Quotes About Hollywood

I've seen so many beautiful curvy women gain success in hollywood and then wither into bobble headed stick figures in some grotesque attempt to fit a revolting hollywood trend. I like real women, not the broomsticks that Hollywood has been selling lately.

What does it mean to be too black for Hollywood? It's self-explanatory. Hollywood has certain kinds of blacks that they like.

I find Hollywood gives these pat stories, and they're reassuring stories, and I don't really want to give people that. Hollywood does all that work. I'm offering, sometimes, an alternative to that. The answers aren't black-and-white. There may not even be answers in certain instances. The ground is not necessarily solid, either. So you've got to keep awake the whole time, even after the movie is over.

... Variety and the Hollywood Reporter, two publications read more faithfully in Hollywood than the Koran is in Mecca.

Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay.

It's such a funny thing. Hollywood is terrible unless you happen to be a celebrity who's a Republican. So Ronald Reagan can be a Hollywood celebrity, and he's a Republican, and then he can become the president, and that's okay. Fred Thomson, well, that's okay. But the rest we need to demonize. There's no consistency.

I remember saying to my agent, "Listen, everybody's going out to Hollywood and making movies. I think I ought to go out there." And his advice to me was, "I wouldn't do that if I were you. If they want you in Hollywood, they'll send you." And sure enough, they did.

I have not walked away from Hollywood. I'm walking away from the way I personally did business in Hollywood. The budget of whatever movie I do needs to be efficient; it needs to consider what kind of resources we're using and how to be as responsible as possible.

Hollywood was not a place I dreamed of getting to. I never could take seriously the obsession people have about being a celebrity or getting to Hollywood - I was born next door.

Hollywood's racist. Hollywood is sorority racist. It's like - we like you, Rhonda, but you're not a Kappa.

I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.

When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.

Washington is a Hollywood for ugly people. Hollywood is a Washington for the simpleminded.

If I was American, I think I'd live in New York, because I like that East Coast mentality. There's nothing wrong with Hollywood. If you want to be a big time filmmaker, you should go to Hollywood.

Film is universal. All the countries of the world are making films. Hollywood is the only major unsubsidized center for films. To my knowledge all others are at least partially subsidized. I'm glad Hollywood isn't.

They say that in Hollywood one can't be honest, but I think honesty counts in Hollywood just as much as it does anywhere else. I think it's just too much trouble to be dishonest and keep up with yourself.

Once you got Hollywood doing these kinds of movies and having all the, how you say, the tools to do it, and also to keep on finding new ways of doing it becomes - Hollywood can be avant garde on what concerns action.

Well, I don't think Hollywood's a dirty word at all, I love a lot of Hollywood films.

I always remind people why The Oscars got started in 1928: It was an effort by the studios to suppress the unions. They started the Academy because all the screenwriters and directors and actors were unionizing, and they thought, "We'll have something that resembles a union, but that's completely controlled by the moneyed interests in Hollywood." That's what it's been all these years. It's something that reinforces Hollywood's image of itself. The Best Picture one year was Gandhi. Nobody watched Gandhi, but that's the kind of picture that always wins.

I like movies that are scary, but I don't want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn't make movies like that.

You know how Hollywood is: They just follow suit.

For whatever reason, that dream I had of going to Hollywood never went away. But when I got to LA at just 19 years of age, my faith was the foundation that gave me the confidence that I needed to believe that it would all work out and was a reason for the open and closed doors. Today, my faith is the center of my career.

If the goal is to get the best artists, actors, and filmmakers in the world to create the best movies, Hollywood does a decent job. And I think no one would disagree with me that it also makes a ton of bad movies and employs a bunch of hacks.

My husband is someone who's in the real world. It's a big help that I don't have both feet in Hollywood

It's somehow symbolic of Hollywood that Tara was just a facade, with no rooms inside.

You know, Hollywood sometimes tends to patronize the interior of the United States. As Horton Foote used to say, the great Texas playwright, that a lot of people from New York don't know what goes on beyond the South Jersey Shore.

Joe Lieberman frightens me. Why should we, an Hollywood voter, donate money to a man who threatens our creative freedom, our freedom of expression.

I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.

Most of the successful people in Hollywood are failures as human beings.

Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.

When I was very young and first worked in Hollywood, the films had bred in me one sole ambition: to get away from them; to live inthe great world outside movies; to meet people who created their own situations through living them; who ad-libbed their own dialogue; whose jokes were not the contrivance of some gag writer.

I don't like the vulgarity of Oscars weekend, but it's also sweet. It's prom weekend for anyone who didn't experience the real prom: the nerds, gay, arty outsiders. Hollywood is high school with money.

I've always wanted to be like the Hollywood Golden Age actors.

It was pop culture, entertainment, Hollywood, award shows - these are the things that really captivated me as a kid. I would watch the Oscars and every award show with my parents. I would make lists of who was going to win.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

I believe that God felt sorry for actors so he created Hollywood to give them a place in the sun and a swimming pool. The price they had to pay was to surrender their talent.

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

I've never been turned down for a role because I'm gay. I'm a character actor, and that's probably why. I don't find Hollywood, in my own experience, to be homophobic. ... But I do think the straight folks will continue to play the straight roles.

Well, executive producer can mean anything in the world of Hollywood, sadly. It can be a bought title in many instances.

I'll be a flop in movies. Besides, I don't like 'em, and I never did believe there was a place called Hollywood. Somebody made it up!

When I first came to Hollywood, I used to dream of doing films and escaping television.

I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.

Hollywood, we decided, was a nice place to die, but we wouldn't want to live there.

Most movies suck, even the independent ones. Hollywood is like baseball: Hit three good ones out of 10 and you're a Hall of Famer.

Hollywood is in the perception business where you create layers to create mystery. In Silicon Valley it's about taking away the layers to get to the substance.

I'm still waiting for my first big Hollywood paycheck... maybe I'll play a superhero.

Mother of three; divorcee; American. Twenty years experience as an actress in motion pictures. Mobile still and more affable than rumour would have it. Wants steady employment in Hollywood. (Has had Broadway). References upon request.

I think Hollywood has a habit of developing 100 times more than they actually shoot.