Quotes About Horror

I don't know. I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.

Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.

You have to have horror that is entertaining, where you can laugh. Most people don't want you to laugh at horror. They just want you to just be disgusted and terrified.

In our dreams (writes Coleridge) images represent the sensations we think they cause; we do not feel horror because we are threatened by a sphinx; we dream of a sphinx in order to explain the horror we feel.

People don't like to say Horror so they say Dark Fantasy because that's Horror wearing a collar and tie.

When I was a kid I was really into horror films. I watched every single horror film that came out in the 80s.

There’s always been a need for horror fiction, though - ghost stories have been a staple of every human society since the beginning of recorded literature - and while commercially the field may have its ups and downs, it will never go away. Hell, look at the Bible: gods, devils, ghosts, witches, giants, resurrections. That’s one big horror story. And it’s the most popular book on the planet.

The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.

The horror of Gandhi's murder lies not in the political motives behind it or in its consequences for Indian policy or for the future of non-violence; the horror lies simply in the fact that any man could look into the face of this extraordinary person and deliberately pull a trigger.

My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes.

Oh, filmmakers, please don't take my soft book and turn it into a horror, or take my horror and make it soft.

There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.

Along with supernature and science, there is one other major source of horror movies disorder: the human psyche, most commonly homicidal psychosis. Unlike 'mad' scientists, horror-movies madmen are not visionary obsessives, glorifying in scientific reason as they single-mindedly purse their researches. They are, rather, victims of overpowering impulses that well up from within; monsters brought forth by the sleep of reason, not by its attractions.

When a man sees a dying animal, horror comes over him: that which he himself is, his essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying one is a person, and a beloved person, then, besides a sense of horror at the annihilation of life, there is a feeling of severance and a spiritual wound which, like a physical wound, sometimes kills and sometimes heals, but always hurts and fears any external, irritating touch.

Horror has been a genre since the beginning of cinema, all the way back to the days of silent films. I don't think it will ever go away because it's so universal. Humor doesn't always travel to other countries, but horror does.

No, the horror genre is not my first love. I don't run to the theater to see horror films.

Horror movies often work better when we have a stake in the game. The more we care about the characters, the more human they are to us, the more appealing they are to us and the more effective the horror tends to be.

I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.

I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.

The same sensations that you get in heavy metal are in horror movies. Heavy metal sounds evil and horror movies are evil, ha ha!

The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.

Charlie Marlowe never wrote horror, but somehow horror was writing Charlie Marlowe.

When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.

I'm mostly a novelist these days, but I have written short stories in Fantasy, Science Fiction and horror.

That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.

The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.

The gross perversion and destruction of motherhood by the abortionist filled me with indignation, and awakened active antagonism. That the honorable term 'female physician' should be exclusively applied to those women who carried on this shocking trade seemed to me a horror. It was an utter degradation of what might and should become a noble position for women.

Tantra is the perception of the oneness and the perfection of all things. Not just the perception of light, but the perception of darkness, seeing God in both beauty and horror.

I suppose we all have our recollections of our earlier holidays, all bristling with horror.

I came to terms with living mostly in a world of horror pictures or genre pictures.

It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.

...and horror of horrors, he realized that he was experiencing some sort of a crush. He needed to kill something.

I love horror movies because they're really fun. They tap into those wonderful primal emotions.

For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.

... everything written is at least in part fantasy. Except maybe the national budget. That's horror.

I've always thought the best way to teach a kid not to be scared of the dark is to fill his daylight hours with as much horror as possible.

Some people in Indonesia say they are content, but in fact most of them are miserable. People say they are not poor, even if they take water from the gutter and live in a carton shack. They say they are not afraid, because even the horror they are experiencing every day, is not allowed here to be defined as fear. If it is, the families, the officials, and mass media, mock it.

I'd never imagined myself writing at all until I was almost 30. And horror films weren't to my taste, at least the super popular (slasher-y) ones of the day back then. The first novel I ever loved as a kid was Frankenstein, and I was always a crazy Hitchcock and Polanski fan... but I never saw myself - a square spazzy girl from the suburbs - writing anything that would horrify anyone. Or so I thought.

There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling.

One of my favorite things to do within horror is explore this feeling that a lot of people seem to have from time to time, of there being currents of another reality running beneath, or alongside, what we see and interact with every day.

Dying away from home, away from the soil of your birth - and to do so unseen and unmourned - is a profound horror.

A lot of people don't think about it, but the Bible has every horror element that you can imagine. It's got the devil, the Antichrist, Lucifer, and Satan - which are four different characters. It's got the end of the world. You've got zombies, giants, demon possession, a lot of murder.

Christian morality (so called) has all the characters of a reaction.... In its horror of sensuality, it made an idol of asceticism, which has been gradually compromised away into one of legality. It holds out the hope of heaven and the threat of hell, as the appointed and appropriate motives to a virtuous life - in this falling far below the best of the ancients, and doing what lies in it to give to human morality an essentially selfish character.... It is essentially a doctrine of passive obedience; it inculcates submission to all authorities found established.

Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.

In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance.

Part of the public horror of sexual irregularity so-called is due to the fact that everyone knows himself essentially guilty.

I don't rush out the first day to see every horror movie, but I do keep up on them, because I want to talk intelligently with the fans about them.