moments of sexism? Or does she expose the bad feelings that get hidden, displaced, or negated under public signs of joy? Does bad feeling enter the room when somebody expresses anger about things, or could anger be the moment when the bad feelings that circulate through objects get brought to the surface in a certain way?

But the name Magnus Bane made him think of a towering sort of figure, with huge shoulders and formal purple warlock’s robes, calling down fire and lightning. Not Magnus himself, who was more of a cross between a panther and a demented elf.

California seemed to me to be all about secrets and the need for safety. And this leads to this thematic messiness I'm still trying to figure out what to do with. I mean, when it comes to the themes, this is nothing like an Atwood novel.

If there is no destiny, there is no design. There's only life and death. My goal is to learn about life by living it, not by trying to figure out a cryptic plan that the Creator had in store for me.

You're able to use a search engine, like Google or Bing or whatever. But those engines don't understand anything about pages that they give you; they essentially index the pages based on the words that you're searching, and then they intersect that with the words in your query, and they use some tricks to figure out which pages are more important than others. But they don't understand anything.

I like having to figure out how to pull things off, how to sell it, how to make it look real, but not just real, make it look better.

I am very happy. Extremely, blissfully so. Even in my pain, I'm happy. I like crying. It makes me feel alive. Challenges, when you're in a tumultuous situation, are an opportunity to grow, an opportunity to get closer to God, an opportunity to find and kind of reform yourself, and to figure out what really matters and what your priorities are. Not that I'm welcoming tribulation, but I find that it is beneficial.

In a comedy, after the day is done, you can figure out ways of how to make it even funnier for the next day. In dramas, it's very different - the mindset that you're in.

'MasterChef' is the search for America's culinary amateur talent, so this is a search for the best home cook in America, and it's our job to figure out who that is.

When you make a lotta money, you got a lotta people shooting at you. Anywhere you go, the tab goes up. People borrow stuff from you, you don't see it again - they figure, Hell, Moses ain't gonna miss it, why do I have to return it?

I think Laurie's Keller story 'We are growing', resonates because when you have that amount of independence, you're starting to ask yourself questions that the grownups in your life have been answering for you. Before that, you are a good kid, or you are a funny kid, because you're told that's who you are. But when it's just you and the book, you have to figure out who you are.

It's through the voice that I tend to figure out the character (and through dialogue that I come to understand other characters).

Don’t buy market share. Figure out how to earn it.