Quotes About Hollywood

I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.

Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.

I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.

Those who say that Serena isn't serious about tennis; she wants to go Hollywood. That's true, about Hollywood. I would love to get a lot of acting gigs. But you wouldn't believe the stuff I've turned down because of my tournament schedule...I would do well beside (comedian) Chris Tucker.

There isn't any question that Hollywood is profit driven. Anybody that thinks it isn't is a fool. It's a business. Hollywood was never philanthropy. The only purpose it had was making money; the only purpose it still has is to make money.

... Variety and the Hollywood Reporter, two publications read more faithfully in Hollywood than the Koran is in Mecca.

In Hollywood everything is formatted, everything is compulsory, so therefore we have to follow the law of benefits and profit and money, let us say the law of Hollywood.

Is Hollywood the cruelest city in the world? Well, it can be. New York can be that, too. You can be a Broadway star here one night, and something happens, and out--nobody knows you on the street. They forget you ever lived. It happens in Hollywood, too.

Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies

I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.

I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.

I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.

Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.

It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.

Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.

Once you got Hollywood doing these kinds of movies and having all the, how you say, the tools to do it, and also to keep on finding new ways of doing it becomes - Hollywood can be avant garde on what concerns action.

Love and friendship, two of life's abiding rewards, are endangered species in Hollywood. People crave both, mistaking alliance for friendship, lust for love, and ambition for both.

Each time I get off a plane in Hollywood, I don't think I'm pretty enough.

Politics is different than movies. Politics are controlled by leaders. Leaders of every country have different interests. And they try to explain to their people why they should take one side or the other side. But in the movie its doing the opposite. It allows you to have a Universal Experience. You don't watch it as politics but as a movie. You don't have different reactions all over. It's so universal a language. It's not a political language serving a political agenda. The language of cinema is a world language. With the Hollywood movie, it brings about the same reaction wherever it goes.

His scowl returned. "Why, if they're supposed to be Greek, are all of them speaking with an English accent?" She laughed. "Didn't you know that British is, like, the universal 'foreign' language in Hollywood? They use it in any movie where they want to have a foreign feel to it, regardless of where it's set

I dont think theres a back lot here in Hollywood anymore that has those streets, like a French Quarter.

The '90s were a time when not just the movie business, but every aspect of American life, became a lot more corporate. There's a line in Jonathan Franzen's essay "Perchance to Dream" about how "the rich lateral dramas of local manners have been replaced by a single vertical drama, that of commercial generality." I wanted to examine that great homogenizing force that came in during the '90s, since Hollywood seemed a place where it was particularly active.

I have a silicone bust, and half of Hollywood - artificial person.

A cigarette in the hands of a Hollywood star onscreen is a gun aimed at a 12- or 14-year-old.

I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels' understanding of digital technology.

Hollywood has an obligation to watch what they put out there. Kids do imitate what they see - good or bad.

People think in Hollywood there's a family, where everybody gets together talks about stuff and we all know each other, and it's just not that way at all to me.

Hollywood gave us far more Muslim terrorists in the Eighties and Nineties than it has since 9/11.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.

Having a partner who has nothing to do with Hollywood helps keep things in perspective.

You know, Hollywood sometimes tends to patronize the interior of the United States. As Horton Foote used to say, the great Texas playwright, that a lot of people from New York don't know what goes on beyond the South Jersey Shore.

There's nothing nicer than coming back to your village, where people like my mum's friends take the mick out of me. I prefer that to the craziness of Hollywood.

Everyone has to pay their child support, and no matter if you're a Hollywood actor or anyone else, it's always a little bit more than you want to pay.

The problem with Hollywood is that nobody works. They have meals. They go to Pilates. But it's not enough. So they do drugs. If everybody had a pile of rocks in their backyard and spent every day moving them from one side of the yard to the other, it would be a much happier place.

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

Hollywood's just not funny.

I love hats, I'm such a fan of hats. You don't wear a fascinator everywhere you go, but there are ways to incorporate old Hollywood nuances into your looks today but also edge it up.

No matter what you go through with the business side or the Hollywood side at the end of it all, when you are there on the set, it is your thing. So it is your own private world and that's great. That's where you have that bubble to create something in.

I'm 27 years old. I'm going to go into Hollywood really arrogant. I'll be breaking a lot of rules. It's going to be hot.

Hollywood is full of very liberal people, but it still has an infrastructure that needs to be broken.

Mother loathed the all-black B movies Hollywood made for the "colored" audience, where the stereotypes were broader and more offensive to her, and where the musical interludes did no justice to real talent, she said, but trivialized it.

She goes to Frederick's of Hollywood at the mall and purchases an explicit lingerie outfit so sheer that you could read an appliance warranty through it in an unlit closet.

D.C. is known as Hollywood for ugly people.

Hollywood, we decided, was a nice place to die, but we wouldn't want to live there.

In Hollywood you always feel a bit like a hake. The publicists march people up and down in front of you and they interview you... You feel like the turbot and the sea-bream go by, and you're the hake.

I was minding my own business, really, and then all of a sudden, Hollywood approached me.

Often Hollywood crews go into third world countries and I don't believe they behave well.