Quotes About Hollywood

He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.

I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.

Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.

I'm always fascinated by people from the Midwest, because it is so different than Hollywood, who discover at some point that they want to be in Hollywood.

Our concept of beauty is taken from Hollywood, which is anti-black. We don't see ourselves as beautiful in most cases. Although we are naturally one of the most beautiful peoples out there, we don't see it. We don't get the point. Hollywood sets the standards.

All Hollywood corrupts; and absolute Hollywood corrupts absolutely.

My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.

I'm not a Hollywood director. I'm an in spite of Hollywood director.

In Hollywood especially, if you're gay and conservative, it's worse to be a conservative in the gay community than it is to be a conservative in Hollywood.

It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.

I've been fortunate to have had the life I had prior to Hollywood. I wasn't starving, I was going to eat the next day. I came to Hollywood wanting a career that had longevity, and I wasn't afraid to take risks because I had a dollar in the bank. I wasn't driven by money as much as I was driven by making a successful transition. And I was smart enough to know that I certainly didn't have all the answers and I needed to surround myself with smart people and be willing to take risks and be willing to fail.

What Hollywood has done through the years is glamorized it even more, made it sexy, made it sensuous, and dwelled on those pleasure aspects, completing ignoring the fact that Hollywood as an industry, was pointing the gun at young people - pointing a gun at them when they were 12 to 14 years.

The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers. In general, people like that are going to be more progressive, more open minded, a little more altruistic.

In fact, I think new media is going to make a big difference with injecting more people of color into Hollywood and non-Hollywood.

To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.

The primary job for women in Hollywood is still super-attractive actress. That is the most high-profile women's job in Hollywood.

I want to be able to work on a project that will give people around the world the chance to represent their own people, their own culture, their own stories, rather than just Hollywood - really, you know, dominated Hollywood. And that's a dream of mine.

Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.

One of the things you have to understand with The Room, I never approached a studio to produce, because I know no one in Hollywood will produce this. I came to Hollywood and I said "I will produce this movie the way I want it."

At the end. First start off and do your youth thing In Hollywood and then go to New York later. But it wound up being later, later than I thought it was going to be.

I dont think theres a back lot here in Hollywood anymore that has those streets, like a French Quarter.

My husband is someone who's in the real world. It's a big help that I don't have both feet in Hollywood

A cigarette in the hands of a Hollywood star onscreen is a gun aimed at a 12- or 14-year-old.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

You know, Hollywood sometimes tends to patronize the interior of the United States. As Horton Foote used to say, the great Texas playwright, that a lot of people from New York don't know what goes on beyond the South Jersey Shore.

I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.

It's certainly a difficult time right now to try to make small, smart films. I'm not trying to be self-serving, but you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy.

I like to go to the races at Hollywood Park, but I don't usually win with the horses, so afterward I go to Auntie Em's and drown my sorrows in a red velvet cupcake. It never fails me.

After two years in Washington, I often long for the realism and sincerity of Hollywood.

I approach the film business the way I feel about self-esteem. It's something that has to be maintained. That's kind of how I feel about positive roles in Hollywood. They have to be maintained. You have to purposefully, intentionally try to make the right type of films. And the more people that do that, the more things will continue to improve.

I look at going to Hollywood as going behind enemy lines. You parachute in, set up the explosion, then fly out before it goes off.

A hit show takes Hollywood magic indeed, but it also takes a lot of math and science, plus the study of polls and trends to make and sell a TV show.

I grew up with a lot of Hollywood films. Cozy farm houses, cowboys, nice flats in New York. Especially as a kid, those things have a huge impression on you.

You know, my hair is very upsetting to people, but it's upsetting on purpose. It is important to look old so that the young will not be afraid of dying. People don't like old women. We don't honor age in our society, and we certainly don't honor it in Hollywood.

I think that if Hollywood has a problem, it constantly underestimates the intelligence and integrity of fans. You can be passionate about a show, but I don't think that people are obsessed to the point where it's so manic that they lose themselves and they lose a sense of their center of morality.

I have to admit I've rarely been happier in my life. I have been absolutely thrilled to be back in New York and living a block from where I grew up. Just to be back in New York and, quite honestly, away from Hollywood has been an absolute thrill for me. I feel like I'm a real actor again.

There are definitely roles within this industry that are industry-related, but to be a good actor, you really have to want to act first. At the same time, my goal was never to go to Hollywood to make movies. I think if you come here with that attitude, then you've missed a few steps.

I was one of the first women producers in Hollywood.

Ever since they found out that Lassie was a boy, the public has believed the worst about Hollywood

With action in Hollywood, a choreographer will be hired to design an amazing fight, with all these cool little narrative bits, such as a fighter having to perform a certain move because he's been injured and can only move that way, but it can all get lost in translation because the director then does what he wants with it and then passes it on to the editor, who does his interpretation of the fight. It becomes almost like Chinese whispers, so sometimes the end fight you see on film is so different to how it was conceived and looked on the day.

I live in the Hollywood Hills. When I see a cop driving around there, I actually assume that he has my best interests at heart and that he has the best interests of my property at heart. I think if you'd go to Pasadena, they'd say the same thing. And I think if you knocked on doors in Glendale and asked them, they'd say the same thing.

I don't consider myself a starlet or a Hollywood person.

Hollywood overstates both the romance of marriage and the prevalence of divorce. Celebrities have divorce rates that are atypical and higher than most couples. I suspect that in celebrity marriages, there are huge egos on both sides and they do seem to encourage unrealistic expectations about falling in love. The problem with our romantic culture is that you can love someone you don't respect and the marriage can run out of gas with that formula. Respect is essential - not just respecting your partner but being sure your partner equally respects you.

Hollywood likes to put out their own message out a lot of times, and that message isn't the best one for everyone.

There's always a backlash in everything that you do, but it's not going to stop or change anything. And it's not only an issue in Hollywood.

Hollywood is tied hand and foot to the demands for artificiality of the masses all over the world.

I'm just really excited to promote the movie [I know The Chair ] and the show in a different way, and not just the typical Hollywood way, which I don't think I'll ever fit into.

Most actors have to sit by the phone and wait for somebody to call them up to audition and stuff. I don't think I can exist in Hollywood just on that. I think I need to be proactive and making sure that things I really want to do are being developed to the point where somebody wants to make them?