Quotes About Image

Spaces may or may not invite the image - if they do, they mostly do it with their spatial layers of time... It is then the image that takes the place of the space; the image in its own right.

The earthly form of Christ is the form that died on the cross. The image of God is the image of Christ crucified. It is to this image that the life of the disciples must be conformed; in other words, they must be conformed to his death (Phil 3.10, Rom 6.4) The Christian life is a life of crucifixion (Gal 2.19) In baptism the form of Christ's death is impressed upon his own. They are dead to the flesh and to sin, they are dead to the world, and the world is dead to them (Gal 6.14). Anybody living in the strength of Christ's baptism lives in the strength of Christ's death.

We act, we behave, and we feel the vibration that we're in at the present time according to what we consider our self image to be. And we do not deviate from that pattern. The image you hold of yourself is a premise, a foundation (idea) on which your entire personality is built. This image, not only controls your behavior but your circumstances as well.

The rise and fall of images of the future precedes or accompanies the rise and fall of cultures. As long as a society's image is positive and flourishing, the flower of culture is in full bloom. Once the image begins to decay and lose its vitality, however, the culture does not long survive.

No man at bottom means injustice; it is always for some obscure distorted image of a right that he contends: an obscure image diffracted, exaggerated, in the wonderfulest way by natural dimness and selfishness; getting tenfold more diffracted by exasperation of contest, till at length it become all but irrecognis-able.

A lot of actors get concerned about their own image, even going so far as to rewrite a movie to best serve that image. All I want to do is be in good movies.

... Nothing resembles reality less than the photograph. Nothing resembles substance less than its shadow. To convey the meaning of something substantial you have to use not a shadow but a sign, not the limitation but the image. The image is a new and different reality, and of course it does not convey an impression of some object, but the mind of the subject; and that is something else again.

Any unique image that you desire probably already exists on the internet or in some database... the problem today is no longer how to create the right image, but how to find an already existing one.

The power of a painting has to come from the inside out, not the outside in. It's not just an image. It's an image with a body and that body has to contain its spirit...What's behind it decides everything. How it starts will define how it ends.

I wanted to emphasize the fact that I'd matured. I wanted to break away from the image of being the youngest member of Big Bang, as well as the image I gave off on variety shows.

God cannot be represented by an image. We ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device. We wrong God, and put an affront upon him, if we think so. God honoured man in making his soul after his own likeness; but man dishonours God if he makes him after the likeness of his body. The Godhead is spiritual, infinite, immaterial, incomprehensible, and therefore it is a very false and unjust conception which an image gives us of God.

Woman is the future of man. That means that the world which was once formed in man's image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!

You must squeeze out of yourself every sensation, every thought, every image, - mercilessly, without reserve and without remorse: you must search the darkest corners of your heart, the most remote recesses of your brain, - you must search them for the image, for the glamour, for the right expression. And you must do it sincerely, at any cost: you must do it so that at the end of your day's work you should feel exhausted, emptied of every sensation and every thought, with a blank mind and an aching heart, with the notion that there is nothing, - nothing left in you.

Because I write intuitively and image-by-image and moment-by-moment, my writing has to be powered by feelings and emotions.

There have been systems of religion where the mother is the prime parent, the source, and she's really a more immediate parent than the father, because one is born from the mother...so that the image of the woman is the image of the world.

As the print of the seal on the wax is the express image of the seal itself, so Christ is the express image - the perfect representation of God.

The image is one thing and the human being is another...it's very hard to live up to an image.

Most American heroes of the Revolutionary period are by now two men, the actual man and the romantic image. Some are even three men - the actual man, the image, and the debunked remains.

I mean, Rick James was just a man-made image, the image I created. Just trying to live Rick James almost killed me.

Today I live on an island, in a house that is sad, hard, severe, that I built for myself, solitary on a sheer rock over the sea: a house that is the spectre, the secret image of prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison.

They used us as an excuse to go mad and then blamed it on us. Gandhi says create and preserve the image of your choice. The image of my choice is not Beatle George - those who want that can go and see Wings. Why live in the past? Be here now.

The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.

I don't care about my image. I'm already paid. I've already got my money, so why worry about my image?

I listen to music cinematically. I think about music and how it would make me feel when it's put to an image, a moving image, and I love it.

As long as the "woman's work" that some men do is socially devalued, as long as it is defined as woman's work, as long as it's tacked onto a "regular" work day, men who share it are likely to develop the same jagged mouth and frazzled hair as the coffee-mug mom. The image of the new man is like the image of the supermom: it obscures the strain.

When you think of the blur of all the brands that are out there, the ones you believe in and the ones you remember, like Chanel and Armani, are the ones that stand for something. Fashion is about establishing an image that consumers can adapt to their own individuality. And it's an image that can change, that can evolve. It doesn't reinvent itself every two years.

It's really the artist in me that loves the idea of an image and an image that provokes an emotion.

I wouldn't say I'm ego-less, but I'd say there's something uncomfortable about the presentation of one's self in the media. Any image sent out is permanently in the spin cycle. And there's a paralysis of that, the way your image is presented. I've always been hesitant, but I'm definitely not shy or anything.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ.

We operate with nothing but things which do not exist, with lines, planes, bodies, atoms, divisible time, divisible space - how should explanation even be possible when we first make everything into an image, into our own image!

There is no essential difference between sticking pins into a wax image of an enemy and burning candles in front of a wax image of the Virgin. You may think that both these practices are gross superstition, but you can hardly think that one is real and potent and deny reality and potency to the other.

I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.

Even the absurdest report may in nearly every instance be traced to an actual occurrence; and had there been no such actual occurrence, this preposterous misrepresentation of it would never have existed. Though the distorted or magnified image transmitted to us through the refracting medium of rumour, is utterly unlike the reality; yet in the absence of the reality there would have been no distorted or magnified image.

If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.

I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful. What I was thinking to do with my image was to reclaim the image of blackness as an emblem of power.

Love is an image of God, and not a lifeless image, but the living essence of the divine nature which beams full of all goodness.

That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.

I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.

How convinced are you that man was created in the image of God when you can't see the image of God?

All men bear the image of God. They have value not because they are redeemed, but because they are God's creation in God's image.

In a world full of war, famine, oppression, deceit, monotony, what—apart from the eternal innocence of animals—offers an image of hope? A mother with a newborn child in her arms? The child may end up as a murderer or a murder victim, so that the hopeful image is a prefiguration of a pietà: a mother with her newly dead child on her lap.

Much education springs from some image of the future. If the image of the future held by a society is grossly inaccurate, its education system will betray its youth.

I go through life as a transient on his way to eternity, made in the image of God but with that image debased, needing to be taught how to meditate, to worship, to think.

It was the greatest honor God did to man that he made man in the image of God; but it is the greatest dishonor man has done to God that he has made God in the image of man.

I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.

What's great about symbols, what a writer can do with them is provide a really vivid, interesting image, and the reader will do the rest of the work. That's always been very interesting to me. Like if I just introduce the storks, I don't have to say what they mean because the reader will do that. And if I bring in the dark history of the region, other trends come up, for example how in ancient Egypt they are associated with the souls of the dead. You can surprise yourself by introducing an image and then see how developing the story fills it with meaning that is suddenly new.

And yet on the other hand unless warinesse be us'd, as good almost kill a Man as kill a good Book; who kills a Man kills a reasonable creature, Gods Image, but hee who destroyes a good Booke, kills reason it selfe, kills the Image of God, as it were in the eye.