Quotes About History

Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.

There's a lot we should be able to learn from history. And yet history proves that we never do. In fact, the main lesson of history is that we never learn the lessons of history. This makes us look so stupid that few people care to read it. They'd rather not be reminded. Any good history book is mainly just a long list of mistakes, complete with names and dates. It's very embarrassing.

When I went to high school - that's about as far as I got - reading my U.S. history textbook, well, I got the history of the ruling class. I got the history of the generals and the industrialists and the presidents that didn't get caught. How 'bout you? I got all of the history of the people who owned the wealth of the country, but none of the history of the people that created it.

I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?

My take is that there's two ways to approach history. You sit in your armchair and you watch it on the news and you return to your PlayStation. Or you get out in the streets and you make it. Like, when those Supreme Court justices, you know, legalize desegregation, it wasn't due to their infinite wisdom. It's because people whose names you do not read about in history books, people whose faces you will never see, were the ones who struggled and sacrificed, sometimes gave their lives, to make this country a more equal one. When, it's like those people don't make history, it's us.

There is only one history of any importance, and it is the history of what you once believed in, and the history of what you came to believe in.

History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.

The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error.

There is a sort of myth of History that philosophers have.... History for philosophers is some sort of great, vast continuity in which the freedom of individuals and economic or social determinations come and get entangled. When someone lays a finger on one of those great themes--continuity, the effective exercise of human liberty, how individual liberty is articulated with social determinations--when someone touches one of these three myths, these good people start crying out that History is being raped or murdered.

History is not just facts and events. History is also a pain in the heart and we repeat history until we are able to make another's pain in the heart our own.

Reason is the true creative power, for it produces itself as Infinite Self-consciousness, and its ongoing creation is...world history. As the only power that exists, Spirit can therefore be determined by nothing other than itself, that is, its essence is Freedom...Freedom is the infinite power of Spirit...Freedom, the only End of Spirit, is also the only End of History, and history is nothing other than Spirit's becoming *conscious* of its Freedom, or the becoming of Real, Free, Infinite Self-consciousness.

I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German art and Chinese art. This is because of the history, because each country has different history and each country reads and teaches that history differently.

Art gives life to what history killed. Art gives voice to what history denied, silenced, or persecuted. Art brings truth to the lies of history.

I have always lived in a world in which I'm just a spot in history. My life is not the important point. I'm just part of the continuum, and that continuum, to me, is a marvelous thing. The history of life, and the history of the planet, should go on and on and on and on. I cannot conceive of anything in the universe that has more meaning than that.

The steep ride up the and down the energy curve is the most abnormal thing that has ever happened in human history. Most of human history is a no-growth situation. Our culture is built on growth and that phase of human history is almost over and we are not prepared for it. Our biggest problem is not the end of our resources. That will be gradual. Our biggest problem is a cultural problem. We don't know how to cope with it.

When you’ve had children, your body changes; there’s history to it. I like the evolution of that history; I’m fortunate to be with somebody who likes the evolution of that history. I think it’s important to not eradicate it. I look at someone’s face and I see the work before I see the person... You’re certainly not staving off the inevitable. And if you’re doing it out of fear, that fear’s still going to be seen through your eyes. The windows to your soul, they say.

Should we be rewriting history just to make people feel good? That's not history, that's psychiatry.

It is the Soviet Union that runs against the tide of history . . . . [It is] the march of freedom and democracy which will leave Marxism-Leninism on the ash heap of history, as it has left other tyrannies which stifle the freedom and muzzle the self-expression of the people.

Of course, nobody would deny the importance of human beings for theological thinking, but the time span of history that theologians think about is a few thousand years of human culture rather than the fifteen billion years of the history of the universe.

Who says history is stagnant? For a historian, facts do not change; it is the way we look at things, our interpretations, that are always changing. This is what makes history exciting - that we can always find something new in what is old.

The notion of 'history from below' hit the history profession in England very hard around the time I came to Oxford in the early 1960s.

History is not everything, but it is a starting point. History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.

From this I conclude that the best education for the situations of actual life consists of the experience we acquire from the study of serious history. For it is history alone which without causing us harm enables us to judge what is the best course in any situation or circumstance.

You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.

We believe that the history of the world is but the history of His influence and that the center of the whole universe is the cross of Calvary.

The only history that matters is the history we know.

I couldn’t miss Percy’s fifteenth birthday,” Poseidon said. “Why, if this were Sparta, Percy would be a man today!” "That’s true,” Paul said. “I used to teach ancient history.” Poseidon’s eyes twinkled. “That’s me. Ancient history.

Whites have been the most subsidized group in the history of the United States and maybe the history of the world, while Blacks were enslaved and were the assets of Whites.

When I was young I believed that "nonfiction" meant "true." But you read a history written in, say, 1920 and a history of the same events written in 1995 and they're very different. There may not be one Truth - there may be several truths - but saying that is not to say that reality doesn't exist.

Personal history must be constantly renewed by telling parents, relatives, and friends everything one does. On the other hand, for the warrior who has no personal history, no explanations are needed; nobody is angry or disillusioned with his acts. And above all, no one pins him down with their thoughts and their expectations.

History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.

If you don't understand weapons you don't understand fighting. If you don't understand fighting you don't understand war. If you don't understand war you don't understand history. And if you don't understand history you might as well live with your head in a sack.

Most romances aren't swept aside by big historical events. Most romances in the history of the world fall apart because of other, smaller happenings. History can sometimes be in the background, the thing which instead of rupturing your life merely irritates you by pressing itself now and then into the foreground.

Just like I am obsessed with the history of fashion, I love reading about the history of makeup.

President Obama is the most successful food stamp president in American history. I would like to be the most successful paycheck president in American history.

I always enjoyed art history because, growing up in California, my exposure was limited, and it was a new experience. To learn the history of art opened up certain things to me, made me see. It intrigued me.

Between France and Senegal there's a history. There's a language that we both speak. There's a culture that we share and to which both of our peoples have contributed. But beyond our history, beyond our language, beyond the links that have united us for so long, what unites us today is the future.

I think sometimes I guess you see records, say you want to get there and use that as motivation. In a way, it's kind of cool if there is a possibility to rewrite history and be up there with the greats of Olympic history.

The so-called lessons of history are for the most part the rationalizations of the victors. History is written by the survivors.

We accept it as normal that people who have never been on the land, who have no history or connection to the country, may legally secure the right to come in and, by the very nature of their enterprises, leave in their wake a cultural and physical landscape utterly transformed and desecrated. What's more, in granting such mining concessions, often initially for trivial sums to speculators from distant cities, companies cobbled together with less history than my dog, the government places no cultural or market value on the land itself.

So we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.

History is a romance that is believed; romance, a history that is not believed.

All history is the history of thought.

Writers in the nineteenth century - people like George Eliot and Flaubert - were accustomed to addressing particular communities with which they shared not only linguistic meanings but also an experience and history. Those communities have progressively split in the twentieth century, and grown more heterogeneous, and writers emerging from minority communities have found themselves addressing audiences closer to their experience and history - a phenomenon derided by conservative white men as identity politics and multiculturalism in the arts.

Our history will be what we make of it. If we go on as we are, then history will take its revenge and retribution will not limp in catching up with us. So, just once in a while let us exhault the importance of ideas and information.

To say that there is a case for heroes is not to say that there is a case for hero worship. The surrender of decision, the unquestioning submission to leadership, the prostration of the average man before the Great Man -- these are the diseases of heroism, and they are fatal to human dignity. History amply shows that it is possible to have heroes without turning them into gods. And history shows, too, that when a society, in flight from hero worship, decides to do without great men at all, it gets into troubles of its own.

When the drama of history is over, Jesus Christ will stand alone on the stage. All the great figures of history ... will realize that they have been but actors in a drama produced by another.

Most Americans who made it past the fourth grade have a pretty good idea who Thurgood Marshall, Rosa Parks, and Martin Luther King, Jr., were. Not many Americans have even heard of Alice Paul, Howard W. Smith, and Martha Griffiths. But they played almost as big a role in the history of women’s rights as Marshall and King played in the history of civil rights for African-Americans. They gave women the handle to the door to economic opportunity, and nearly all the gains women have made in that sphere since the nineteen-sixties were made because of what they did.