Quotes About Idea

Let me lay my cards on the table. If I were to give an award for the single best idea anyone ever had, I'd give it to Darwin, ahead of even Newton or Einstein and everyone else. In a single stroke, the idea of evolution by natural selection unifies the realm of life, meaning, and purpose with the realm of space and time, cause and effect, mechanism and physical law. It is not just a wonderful idea. It is a dangerous idea.

The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.

Is there an idea more radical in the history of the human race than turning your children over to total strangers whom you know nothing about, and having those strangers work on your child's mind, out of your sight, for a period of twelve years? Could there be a more radical idea than that? Back in Colonial days in America, if you proposed that kind of idea, they'd burn you at the stake, you mad person! It's a mad idea!

The Strength of a hero is not in her abilities. In her weapons. These things are important, but they are not the source of her strength. The source of her strength is in her belief in an idea – the idea that those who are strong, and those who are able, protect those who are not, and those who cannot protect themselves. The idea that the good, and the right, will triumph. She is willing to put herself in harm’s way – in mortal danger – to prove her belief in this idea.” “That it is the duty of those who have within themselves the power, and the gift, to help others.

A wicked mortal is not the idea of God. He is little else than the expression of error. To suppose that sin, lust, hatred, envy, hypocrisy, revenge, have life abiding in them, is a terrible mistake. Life and Life's idea, Truth and Truth's idea, never make men sick, sinful, or mortal.

When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. When you put a sound to something and it's wrong, it's so obvious. When it's right, the whole is greater than the sum of the parts. That's a magical thing that can happen in cinema.

It takes a big idea to attract the attention of consumers and get them to buy your product. Unless your advertising contains a big idea, it will pass like a ship in the night. I doubt if more than one campaign in a hundred contains a big idea.

The idea of losing the three at Hayward Field and the idea of losing my specialty to someone who wasn't running his specialty. Mostly, the idea of losing in front of my people. They haven't forgotten about me.

An idea that is developed and put into action is more important than an idea that exists only as an idea.

I never had any idea that I would have a career quite honestly. You never really have any idea what is going to happen. You have an idea of what you would like to happen.

Much more than trying to focus on the battlefield of the war, it was the central place that German doctors occupied within Nazism, the omnipotent and insane idea of wanting to generically modify an entire nation. This idea was not on the outskirts of Nazi ideology, it was the heart of movement, that's what intrigued me. Mengele is the most extreme expression of this idea.

The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.

I've always drawn a lot. I like the idea of turning a 2-D sketch into a 3-D thing very quickly. And clothing is really good for that. You can draw an idea in the morning and you can see it by the end of the day. I think if it were something like a four-month process to get from the idea to the final thing, I would get quite bored.

When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes.

Most people think it's all about the idea. It's not. EVERYONE has ideas. The hard part is doing the homework to know if the idea could work in an industry, then doing the preparation to be able to execute on the idea.

Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.

I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.

We now have a better biological and psychological understanding of our moral thinking. The idea that we should do what maximizes happiness sounds very reasonable, but it often conflicts with our gut reactions. Philosophers have spent the last century or so finding examples where our intuition runs counter to this idea and have taken these as signals that something is wrong with this philosophy. But when you look at the psychology behind those examples, they become less compelling. An alternative is that our gut reactions are not always reliable.

In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.

I'd rather have half of my idea change the world than my whole idea be a few papers in a journal.

Capital does not 'beget profit' as Marx thought. The capital goods as such are dead things that in themselves do not accomplish anything. If they are utilized according to a good idea, profit results. If they are utilized according to a mistaken idea, no profit or losses result. It is the entrepreneurial decision that creates either profit or loss.

The idea of taking what people call the 'entertainment culture' as a focus of study, including historical perspective, is not a bad idea.

That's the illusion - the idea that you can be all right on the inside and not act it out - and it has affected us in many ways. That's a part of the idea that professing is enough.

I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.

For thirty years most interface design, and most comptuer design, has been headed down the path of the "dramatic" machine. Its highest idea is to make a computer so exciting, so wonderful, so interesting, that we never want to be without it. A less-traveled path I call the "invisible"; its highest idea is to make a computer so imbedded, so fitting, so natural, that we use it without even thinking about it.

What is tragic today is that there is a number of Muslims who think that all the solutions are to be found simply by external actions. They don't have to do anything within themselves. This is a deeply Western idea - modern, Western idea, where you try to improve the world without improving yourself. And this is what the Muslims who talk about others putting their heads in the sand and that "We are doing jihad and we are political" and so forth, they are emulating a very important mistake of modernism.

The Gospel is a very dangerous idea. We have to see how much of that dangerous idea we can perform in our own lives. There is nothing innocuous or safe about the Gospel. Jesus did not get crucified because he was a nice man.

In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant boys can go to hell; the idea of countries and the idea of sons triumph for eternity.

An idea is a light turned on in a man's soul. Comic-strip artists are in the habit of representing it by means of a light bulb flashing on, above the head of a character who has suddenly grasped an idea. In simple, primitive terms, this is an appropriate symbol.

I try to help founders as much as I can, but so many of us we won't even take meetings with people who still just have an idea, because everyone has an idea.

We have today to learn to get back into accord with the wisdom of nature and realize again our brotherhood with the animals and with the water and the sea. To say that divinity informs the world and all things is condemned as pantheism. But pantheism is a misleading word. It suggests that a personal god is supposed to inhabit the world, but that is not the idea at all. The idea is trans-theological. It is of an indefinable, inconceivable mystery, thought of as a power, that is the source and end and supporting ground of all life and being.

It is better to die for an idea that will live, than to live for an idea that will die.

What is the most powerful lever you can imagine? A big idea, but only if it's in the hands of a truly outstanding entrepreneur. It starts with the person and the idea, and then grows to the institution. All three are intertwined.

I would say that it is important to have it in your mind, what your attention is and what you want to do. Really just go for it, and fall and go for it again, and learn and continue to go for it. First, it starts as an abstract idea and you have this dream and desire. It will take you to one place, and in that time you act in a certain way and you do what you have to do in that one place to get you to the next place. It is constantly building into this idea that you have.

The idea that somebody who has done something horrible in a war is not willing to talk about it for 32 years is hardly a shocking idea. Quite the contrary.

[T]he influence of the German school is most obvious in relation to the contract theory of the origin of the state and the idea of the function of the state. The theory that the state originates in an agreement between men was assailed by the German thinkers and the historical, organic, evolutionary idea substituted for it.

The thing about angel investing, which I get into in the book a lot is, you actually don't have to understand the idea, you don't have to know if the idea is going to win, you just need to know if a founder's going to win in their life. I can just tell by looking at somebody if they'll be successful in their life. I don't even have to have a conversation. I just look at their eyes while they're talking and it becomes very clear to me.

I work from the body - I try to develop a language of the body. I've invented a term I call "corporeal writing" around that idea. I love teaching and collaborating around this idea, because no new breakthrough in literature ever happened because everyone was doing what was already there.

The idea of self-effacement, the idea that you feel so powerless that the only tiny morsel of power you have is over your own ability to deny yourself food - that to me is a very profound and sad methodology and indicator of how powerless a lot of people feel in this world. That they will turn that onto themselves until they are physically smaller. I think it's affected my worldview a lot - just being sensitive and empathetic towards the ways people want to be small. I don't wish smallness for anyone.

We dedicated ourselves to a powerful idea - organic law rather than naked power. There seems to be universal acceptance of that idea in the nation.

i had no idea what i wanted to do with my life and no idea how college was going to help me figure it out.

No-one really feels self-confident deep down because it's an artificial idea. Really, people aren't that worried about what you're doing or what you're saying, so you can drift around the world relatively anonymously: you must not feel persecuted and examined. Liberate yourself from that idea that people are watching you.

That's why I ended up leaving school - because it required so much time, and it was such an excellent idea. I figured I would regret not going full force with this idea. It seemed we could make something of it.

When you're trying to come up with an idea for a movie it's actually the hardest part - the germ of the idea. Inevitably you think of something that would be great and then discover that it was on an episode of The Simpsons.

I think having a great idea is vastly overrated. I know it sounds kind of crazy and counterintuitive. I don't think it matters what the idea is, almost. You need great execution.

When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have really done my job, I have no idea what I've got - and I then spend essentially the rest of my life figuring out what it might mean.

(He) was in love with the idea of revolution. Men like that, even when they turn their backs on their party and their comrades, can never let go of the idea: it's the secret god that rules their hearts. It is what makes them come alive; they revel in the danger, the exquisite pain. It is to them what childbirth is to a woman, or war to a mercenary.

I want to entertain people, whether it be with a comedy, a drama or a movie. An idea's an idea.