Quotes About Form

Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.

The Universal mind is not only intelligence, but it is substance, and this substance is the attractive force which brings electrons together by the law of attraction so they form atoms; the atoms in turn are brought together by the same law and form molecules; molecules take objective forms and so we find that the law is the creative force behind every manifestation, not only of atoms, but of worlds, of the universe, of everything of which the imagination can form any conception.

Prose is an art form, movies and acting in general are art forms, so is music, painting, graphics, sculpture, and so on. Some might even consider classic games like chess to be an art form. Video games use elements of all of these to create something new. Why wouldn't video games be an art form?

So it persists, for many of us, hunger channeled into some internal circuitry of longing, routed this way and that, emerging in a thousand different forms. The diet form, the romance form, the addiction form, the overriding hunger for this purchase or that job, this relationship or that one. Hunger may be insatiable by nature, it may be fathomless, but our will to fill it, our often blind tenacity in the face of it, can be extraordinary.

There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn't because the book is not there and worth being written -- it is only because the right form of the story does not present itself. There is only one right form for a story and if you fail to find that form the story will not tell itself.

If you start with the idea that you are going to be writing about a night in a graveyard, and that there are only a few living people in that frame, all sorts of interesting and difficult technical problems arise. And then form - new form, or experimental form - might be understood as just trying to tell that story most movingly and efficiently.

As what you first are moves in the context of form, you have real reflection within that form, real reflection of what you are, what you are being and what you are doing. The movement in form enables you to comprehend what you are.

For me, my stories are spiritual journeys, and whenever I write, it's a form of worship. It's a form of my worship. Worship is not just Sunday morning as we all know. Worship is everything we do. Writing is most definitely a form of worship for me and, God as I'm writing, He takes me on these journeys.

If the denial of death is self-hatred, as it is to deny our freedom and live in fear of death (which is to say, to live in a form of bondage), then the acceptance and affirmation of death is indeed a form of self-love. But I'd want to make a distinction between a form of self-love which is essential to what it means to be human, and a narcissism of self-regard, like Rousseau's distinction between amour de soi and amour propre, self-love and pride.

An illustrational form tells you through the intelligence immediately what the form is about, whereas a non-illustrational form works first upon sensation and then slowly leaks back into the fact.

I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.

I finally understood that by being on a perpetual diet, I had practiced a "disordered" form of eating my whole life. I restricted when I was hungry and in need of nutrition and binged when I was so grotesquely full I couldn't be comfortable in any position by lying down. Diets that tell people what to eat or when to eat are the practices inbetween. And dieting, I discovered, was another form of disordered eating, just as anorexia and bulimia similarly disrupt the natural order of eating.

The universe is one of continual creation, so therefore we too are continually creating. The form of our creativity is not as important the loving essence within a given form, because that love is the foundation of our creative expression itself, eternal and indestructible.

Art should be as inclusive as possible. That's why I like bringing the low form of puppetry and elevating it into a sculpture form, but it's still a puppet also.

God turns on its head one form of evil - suffering - in order to defeat another form of evil - that is, our transgressions. It happened at the cross, and it occurs in the lives of followers of Christ every day.

In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.

In the context of the kind of infrastructure space I'm looking at, I'm making a very unlikely argument by saying that all the stuff that's repeated, from spatial products to whole cities, which looks so daunting to architects, might be especially empowering. At this moment, it might be harder to make a meaningful object form alone, but easier to make an active form that can piggyback on those multipliers to recondition spaces in a politically significant way.

In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too

It was not the case that one thing morphed into another, child into woman. You remained the person you were before things happened to you. The person you were when you thought a small cut string could determine the course of a year. You also became the person to whom certain things happened. Who passed into the realm where you no longer questioned the notion of being trapped in one form. You took on that form, that identity, hoped for its recognition from others, hoped someone would love it and you.

Every form is a base for color, every color is the attribute of a form.

We can ill afford to have activities conducted as "non-profit," that is, as activities that devour capital rather than form it, if they can be organized as activities that form capital, as activities that make a profit.

So really what it comes down to, it's God. Wherever you look, it's God appearing as this, that, that...and what you really love and appreciate in each form is the divine formless out of which each form comes. But to be able to sense that you have to sense it in yourself first. And that is seeing the beauty in everything, that's really what it means.

Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.

Any nations right to a form of government and economic system of its own choosing is inalienable. Any nations attempt to dictate to other nations their form of government is indefensible.

I studied the Quran a great deal. I came away from that study with the conviction that by and large there have been few religions in the world as deadly to men as that of Muhammad. As far as I can see, it is the principal cause of the decadence so visible today in the Muslim world and, though less absurd than the polytheism of old, its social and political tendencies are in my opinion more to be feared, and I therefore regard it as a form of decadence rather than a form of progress in relation to paganism itself.

Every time voter fraud occurs, it cancels out the vote of a lawful citizen and undermines democracy - can't let that happen. Any form of illegal or fraudulent voting, whether by non-citizens or the deceased, and any form of voter suppression or intimidation must be stopped.

That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.

To me, form is not about scoring runs but how you feel about your game. Sometimes the runs are not there, but you know you are batting well, and that is good form for me.

It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.

Most people are shaped to the form of their culture because of the enormous malleability of their original endowment. They are plastic to the moulding force of the society into which they are born. It does not matter whether, with the Northwest Coast, it requires delusions of self-reference, or with our own civilization the amassing of possessions. In any case the great mass of individuals take quite readily the form that is presented to them.

To perceive that form reveals the void, and to see that the void reveals form, is the secret for the overcoming of death. To the extent that one is unaware of space, one is unaware of one's own eternity — it's the same thing!

His true Being comes to light and even penetrates his clothing. We should not limit ourselves to Jesus. We have to recognize ourselves, our own true form... Life would be so simple if we could always see what we are; if we could recognize what our neighbors are. If we could see the beams of light that pass through their clothing; if we could not only see their external form, but also experience their true being.

The parts of a machine work with a maximum of cooperativeness for a common result, but they do not form a community. If, however, they were all cognizant of the common end and all interested in it so that they regulated their specific activity in view of it, then they would form a community. But this would involve communication. Each would have to know what the other was about and would have to have some way of keeping the other informed as to his own purpose and progress.

The freest form of government is only the least objectionable form. The rule of the many by the few we call tyranny: the rule of the few by the many is tyranny also; only of a less intense kind.

To be born, to live and to die is merely to change forms... And what does one form matter any more than another?... Each form has its own sort of happiness and unhappiness. From the elephant down to the flea... from the flea down to the sensitive and living molecule which is the origin of all, there is not a speck in the whole of nature that does not feel pain or pleasure.

I regard myself as a religious... the temper of my mind as religious, and because I regard the temper of my mind as religious, I am profoundly skeptical about any form of human authority, any form of human self-importance.

I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper.

There is something to be said for the openness to form, and literary form because it forces you to actually think about the other person, and their motivations, and to try to see them from all sides and to really write about them not as caricature.

A letter is not a dialogue or even an omniscient exposition. It is a fabric of surfaces, a mask, a form as well suited to affectations as to the affections. The letter is, by its natural shape, self-justifying; it is one's own evidence, deposition, a self-serving testimony. In a letter the writer holds all the cards, controls everything about himself and about those assertions he wishes to make concerning events or the worth of others. For completely self-centered characters, the letter form is a complex and rewarding activity.

I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.

A wise man once said that all human activity is a form of play. And the highest form of play is the search for Truth, Beauty and Love. What more is needed? Should there be a ‘meaning’ as well, that will be a bonus? If we waste time looking for life’s meaning, we may have no time to live — or to play.

Governments are instituted among men, deriving their just powers from the consent of the governed, that whenever any form of government becomes destructive of these ends, it is the right of the people to alter or abolish it, and to institute new government, laying its foundation on such principles, and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness.

The form is always integral to the expression of the theme or to the sheer telling of the story, and sometimes the right form is apparent to me from the outset and sometimes it isn't.

The Meeting is actually like the Gunpowder Meeting, or some of the earlier American Quaker MeetingsThe long house form is something that was traditionthat's what I started with as an idea. But then making this in terms of the sizing and the use that was asked for by Live Oak Meeting- I mean it's a very traditional form, except it's convertible. The top opens, and it makes a sky space where sky is really brought down to you; your awareness of it is made quite different. It was a little bit of a novel idea, that it's a roof that opens.

In the beginning, in the time that was no time, nothing existed but the Womb. And the Womb was a limitless dark cauldron of all things in potential: a chaotic blood-soup of matter and energy, fluid as water yet mud-solid with salts of the earth; red-hot as fire yet restlessly churning and bubbling with all the winds. And the Womb was the Mother, before She took form and gave form to Existence. She was the Deep. . . .

More than ever, movies reveal themselves as healing, as helpful, as encouraging, as escapist - anything that makes someone get through their day in these times. It's the best form of entertainment, and it's still arguably the most inexpensive form of entertainment.

The biopic also wasn't a form that I necessarily believed in, because you can never really get it right, you know? It's also a form that's very popular - the straight-ahead biopic.

The Son of God, prompted by the same infinite love, laid aside his divine glory and mode of existence, emptied himself exchanged the form of God for the form of a servant, humbled himself and became obedient, even unto the death of the cross.