Quotes About Form

The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.

Form is burden. Sometimes being part of the system enslaves the mind and greatly limits the imagination by enslaving it to form. Form is a burden to the mind that sees no limits. Form is a prison for the soul who sees possibilities outside the lines and wishes to test them.

The mistake that people made around 2000 with the emergence of the web was that they thought that people would not read long-form on a screen. Following from that idea, they quit doing long-form on screens. It got shorter and shorter, and then came cats toying with flowers and all of those clichés, but it was wrong. People will read long-form on a device if they want to read long-form.

Wouldn't it be wonderful if you could spare them from all suffering? No, it wouldn't. They would not evolve as human beings and would remain shallow, identified with the external form of things. Suffering drives you deeper. The paradox is that suffering is caused by identification with form and erodes identification with form. A lot of it is caused by the ego, although eventually suffering destroys the ego-but not until you suffer consciously.

Physical beauty and ugliness is not very important. The real thing is the inner. I can teach you how to be beautiful from within, and that is real beauty. Once it is there, your physical form won't matter much. Your eyes will start shining with joy; your face will have a gleam, a glory. The form will become immaterial. When something starts flowing from within you, some grace, then the outer form is just put aside.

Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to "critique" as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.

If you start with the idea that you are going to be writing about a night in a graveyard, and that there are only a few living people in that frame, all sorts of interesting and difficult technical problems arise. And then form - new form, or experimental form - might be understood as just trying to tell that story most movingly and efficiently.

Stopped as attribute of a person, sex inequality takes the form of gender; moving as a relation between people, it takes the form of sexuality. Gender emerges as the congealed form of the sexualization of inequaltiy between men and women.

An illustrational form tells you through the intelligence immediately what the form is about, whereas a non-illustrational form works first upon sensation and then slowly leaks back into the fact.

The devil comes in many guises-anger in the form of justice-passion in the form of duty. When it first comes, the man knows and then he forgets. Just as your pleaders' conscience; at first they know it is all Badmashi (roguery), then it is duty to their clients; at last they get hardened.

Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.

Regarding some of the super powers that I reference, like walking on water, I haven't seen people do that, but once you get into the science, a lot of it starts to make a lot of sense, for example, like people being able to read your mind. It's very logical, because words are just a grosser form of thought, and thought is just a grosser form of feeling.

Our ideas are the offspring of our senses; we are not more able to create the form of a being we have not seen, without retrospect to one we know, than we are able to create a new sense. He whose fancy has conceived an idea of the most beautiful form must have composed it from actual existence.

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.

God turns on its head one form of evil - suffering - in order to defeat another form of evil - that is, our transgressions. It happened at the cross, and it occurs in the lives of followers of Christ every day.

Well, possibly," I said, feeling my lips twitch again. "But maybe first you would tell us why you chose to manifest yourself in the form of Shirley Temple as last seen on the 'Good Ship Lollipop'?" The demon twirled around, its big pink sash fluttering as it smoothed down its dress and frilly little petticoat. "My grotesque form isn't making you sick with fright?" We both shook our heads, Noelle with a hand over her mouth to keep from laughing out loud. "Shirley Temple at her pinnacle was frightening," I finally told it, "but not in the sense I think you mean.

People who have come of age from the '80s on have experienced a form of activism that's very sterile and annoying. It's not that much fun to be an activist. That's partly by design. They are sterile protests and anonymous e-mail activism - not the kind of thing where people fall in love, form friendships for life, and see the change they make right in front of them. I've seen that, when people start to experience doing these things together and the power that it has.

I'm always looking for context in which people tell stories. In "Fight Club" it's these support groups for dying people, and then in "Choke" it's 12-step recovery groups. In one novel it's artists' colonies, in another novel it's a diary form that submariners' wives typically keep so that when their husband comes back from serving on a submarine they have an accounting of their spouse's time. So I'm always looking for, number one, a non-fiction context - because you can tell a more outrageous story if you use a non-fiction form.

The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius.

Every form of strength is also a form of weakness,” he once wrote. “Pretty girls tend to become insufferable because, being pretty, their faults are too much tolerated. Possessions entrap men, and wealth paralyzes them. I learned to write because I am one of those people who somehow cannot manage the common communications of smiles and gestures, but must use words to get across things that other people would never need to say.

That impulse I think is a form of love. Poetry is something that comes to you, rather than your having to work out its form beforehand.

There is many a monster who wears the form of a man; it is better of the two to have the heart of a man and the form of a monster.

Otherness cannot be a form. For to alter is to deform rather than to form. Therefore, that which is seen in different things can also be seen in and of itself without otherness, since otherness did not give being to it.

The unseen energy that was once in Shakespeare or Picasso or Galileo or any human form, is also available to all of us. That is because the spirit energy does not die, it simply changes form.

Most people, if you live in a big city, you see some form of schizophrenia every day, and it’s always in the form of someone homeless. “Look at that guy - he’s crazy. He looks dangerous.” Well, he’s on the streets because of mental illness. He probably had a job and a home...

Mystical identification transcends the aristocratic virtue of courageous self-sacrifice. It is self- surrender in a higher, more complete, and more complete and more radical form. It is the perfect form of self-affirmation.

The soul's first adventure is the fight between two ideas: the wish to return to earth in a human form, and the desire to feel the freedom of having no form.

If religion is only human, and its form is man's form, it follows that everything in religion is true.

To die is to go into the Collective Unconscious, to lose oneself in order to be transformed into form, pure form.

Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force.

Given her deafness, the auditory part of the brain, deprived of its usual input, had started to generate a spontaneous activity of its own, and this took the form of musical hallucinations, mostly musical memories from her earlier life. The brain needed to stay incessantly active, and if it was not getting its usual stimulation..., it would create its own stimulation in the form of hallucinations.

Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.

In early psychoanalytic thought, narcissism was - and still, of course, is - self-love. The early psychoanalysts used to talk of libido directed at the self. That now feels a little quaint, that kind of language. But it does include the most fierce and self-displaying form of one's individual self. And in this way, it can be dangerous. When you look at Donald Trump, you can really see someone who's destructive to any form of life enhancement in virtually every area. And if that's what Fromm means by malignant narcissism, then it definitely applies.

To perceive that form reveals the void, and to see that the void reveals form, is the secret for the overcoming of death. To the extent that one is unaware of space, one is unaware of one's own eternity — it's the same thing!

Every form of anti-Semitism, every form of xenophobia plays on the fear of the unknown, and unfortunately there are all too many politicians who know how to manipulate that. The dumber people are, the more they feel the need for a broad set of shoulders they can lay their head against.

People strive to achieve a certain form of perfection constantly and it's impossible because it's a form of opinion. I can think someone is pretty but the person next to me can think that they're unattractive.

What an economy really wants, after all, is not more investment per se but better investment. It wants capital to flow to companies that will create value - not in the form of a rising stock price but in the form of more goods for less cost, more jobs, and rising wages - by enhancing productivity.

Intricate minglings of different uses in cities are not a form of chaos. On the contrary, they represent a complex and highly developed form of order.

By failing to read or listen to poets, society dooms itself to inferior modes of articulation, those of the politician, the salesman, or the charlatan. In other words, it forfeits its own evolutionary potential. For what distinguishes us from the rest of the animal kingdom is precisely the gift of speech. Poetry is not a form of entertainment and in a certain sense not even a form of art, but it is our anthropological, genetic goal. Our evolutionary, linguistic beacon.

Our country was built, to a large extent, on protecting our manufacturers. If you go back to Jefferson, you go back to all of these great, great people that ran the United States properly, it was really based on a certain form of tariff and a certain form of protection. We're just the opposite now.

There is something to be said for the openness to form, and literary form because it forces you to actually think about the other person, and their motivations, and to try to see them from all sides and to really write about them not as caricature.

Usually form seems to find me in the process of writing a poem, though I have nothing against starting out with the form.

Worship means reverence and humility. It means revering your real self and humbling delusions. If you can wipe out evil desires and harbor good thoughts, even if nothing shows, it's worship. Such form is its real form.

Architecture is not so much a knowledge of form, but a form of knowledge.

Words are a completely different form of expression. The word P-E-N-I-S is an entirely different form of communication than a photograph of the same thing. H

In the world of knowledge, the essential Form of Good is the limit of our inquiries, and can barely be perceived; but, when perceived, we cannot help concluding that it is in every case the source of all that is bright and beautiful -in the visible world giving birth to light and its master, and in the intellectual world dispensing, immediately and with full authority, truth and reason -and that whosoever would act wisely, either in private or in public, must set this Form of Good before his eyes.

I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.

All men die. You may say: 'Is that encouraging?' Surely yes, for when a man dies, his blunders, which are of the form, all die with him, but the things in him that are part of the life never die, although the form be broken.