Quotes About Hollywood

Being from New York, there's three things you know about Hollywood. You know about the Hollywood sign, Sunset Strip and Hollywood Boulevard with the stars.

I ask everyone - white Hollywood and black Hollywood - to get outside of your comfort zone and make friends. That's where they're going to learn from each other, and that's where they're going to make better movies and make Hollywood a better place.

Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.

Remember a few years ago when they left Bea Arthur out of the death reel at the Oscars? Bea Arthur! How did they leave Bea Arthur out? She was in Mame; she was in All in the Family; she was in Maude; she was a Golden Girl, for God's sake! Bea was not only one of Hollywood's leading ladies, she was one of Hollywood's leading men!

Everyone has a warped vision of Hollywood and what success in Hollywood is like.

I grew up in a Hollywood family with money, so money is not the reason I make music. I'm as Hollywood as it gets. Not internally but externally - that's my bloodline.

It's such a funny thing. Hollywood is terrible unless you happen to be a celebrity who's a Republican. So Ronald Reagan can be a Hollywood celebrity, and he's a Republican, and then he can become the president, and that's okay. Fred Thomson, well, that's okay. But the rest we need to demonize. There's no consistency.

I'm not criticizing Hollywood because I work there, I partly live there. But I'm saying this is the way it is, commerce is taking over art. Commerce has become the most important thing in the film industry. Hollywood is an industry, it's not an art form, therefore they have to address the bottom line. But in a way it's sad when you get a remake, isn't it?

Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.

I appreciate it if I make a Chinese film. And if there is an opportunity to make a Hollywood film, I will take it - especially because, as you probably know, in Hollywood, even today, there are not a lot of big roles for Asian performers. So it is a great opportunity. It is possible to make films that people everywhere enjoy. I travel quite a lot. I don't really feel like when I am in China, I am a Chinese person and when I'm here, I'm a foreigner. I don't feel that kind of difference anymore. In the past I did. Not anymore. I feel quite at home everywhere. The whole world is my home.

It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.

One can't imagine a Hollywood film whose entire purpose was to ridicule, say, homosexual activists, feminists, animal rights crusaders, or environmentalists. That would be blasphemy. Hollywood understands that religious people, particularly Christians, are the last group in America besides businessmen who may be defamed with impunity.

There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.

Poor Hollywood! These things happen all over the world but what a great backdrop to have Hollywood in our movie. No, but I know people who divorce a lot....and have really nice houses. But I didn't model the character on anyone in particular. And if I did, I would never tell the name.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.

Once you got Hollywood doing these kinds of movies and having all the, how you say, the tools to do it, and also to keep on finding new ways of doing it becomes - Hollywood can be avant garde on what concerns action.

I always remind people why The Oscars got started in 1928: It was an effort by the studios to suppress the unions. They started the Academy because all the screenwriters and directors and actors were unionizing, and they thought, "We'll have something that resembles a union, but that's completely controlled by the moneyed interests in Hollywood." That's what it's been all these years. It's something that reinforces Hollywood's image of itself. The Best Picture one year was Gandhi. Nobody watched Gandhi, but that's the kind of picture that always wins.

A lot of times in Hollywood you're as good as your last job.

Each time I get off a plane in Hollywood, I don't think I'm pretty enough.

Harrison Ford is absolutely amazing. He is a Hollywood icon, and just to work with him was absolutely incredible.

I am so stereotyped into being this Hollywood girl.

The myth that the CEO is going to discover you and nurture you and ask you to join her for lunch is just that, a Hollywood myth.

The '90s were a time when not just the movie business, but every aspect of American life, became a lot more corporate. There's a line in Jonathan Franzen's essay "Perchance to Dream" about how "the rich lateral dramas of local manners have been replaced by a single vertical drama, that of commercial generality." I wanted to examine that great homogenizing force that came in during the '90s, since Hollywood seemed a place where it was particularly active.

From a young age, [James Baldwin] was watching all those different films. He's watching John Wayne killing off the Indians. He came to the point that the Indians were him. You had to educate yourself because the movies were not educating you. The movies were giving you a reflection of you that was not the truth. That's the trick. The movie was also giving a reflection of what the country is. Basically, a country that wanted itself to be innocent. That's the ambivalence of Hollywood.

I've always said that the word 'genius,' especially in Hollywood, is way overused.

A lot of nudity in my early movies was out of necessity. When I came out to Hollywood, I didn't know anybody, I didn't have any connections. I did what a lot of people have to do in the real world, and just work up from the bottom.

Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops.

It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.

I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.

A hit show takes Hollywood magic indeed, but it also takes a lot of math and science, plus the study of polls and trends to make and sell a TV show.

There's nothing nicer than coming back to your village, where people like my mum's friends take the mick out of me. I prefer that to the craziness of Hollywood.

I'd like to refocus everyone's attention away from the Kardashians and onto Doctors Without Borders or aid workers. Let's redefine scandal. Scandal is not who so-and-so is dating; scandal is the fact that 1.2 million people are still living in tents in Haiti, and cholera is rampant because Nepalese U.N. soldiers dumped s- from their Porta-Potties into the river. That's a f-ing scandal. If the average 15-year-old was hearing about that instead of so-and-so's plastic surgery or cheating in Hollywood, I'd feel better about our future.

Hollywood is a strange place if you're in trouble. Everybody thinks it's contagious.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

As much as my parents are part of Hollywood, I have no recollection of them giving me advice about it.

There is a misperception, if you will, in critical response or even in Hollywood, that I can only do exaggerated characters. Or what they would call over-the-top performances. Well, this is completely false.

The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.

I came in on the tail end of the old school of Hollywood

Hollywood allows you to go and express yourself.

With action in Hollywood, a choreographer will be hired to design an amazing fight, with all these cool little narrative bits, such as a fighter having to perform a certain move because he's been injured and can only move that way, but it can all get lost in translation because the director then does what he wants with it and then passes it on to the editor, who does his interpretation of the fight. It becomes almost like Chinese whispers, so sometimes the end fight you see on film is so different to how it was conceived and looked on the day.

I'll be a flop in movies. Besides, I don't like 'em, and I never did believe there was a place called Hollywood. Somebody made it up!

Hollywood has this incredible ability to make a lot of noise.

Mother loathed the all-black B movies Hollywood made for the "colored" audience, where the stereotypes were broader and more offensive to her, and where the musical interludes did no justice to real talent, she said, but trivialized it.

Hollywood likes to put out their own message out a lot of times, and that message isn't the best one for everyone.

Only a small percentage of novelists, painters, musicians, scientists, anywhere in the world, are talented. But there are many more in Hollywood than one would expect from looking movies.

In our benighted age, when films about amusement park rides and electronic fidgets scoop the honours, perhaps Hollywood redux is the best we can hope for.

Don't depend on acting as your sole source of income. Work nights, so you can have your days off to attend auditions. Have something to fall back on. That's what my mother taught me, and it's critical in Hollywood.

This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood.