Quotes About History

Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.

The antidote to feel-good history is not feel-bad history but honest and inclusive history.

In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God--who knows all that can be known--seems powerless to change.

No one can compare to Ronaldinho. I remember his plays, his dribbles. I remember him winning every title at the Camp Nou. He made history at Barca, he made history with Brazil and he's still making history.

I've lived history. I've made history, and I know I'll have my place in history. That's not egoism.

Essentially any history we have is just a history of aristocrats. We don't have any history of people.

The true makes of history are the spiritual men whom the world knew not, the unregarded agents of the creative action of the Spirit. The supreme instance of this-the key to the Christian understanding of history-is to be found in the Incarnation- the presence of the maker of the world in the world unknown to the world. ... The Incarnation is itself in a sense the divine fruit of history-of the fullness of time-and it finds its extension and completion in the historic life of the Church.

History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.

Universal history, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.

The history of humanity is not the history of its wars, but the history of its households.

All history is an attempt to find pattern and meaning in a section of human experience, and every historian worthy of the name raises questions about man's ultimate destiny and the meaning of all history to which, as history, he can provide no answers. The answers belong to the realm of theology.

History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles.

Environmental history fit[s] into the framework of New Left history. [It is] history "from the bottom up," except that here the exploited element [is] the biota and the land itself.

Very few college professors want high school graduates in their history class who are simply "gung ho" and "rah-rah" with regard to everything the United States has ever done, have never thought critically in their life, don't know the meaning of the word "historiography" and have never heard of it. They think that history is something you're supposed to memorize and that's about it. That's not what high school, or what college history teachers want.

The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error.

We must create a history of India in living terms. Up to the present that history, as written by the English, practically begins with Warren Hastings, and crams in certain unavoidable preliminaries, which cover a few thousands of years...The history of India has yet to be written for the first time. It has to be humanized, emotionalized, made the trumpet-voice and evangel of the race that inhabit India.

There is a sort of myth of History that philosophers have.... History for philosophers is some sort of great, vast continuity in which the freedom of individuals and economic or social determinations come and get entangled. When someone lays a finger on one of those great themes--continuity, the effective exercise of human liberty, how individual liberty is articulated with social determinations--when someone touches one of these three myths, these good people start crying out that History is being raped or murdered.

If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of acompletely irrational history or to endow history with the form of human reason.

History has never seen Emmitt Smith. I don't care what has come before me. That's why they call it history you create new history.

Events are the ephemera of history; they pass across its stage like fireflies, hardly glimpsed before they settle back into darkness and as often as not into oblivion. Every event, however brief, has to be sure a contribution to make, lights up some dark corner or even some wide vista of history. Nor is it only political history which benefits most, for every historical landscape - political, economic, social, even geographical - is illumined by the intermittent flare of the event.

Like every man who appears at an epoch which is historical and rendered famous by his works, Jesus Christ has a history, a history which the church and the world possess, and which, surrounded by countless memorials, has at least the same authenticity as any other history formed in the same countries, amidst the same peoples and in the same times. As, then, if I would study the lives of Brutus and Cassius, I should calmly open Plutarch, I open the Gospel to study Jesus Christ, and I do so with the same composure.

I've always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.

It is my ambition to be, as a private individual, abolished and voided from history, leaving it markless, no refuse save the printed books. [] It is my aim, and every effort bent, that the sum and history of my life, which in the same sentence is my obit and epitaph too, shall be them both: he made the books and he died.

I think my parents were happy that I'd gone to university and gotten a degree in history so they thought, 'Well if acting doesn't work for him, he can always become a history teacher or something.' Fortunately, the acting worked out.

I actually think history doesn't repeat itself. There are recurrent themes, but they're repeated with variations. Each time there's an immigration crisis, a threat from outside which is met with inhospitable wall building, it's different. And I think it's helpful to notice the big patterns in history, but it's also important to pay attention to the details, which makes each situation distinct from another.

Marxism: The theory that all the important things in history are rooted in an economic motive, that history is a science, a science of the search for food.

The silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.

According to Biblical history and all of the history of the world, the blues was built in man from the beginning. The first thing that came out of man is the blues because, according to the Scriptures, when God made man, man was lonesome and blue.

History comes and history goes, but principles endure, and ensure future generations will defend liberty not as a gift from government but as a blessing from our Creator.

I have always been interested in mythology and history. The more I read, the more I realized that there have always been people at the edges of history that we know very little about. I wanted to use them in a story and bring them back into the public's consciousness. Similarly with mythology: everyone knows some of the Greek or Roman legends, and maybe some of the Egyptian or Norse stories too, but what about the other great mythologies: the Celtic, Chinese, Native American?

Born Losers is a beautiful piece of writing. Scott Sandage is history's Dickens; his bleak house, the late nineteenth century world of almost anonymous American men who failed. With wit and sympathy, Sandage illuminates the grey world of credit evaluation, a little studied smothering arm of capitalism. This is history as it should be, a work of art exploring the social cost of our past.

The history of a man's soul, even the pettiest soul, is hardly less interesting and useful than the history of a whole people; especially when the former is the result of the observations of a mature mind upon itself, and has been written without any egotistical desire of arousing sympathy or astonishment. Rousseau's Confessions has precisely this defect – he read it to his friends.

History is a string full of knots, the best you can do is admire it, and maybe tie it up a bit more. History is a hammock for swinging and a game for playing.

I cannot understand why some people try to write a history of photography that is separated from the history of modern art.

The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.

Very strange bridges are used to make the passage from one state of things to another; we may lose sight of them in our surveys of general history, but their discovery is the glory of historical research. History is not the study of origins; rather it is the analysis of all the mediations by which the past was turned into our present.

China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.

If you strip the horrors of history from history, the flip side of that is you strip the nobility of rising above such horrors.

The story of dance in the Western world is as much an alternative vision of the events of history as is the folk history told for generations by primal people.

I think sometimes I guess you see records, say you want to get there and use that as motivation. In a way, it's kind of cool if there is a possibility to rewrite history and be up there with the greats of Olympic history.

However much an ideologue tries to bury [Lenin] beneath a proof by historical analysis, there is always this one man standing their on the plain of History and of our lives, in the eternal 'current situation.' He goes on talking, calmly or passionately. He goes on talking about something simple: his revolutionary practice, the practice of class struggle, about what makes it possible to act on history...not to demonstrate that revolutions are inevitable, but to make them in our unique present.

As history stands, it is a sort of Chinese play, without end andl without lesson. With these impressions I wrote the last line of my History, asking for a round century before going further.

History is a novel that has been lived, a novel is history that could have been.

Fashion for me is the perfect combination of all the things I love. There's an element of history to it. I love understanding why people wear what they wear, why during certain periods in history women looked the way they looked. There was always a strong reason behind it, whether it was because of what was available to them or because of what was happening in the world politically or sociologically. Fashion is like an amazing blend of commerce, travel, and creativity - of studying what people were about during a particular time.

Where you are born--what you are born into, the place, the history of the place, how that history mates with your own-- stamps who you are, whatever the pundits of globalisation have to say.

I love history, so I do a lot of movies about history.

Most Americans who made it past the fourth grade have a pretty good idea who Thurgood Marshall, Rosa Parks, and Martin Luther King, Jr., were. Not many Americans have even heard of Alice Paul, Howard W. Smith, and Martha Griffiths. But they played almost as big a role in the history of women’s rights as Marshall and King played in the history of civil rights for African-Americans. They gave women the handle to the door to economic opportunity, and nearly all the gains women have made in that sphere since the nineteen-sixties were made because of what they did.

If you look at history, even recent history, you see that there is indeed progress. . . . Over time, the cycle is clearly, generally upwards. And it doesn't happen by laws of nature. And it doesn't happen by social laws. . . . It happens as a result of hard work by dedicated people who are willing to look at problems honestly, to look at them without illusions, and to go to work chipping away at them, with no guarantee of success — in fact, with a need for a rather high tolerance for failure along the way, and plenty of disappointments.