Quotes About History

History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.

Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.

I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.

The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error. But science is one of the very few human activities-perhaps the only one-in which errors are systematically criticized and fairly often, in time, corrected. This is why we can say that, in science, we often learn from our mistakes, and why we can speak clearly and sensibly about making progress there. In most other fields of human endeavour there is change, but rarely progress ... And in most fields we do not even know how to evaluate change.

The gravest error a thinking person can make is to believe that one particular version of history is absolute fact. History is recorded by a series of observers, none of whom is impartial. The facts are distorted by sheer passage of time and thousands of years of humanity's dark ages, deliberate misrepresentations by religious sects, and the inevitable corruption that comes from an accumulation of careless mistakes. The wise person, then, views history as a set of lessons to be learned, choices and ramifications to be considered and discussed, and mistakes that should never again be made.

The lessons of history teach us - if the lessons of history teach us anything - that nobody learns the lessons that history teaches us.

I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.

After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.

Another thing is, people lose perspective. It is a cultural trait in America to think in terms of very short time periods. My advice is: learn history. Take responsibility for history. Recognise that sometimes things take a long time to change. If you look at your history in this country, you find that for most rights, people had to struggle. People in this era forget that and quite often think they are entitled, and are weary of struggling over any period of time

History does nothing, possesses no enormous wealth, fights no battles. It is rather man, the real, living man, who does everything, possesses, fights. It is not History, as if she were a person apart, who uses men as a means to work out her purposes, but history itself is nothing but the activity of men pursuing their purposes.

I'm not the creative one. I know that. If Rory Storm hadn't come along... and then The Beatles... I would have continued running around in teddyboy gangs. Today, well... I'd probably be a laborer. I'm glad I'm not, of course. It'll be nice to be part of history... some sort of history anyway. What I'd like to be is in school history books and be read by kids.

History is no longer just a chronicle of kings and statesmen, of people who wielded power, but of ordinary women and men engaged in manifold tasks. Women's history is an assertion that women have a history.

The history of humanity is not the history of its wars, but the history of its households.

For many people during many centuries, mankind's history before the coming of Christianity was the history of the Jews and what they recounted of the history of others. Both were written down in the books called the Old Testament, [the Torah] the sacred writings of the Jewish people ... They were the first to arrive at an abstract notion of God and to forbid his representation by images. No other people has produced a greater historical impact from such comparatively insignificant origins and resources.

It's a shame for women's history to be all about men--first boys, then other boys, then men men men. It reminds me of the way our school history textbooks were all about wars and elections, one war after another, with the dull periods of peace skimmed over whenever they occurred. (Our teachers deplored this and added extra units about social history and protest movements, but that was still the message of the books.)

We as Black people have to tell our own stories. We have to document our history. When we allow someone else to document our history the history becomes twisted and we get written out. We get our noses blown off.

If somebody tells you 'History will never forgive you,' just laugh at him! Because when the history comes, you won't be here! The threat of history never forgives you is a useless threat!

Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.

There's a level of shame attached to our history, and we need to replace that shame with pride and own our history. These are our superheroes. These are our people, and I would love to see us own this side of our history with pride.

I just read history books. I read nothing but history books. They have so much to give; I wish I'd majored in history in college.

It is a stern fact of history that no nation that rushed to the abyss ever turned back. Not ever, in the long history of the world. We are now on the edge of the abyss. Can we, for the first time in history, turn back? It is up to you.

The course of history as a whole is no object of experience; history has no eidos, because the course of history extends into the unknown future.

Economics are part of our life. We try to treat them separately, like over there is the economy and here is history. Econ affects history and history often doesn't get it right if it doesn't respect econ.

Home gives you something no other place can... your history. Home is where your history begins.

If you know the history of the whole concept of whiteness if you know the history of the whole concept of the white race, where it came from and for what reason you know that it was a trick, and it's worked brilliantly. You see, prior to the mid to late 1600s, in the colonies of what would become the United States, there was no such thing as the white race. Those of us of European descent did not refer to ourselves by that term really ever before then.

It is not just the history of the Hawaiian islands but the significance of the ordinary people whose lives - many quite extraordinary - make up that history.

Houses aren't refuges from history. They are where history ends up.

I'm not part of the history, I am the history.

History is not everything, but it is a starting point. History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.

I think my parents were happy that I'd gone to university and gotten a degree in history so they thought, 'Well if acting doesn't work for him, he can always become a history teacher or something.' Fortunately, the acting worked out.

"History repeats itself" and "History never repeats itself" are about equally true ... We never know enough about the infinitely complex circumstances of any past event to prophesy the future by analogy.

The cosmic calendar compresses the local history of the universe into a single year. If the universe began on January 1st it was not until May that the Milky Way formed. Other planetary systems may have appeared in June, July and August, but our Sun and Earth not until mid-September. Life arose soon after. We humans appear on the cosmic calendar so recently that our recorded history occupies only the last few seconds of the last minute of December 31st.

The history of humanity is the history of human freedom...Freedom is not, as Engels thought, "the recognition of necessity." Freedom is the opposite of necessity. Freedom is necessity overcome. Progress is, in essence, the progress of human freedom. Yes, and after all, life itself is freedom. The evolution of life is the evolution of freedom.

The history of our era is the nauseating and repulsive history of the crucifixion of the procreative body for the glorification ofthe spirit.

Anyone who knows history, particularly the history of Europe, will, I think, recognize that the domination of education or of government by any one particular religious faith is never a happy arrangement for the people.

I'm somewhat horrified because I don't think the young people today even know what history is. Some of them don't even study History at school anymore or Geography and they don't know where one place is from another.

We need to make sure that our children know different kinds of people, eat different kinds of food, and learn our true history. The way most schools teach history is wrong. If they talk about slavery it's typically just for a couple of days and the lessons almost never address the systems that have hindered people of color for more than 250 years. This has to change.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

The History of Evolution is the real source of light in the investigation of organic bodies. It is applicable at every step, and all our ideas of the correlation of organic bodies will be swayed by our knowledge of the history of evolution. To carry the proof of it into all branches of research would be an almost endless task. (1828)

Very strange bridges are used to make the passage from one state of things to another; we may lose sight of them in our surveys of general history, but their discovery is the glory of historical research. History is not the study of origins; rather it is the analysis of all the mediations by which the past was turned into our present.

Deeply versed in history, [John Adams] said over and over that America had no special providence, no special role in history, that Americans were no different from other peoples, that the United States was just as susceptible to viciousness and corruption as any other nation. In this regard, at least, Jefferson's vision has clearly won the day.

The story of dance in the Western world is as much an alternative vision of the events of history as is the folk history told for generations by primal people.

The history of mankind, the history of salvation, passes by way of the family... The family is placed at the center of the great struggle between good and evil, between life and death, between love and all that is opposed to love.

My grandfather was a Holocaust survivor and his life and history were very formative to myself and my family. The almost unimaginable dichotomy between the different eras of his life always crushed my brain on some level. That this guy who was shoveling carob chips out of a barrel and restocking yogurt popsicles could also have those numbers on his arm. It was an inconceivable juxtaposition. His experience was the main window for our family into any kind of social consciousness, or sense of history, or politics, even though a lot of it went unsaid.

Most of life on Earth has a deep past, much deeper than ours. And we have benefited from the distillation of all preceding history, call it evolutionary history if you will.

It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.

History isn't what happened, history is just what historians tell us.

I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in which it is produced. I think it's inescapable. It's like we look back now, at work done savoring the thirties, and you can almost tell it was done during that period of time. Now maybe, that's a style of period or something, I don't know. I think my work, or the things that interest me, come out of my reaction to history.