Quotes About Hollywood

I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.

I've seen so many beautiful curvy women gain success in hollywood and then wither into bobble headed stick figures in some grotesque attempt to fit a revolting hollywood trend. I like real women, not the broomsticks that Hollywood has been selling lately.

The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.

Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.

Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.

I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink covered bathroom fixtures. I went Hollywood on the inside and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses. I received bad advice - from dramatic coaches, from agents, and from studio executives. I stopped being a human being. I blame myself and I blame Hollywood's star system.

Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.

Hollywood is one of those places where, traditionally, money has come from - along with New York, Texas, Florida, Silicon Valley in northern California and the unions. But because of the Internet and the way campaigns are financed these days, you don't need traditional financing as much as you used to - and Barack Obama has tapped into that in a big way. But at the end of the day, people in Hollywood care more about [the presidency] than just the trappings of it and the surface type stuff. They care about the issues.

I never had a desire to leave mainstream Hollywood. And still don't think that I've left mainstream Hollywood.

I consider my relationship with acting in Hollywood as sort of a mutual breakup. Through puberty, Hollywood didn't really want me anymore, and I was like, 'Yeah, I don't really want you, either.'

Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.

The most remarkable thing about Hollywood is that it does not exist. ... Hollywood, in a word, has no center, never had one, no city hall, court house, church, square, or rather it probably has some of those but they're so aimlessly thrown in with the general jumble ... that I, for one, never found them.

Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.

In Hollywood especially, if you're gay and conservative, it's worse to be a conservative in the gay community than it is to be a conservative in Hollywood.

What Hollywood has done through the years is glamorized it even more, made it sexy, made it sensuous, and dwelled on those pleasure aspects, completing ignoring the fact that Hollywood as an industry, was pointing the gun at young people - pointing a gun at them when they were 12 to 14 years.

There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.

In fact, I think new media is going to make a big difference with injecting more people of color into Hollywood and non-Hollywood.

Just as many people flee Hollywood as those who flock to it. Hollywood can be an acquired taste.

Every time I've made a plan in my Hollywood acting career, something else has happened, so I've gotten out of the habit of trying to predict the future.

Hollywood large is so different than real-life large.

When I was younger, I was really anti-Hollywood. Now I'm more accepting of it because I'm less of a snob.

I was very lucky because Tim Burton really gave me a career. I don't think Hollywood would've known what to do with me. If I hadn't done 'Beetlejuice,' I think I would've just gone back to my school.

Mr. Reagan spent World War II, the global conflict fought and won by his generation, making training films in Hollywood.

The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .

It's certainly a difficult time right now to try to make small, smart films. I'm not trying to be self-serving, but you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy.

I like to go to the races at Hollywood Park, but I don't usually win with the horses, so afterward I go to Auntie Em's and drown my sorrows in a red velvet cupcake. It never fails me.

Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.

Ironically, even the fashion in New York or Paris or Milan or whatever, or music in Berlin, or art in, I don't know, Madrid - all these scenes come and go. Everything leads back to Hollywood.

I'd like to refocus everyone's attention away from the Kardashians and onto Doctors Without Borders or aid workers. Let's redefine scandal. Scandal is not who so-and-so is dating; scandal is the fact that 1.2 million people are still living in tents in Haiti, and cholera is rampant because Nepalese U.N. soldiers dumped s- from their Porta-Potties into the river. That's a f-ing scandal. If the average 15-year-old was hearing about that instead of so-and-so's plastic surgery or cheating in Hollywood, I'd feel better about our future.

I think that if Hollywood has a problem, it constantly underestimates the intelligence and integrity of fans. You can be passionate about a show, but I don't think that people are obsessed to the point where it's so manic that they lose themselves and they lose a sense of their center of morality.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

Comedy Central was a great network, but 'Chappelle's Show' took it to a completely different level. Other shows got bigger because so many viewers were watching the 'Chappelle' reruns. For BET, the 'Real Husbands of Hollywood' has that same potential.

The traditional model for a company like Coca-Cola is to hire one big advertising agency and essentially outsource all of its creativity in that area. But Coca-Cola does not do it that way. It knows how to manage creative people and creative teams and it has been quite adept at building a network that includes the Creative Artists Agency in Hollywood, which is a talent agency.

I think Hollywood is so driven by money, the people who are making the decisions are not necessarily reflective of the melting pot, so what stories are you going to want to tell? You're going to want to tell stories about yourself.

People don't believe this, but Hollywood really is a meritocracy.

Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.

I worked for a publishing company in Hollywood.

My father and Mary Pickford were the reigning stars of not just Hollywood but of the world. Well, to bear my father's name was hard enough, but to work in pictures to boot was pretty foolhardy. In fact, my father was totally against it. He thought I should be off getting a good education and go into some safe profession.

Hollywood wants its heroes to be virtuous, but it defines virtue in a way that excludes any action that is self-interested. If virtue means putting others ahead of self, then it's clear that most people, let alone most capitalists, aren't very virtuous.

In Hollywood, the women are all peaches. It makes one long for an apple occasionally.

She goes to Frederick's of Hollywood at the mall and purchases an explicit lingerie outfit so sheer that you could read an appliance warranty through it in an unlit closet.

In Hollywood films everything is tidied up at the end with clean lines and clean character definitions. It's sort of unsatisfying.

Don't depend on acting as your sole source of income. Work nights, so you can have your days off to attend auditions. Have something to fall back on. That's what my mother taught me, and it's critical in Hollywood.

I was disillusioned by Hollywood at the time, but now I've come to accept that's just the way things are: it's called show business, not show art.

When I first got into this biz called show, I decided I was going to change my name, make it more Hollywood. And you know how you do that? You take your middle name and the first street that you ever lived on. So when I first started, I actually went by Sue Rural Route 2.

Most actors have to sit by the phone and wait for somebody to call them up to audition and stuff. I don't think I can exist in Hollywood just on that. I think I need to be proactive and making sure that things I really want to do are being developed to the point where somebody wants to make them?

When I think about old Hollywood and the glamour of those days, women like Grace Kelly, Marilyn Monroe, and Audrey Hepburn were not dressing the way some girls dress today. There was a certain mystery about them, and I feel like that's gone in our industry.

Hollywood is so strange because a lot of times the battlefield is just a meeting. It's not necessarily like an audition. They've seen clips of you and they know that you can perform and it's a matter of "what is your take on a character"?