Quotes About Horror

O horror! Horror! Horror! Tongue nor heart Cannot conceive nor name thee!

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.

I think when the joke comes from the situation in a horror film, it's really great. I don't like jokey horror films like where people are cracking a joke or being post-modern about it.

I'm not a fan of horror. I don't think a proper horror movie has been done since The Shining.

It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.

I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.

It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.

Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.

Oh, filmmakers, please don't take my soft book and turn it into a horror, or take my horror and make it soft.

I don't believe in evil; I believe only in horror. In nature there is no evil, only an abundance of horror: the plagues and the blights and the ants and the maggots.

I sat on the bed. I looked at the Rorschach blot. I tried to make it look like a spreading tree, shadows pooled beneath it, but it didn't. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that isn't the real horror. The horror is this: in the end, it is simply a picture of empty meaningless blackness.

I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.

When a man sees a dying animal, horror comes over him: that which he himself is, his essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying one is a person, and a beloved person, then, besides a sense of horror at the annihilation of life, there is a feeling of severance and a spiritual wound which, like a physical wound, sometimes kills and sometimes heals, but always hurts and fears any external, irritating touch.

I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.

I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.

There are a lot of war memorials around the UK. It's usually a part of the war memorials. I loved the way The Glorious Dead sounded. It's kind of a strange thing to say. There's nothing particularly glorious about being dead. It sounded like a strange, horror film. It just grew from there, really. It seemed quite apt for the record. We're kind of obsessed with zombie movies and horror films. It seemed like it just fit, at the time.

I wanted to reinvent horror comics. I felt like it was my mission to open people's eyes to the fact that horror comics could be so much more than the popular perception of them.

Release the demon under promise that I'd be repaid handsomely, my enemies destroyed? Hmm, where had I seen this before? Oh, right. Every demon horror movie ever made. And the horror part started right after the releasing part.

Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped.

I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.

Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.

But the purpose of the book is not the horror, it is horror's defeat.

I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.

The horror of our history has purged me of opinions.

Isn’t it only through laughter that we become one with the gods and thus can endure life and can overcome all the horror and waste and suffering here on earth? …Isn’t it only through laughter we can stay human?

I remember, May 1944: I was 15-and-a-half, and I was thrown into a haunted universe where the story of the human adventure seemed to swing irrevocably between horror and malediction.

Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.

I'm a horror movie fanatic.

I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?

I enjoyed Adam McCormick, it was this odd mix of coming-of-age, of horror, of suspense, of almost romance. These kind of disparate elements that for some reason blend really nicely into Jamie Marks is Dead quiet story. And I like that the scope of the film is very intimately focused. It's really fascinating and I didn't quite get the script at first, and I liked that, it made me want to keep thinking about it.

In the absolute sense - kind of from the God's-eye view - God might feel like, "I made this thing that has all of that in it, all the horror and all the beauty."

Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.

We are in a very critical and sensitive time in this nation. We need our president to sit down with folks who have a personal experience, a deep connection to the horror and the pain of this country`s provocative racial history. If the president wants to have a better understanding and appreciation for what he should do next, he needs to hear something from folks who have gone through this painful history. Without that personal connection to the painful past, it will be hard for him to regain that moral authority from my perspective.

Clary, you're an artist, like your mother. That means you see the world in ways that other people don't. It's your gift, to see the beauty and the horror in ordinary things. It doesn't make you crazy — just different. There's nothing wrong with being different.

When I wake up I look like a madman, like something out of a horror movie! That's why I sleep alone. But the funny thing is that I'm very impeccable and clean before I go to bed. It's just like right before I'm going out.

One of the problems, hanging out with me, is that I can turn any topic into a toxic horror story. I've lost two girlfriends and a job by reading an ingredients label out loud, with annotations, at the wrong time.

"The horror of that moment," the King went on, "I shall never, never forget!" "You will, though," the Queen said, "if you don't make a memorandum of it."

I look at camping the same way I look at horror movies. All the years that humans fought to get into caves and into shelters - it almost seems sacrilegious to go outside and sleep without a roof. We work so hard to have these things!

One phrase summarizes the horror of hell. "God isn't there."

Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.

Metal guys are huge nerds. A good percentage of them are either horror or sci-fi or comic book or fantasy nerds.

Im a devotee of Dracula, which was a pathfinder in horror and vampire fiction.

I was struck with a bolt of distilled horror like I have never known before. Far worse than suddenly finding yourself walking through a prison cafeteria wearing Daisy Duke shorts and a Jane Fonda headband.

Horror is beyond the reach of psychology.

What a great unifier getting scared is. Not in an actual threatening, real-world way, but getting scared from horror movies or haunted houses or ghost stories. You laugh because it's a release. People laugh when they're nervous. I laugh so much at a haunted house. It's out of fear, but it's also a wonderful release. Getting scared like that, you feel good, and you feel exhilarated afterwards.