Quotes About Hollywood

The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.

Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.

I guess being French, I love Hollywood. I love Hollywood movies. Joseph Mankiewicz's 'All About Eve.' 'Mildred Pierce.'

You don't see Indians in Hollywood films around which a story can revolve. As soon as we have a social presence in your society, I am sure there will be many actors from our part of the world that will be acting in Hollywood films.

Hollywood's martyr-mythology leaves out the fact that the famed Hollywood Ten, for example, were in fact members of the Communist Party, which advocated the violent overthrow of the U.S. government in violation of the Smith Act and which took orders directly from Moscow.

England has been praised for turning out intelligent, adult pictures whereas Hollywood has been severely censured for turning out junk. I don't think criticism is a valid one because, in defense of Hollywood, we have censorship problems England doesn't have. I'm not speaking of the license to do sexy stuff. I'm speaking of the license to present adult ideas and viewpoints, which we lack and which means in turn that many of our pictures lack intelligent content.

I consider my relationship with acting in Hollywood as sort of a mutual breakup. Through puberty, Hollywood didn't really want me anymore, and I was like, 'Yeah, I don't really want you, either.'

I just try to, in my own way, contribute to making a better Hollywood, to move Hollywood to be a leader in social justice, as it always has been, and not to have any holes in their own backyard while they continue to push for equality and all the things that they always stand up for.

The most remarkable thing about Hollywood is that it does not exist. ... Hollywood, in a word, has no center, never had one, no city hall, court house, church, square, or rather it probably has some of those but they're so aimlessly thrown in with the general jumble ... that I, for one, never found them.

In Hollywood, they put the knife in your front; in D.C., they put it in your back. I found far fewer duplicitous people in Hollywood.

Hollywood was not a place I dreamed of getting to. I never could take seriously the obsession people have about being a celebrity or getting to Hollywood - I was born next door.

I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.

What Hollywood has done through the years is glamorized it even more, made it sexy, made it sensuous, and dwelled on those pleasure aspects, completing ignoring the fact that Hollywood as an industry, was pointing the gun at young people - pointing a gun at them when they were 12 to 14 years.

In fact, I think new media is going to make a big difference with injecting more people of color into Hollywood and non-Hollywood.

Poor Hollywood! These things happen all over the world but what a great backdrop to have Hollywood in our movie. No, but I know people who divorce a lot....and have really nice houses. But I didn't model the character on anyone in particular. And if I did, I would never tell the name.

Hollywood has always been good to me. I've never blamed Hollywood for my problems.

THE DYING GAUL is a Hollywood satire. But Hollywood is not the real subject matter here. My play uses that world of high-rolling big money - that crazy-making business - to examine a whole range of subjects.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.

It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.

For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.

There was no way I could live in Hollywood and not become an actress.

Each time I get off a plane in Hollywood, I don't think I'm pretty enough.

What I've learned, more than anything, as a young actor who has been in the business for 10 years, is just to be around guys and girls, like Ron Perlman, Bill Lucking, Kim Coates, Tommy Flanagan, Katey Sagal, who have been in this business for a very long time, and to learn what to do and what not to do from them, every day, and to see how they navigate through their Hollywood life.

At the end. First start off and do your youth thing In Hollywood and then go to New York later. But it wound up being later, later than I thought it was going to be.

National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word "industry" is misleading. A small national cinema has no industry in the Hollywood sense.

His scowl returned. "Why, if they're supposed to be Greek, are all of them speaking with an English accent?" She laughed. "Didn't you know that British is, like, the universal 'foreign' language in Hollywood? They use it in any movie where they want to have a foreign feel to it, regardless of where it's set

Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.

You know how Hollywood is: They just follow suit.

Hollywood has gone from Pola to Polaroid.

People think in Hollywood there's a family, where everybody gets together talks about stuff and we all know each other, and it's just not that way at all to me.

You get so afraid of failure and so afraid of losing and so afraid of not being the best that it's not a natural drive - it's born out of fear of failure. Which helps in Hollywood.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.

It's certainly a difficult time right now to try to make small, smart films. I'm not trying to be self-serving, but you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy.

The misconception about Hollywood is that it's a crazy drug and alcohol fueled place. It can be but there's also a huge sober community.

I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures. There you have Quentin playing with kung-fu. That's why the independents are the most interesting.

I approach the film business the way I feel about self-esteem. It's something that has to be maintained. That's kind of how I feel about positive roles in Hollywood. They have to be maintained. You have to purposefully, intentionally try to make the right type of films. And the more people that do that, the more things will continue to improve.

Hollywood parties not only confuse me, but they often disillusion me. The disillusion comes when I meet a movie star I’ve been admiring since childhood. I always thought that movie stars were exciting and talented people full of special personality. Meeting one of them at a party I discover usually that he (or she) is colorless and even frightened. I’ve often stood silent at a party for hours listening to my movie idols turn into dull and little people.

America's cultural table is set by the people living in the three bubbles - New York Washington D.C. and Hollywood.

My first memoir, 'Home,' was about my childhood, early training and formative years in the Theater, i am so pleased that my good friends at the Hachette Book Group have encouraged me to share the next phase of my life, beginning with my arrival in Hollywood and the wonderful movies and television programs I was asked to be a part of.

Hollywood's always saying, "Yesterday!" and scares you to death with all that deadline and yelling and impatience stuff.

I think that if Hollywood has a problem, it constantly underestimates the intelligence and integrity of fans. You can be passionate about a show, but I don't think that people are obsessed to the point where it's so manic that they lose themselves and they lose a sense of their center of morality.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

Comedy Central was a great network, but 'Chappelle's Show' took it to a completely different level. Other shows got bigger because so many viewers were watching the 'Chappelle' reruns. For BET, the 'Real Husbands of Hollywood' has that same potential.

I don't think the Hollywood community is interested in what I can do. That's all right. I've never looked for a job in my life, and I'm not going to start now. I have plenty to keep me busy.

I've worked in almost every other place in Canada except Toronto, funny enough, where my husband's from. The first time I was here it was winter, and I got engaged. The second time I was here it was summer, and I was married. My family lives here, my stepson lives here, so it's a wonderful place. Everyone's very nice and hospitable, unlike Hollywood.

Hollywood views regular people as children, and they think they're the smart ones who need to tell the idiots out there how to be.

I'm an actress, I live in L.A., I work in Hollywood. But I've learned that if you're too skinny, they'll say something about it. If you're not skinny enough, they'll say something about it. I just try to feel good in my own skin as much as I can.

Given the choice of Hollywood or poking steel pins in my eyes, I'd prefer steel pins.