Quotes About Image

Woman does not possess the image of God in herself but only when taken together with the male who is her head, so that the whole substance is one image. But when she is assigned the role as helpmate, a function that pertains to her alone, then she is not the image of God. But as far as the man is concerned, he is by himself alone the image of God just as fully and completely as when he and the woman are joined together into one.

There is no God separate from you, no God higher than you, the real "you." All the gods are little beings to you, all the ideas of God and Father in heaven are but your own reflection. God Himself is your image. “God created man after His own image." That is wrong. Man creates God after his own image. That is right. Throughout the universe we are creating gods after our own image. We create the god and fall down at his feet and worship him; and when this dream comes, we love it !

In recent years my understanding of God had evolved into increasingly remote abstractions. I'd come to think of God in terms like Divine Reality, the Absolute, or the One who holds us in being. I do believe that God is beyond any form and image, but it has grown clear to me that I need an image in order to relate. I need an image in order to carry on an intimate conversation with what is so vast, amorphous, mysterious, and holy that it becomes ungraspable. I mean, really, how to you become intimate with Divine Reality? Or the Absolute?

God never gives dominion to any creature which has not received his image. His image is love. Other things belong to God; but God is love. No creature that has not love will be allowed to have a permanent empire. The Father of mercy will not put the reigns of government into a hand that has no heart. Dominion is a very solemn thing; it may oppress, crush, destroy. The Father must have a guarantee for its gentleness. What guarantee can there be but his image - the possession of a nature tender as the Divine?

If a totally new image is to come into being however, there must be sensitivity to internal messages, the image itself must be sensitive to change, must be unstable, and it must include a value image which places high value on trials, experiments, and the trying of new things.

No man at bottom means injustice; it is always for some obscure distorted image of a right that he contends: an obscure image diffracted, exaggerated, in the wonderfulest way by natural dimness and selfishness; getting tenfold more diffracted by exasperation of contest, till at length it become all but irrecognis-able.

Any unique image that you desire probably already exists on the internet or in some database... the problem today is no longer how to create the right image, but how to find an already existing one.

One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates, where everything is transformed into images: only images exist and are produced and are consumes ... Such a reversal necessarily raises the ethical question: not that the image is immoral, irreligious, or diabolic (as some have declared it, upon the advent of the Photograph), but because, when generalized, it completely de-realizes the human world of conflicts and desires, under cover of illustrating it.

Shakespeare said that art is a mirror held up to nature. And that’s what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is trapped by the image out there so that you never make the reference to yourself, you have misread the image.

All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?

As every pool reflects the image of the sun, so every thought and thing restores us an image and creature of the supreme Good. Theuniverse is perforated by a million channels for his activity. All things mount and mount.

[Ronald Reagan] called the image of [George] Washington praying on his knees in Valley Forge "the most sublime image in American history."

Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.

... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.

What specialists try to do is get at least three imaging processes that are totally different from each other. Then you can run these through a computer program and make a composite image. In one scenario you suspect a brain tumor, so you image the brain tumor with PET scans, MRIs, and CT scans and create a 3D model. The doctor opens up the skull to excise the cancer, but they can't see anything. Do you cut out what's supposed to be in that spot or not? The current story is yes, you believe the images over what you see with your eyes.

I hate cameras. They interfere, they’re always in the way. I wish: if I could just work with my eyes alone. To get a satisfactory print, one that contains all that you intended, is very often more difficult and dangerous than the sitting itself. When I’m photographing, I immediately know when I’ve got the image I really want. But to get the image out of the camera and into the open, is another matter.

The image isn't just created with the camera. That's just part one. The editor gets an imprint. The colorist does something to it. Visual effects does something to it. It's not just what you capture that people are going to see. The image gets made in many ways. In production and then in post.

When I was in the US, I felt that the discourse there surrounding Muslims as the other, problematising Muslims and Islam as the other was very similar to what we find in Australia, which is that the image of Islam is a constructed image in the West. We are starting from a point of view that Islam and Muslims - well Islam is a violent, misogynistic, hateful religion and that is where the debate always starts from - that presumption underlies the discourse.

Kind words do not cost much. They never blister the tongue or lips. They make other people good-natured. They also produce their own image on men's souls, and a beautiful image it is.

Give the public the 'image' of what it thinks it ought to be, or what television commercials or glossy magazine ads have convinced us we ought to be, and we will buy more of the product, become closer to the image, and further from reality.

They used us as an excuse to go mad and then blamed it on us. Gandhi says create and preserve the image of your choice. The image of my choice is not Beatle George - those who want that can go and see Wings. Why live in the past? Be here now.

People have the idea that an image must stand for something else, that the real meaning needs to be described with language. Instead it is the image itself that is the meaning.

By an image we hold on to our lost treasures, but it is the wrenching loss that forms the image, composes, binds the bouquet.

An image often propels the novel, gets it started. For me, it's an image that has a lot of emotion connected to it.

In the wake of newly-alleged prisoner abuse this week, Senator John McCain said that continued mistreatment of Iraqi prisoners is hurting the nation's image. Also hurting the nation's image: letting people drown when it rains.

I don't really think that the technique really determines the veracity of the image. It's what the image does to the viewer that determines whether it's right or wrong.

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

In an age in which we can project an image and score that image based on immediate Facebook and Twitter feedback, thus making a video game of life and a false-reality composed of lies, what gets lost is a joyful obsession with the work we create from the purest of motives, a sheer joy in the act of creation itself that causes us to lose ourselves in something else, and in a way die to ourselves over the absolute love of a thing we are breathing into life.

I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.

When you bounce your eyes away from a sexual image, immediately pull from your memory a pure image. Maybe a wedding picture, or a vacation experience with your family, or your buddies. There are thousands of positive images you can pull from your memory within seconds to replace the sexual images you're tempted with.

When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.

Much education springs from some image of the future. If the image of the future held by a society is grossly inaccurate, its education system will betray its youth.

Men, also, have in them enormous capacities that they have to repress and fear in themselves, living up to this obsolete and brutal man-eating, bear-killing, Ernest Hemingway, crewcut Prussian sadistic, napalm all the children in Vietnam, bang-bang you're dead, image of masculinity, the image of all powerful masculine superiority that is absolute.

When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the outer.

The "female culture" has shifted more rapidly than the "male culture"; the image of the go-get 'em woman has yet to be fully matched by the image of the let's take-care-of-the-kids- together man. More important, over the last thirty years, men's underlying feelings about taking responsibility at home have changed much less than women's feelings have changed about forging some kind of identity at work.

Our image of happiness is indissolubly bound up with the image of the past.

I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?

Who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills reason itself, kills the image of God, as it were, in the eye.

Film is the best way to capture an image and project that image. It just is, hands down.

God is indeed dead. He died of self-horror when He saw the creature He had made in His own image.

The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

Anyway, my office is small - one room, but on the corner, with a couple of windows. The sign on the door reads, simply, HARRY DRESDEN, WIZARD. Just inside the door is a table, covered with pamphlets with titles like: Magic and You, and Why Witches Don't Sink Any Faster Than Anyone Else - a Wizard's Perspective. I wrote most of them. I think it's important for we practitioners of the Art to keep up a good public image. Anything to avoid another Inquisition.

There is a word in Old English which belongs wholly to that civilization - "dustsceawung," meaning contemplation of dust. It is a true image of the Anglo-Saxon mind, or at least an echo of that consciousness which considered transcience and loss to be part of the human estate; it was a world in which life was uncertain and the principal diety was fate or destiny or "wyrd."

Strive to make every person feel special. After all, every person you meet is made in the image of God.

Too many companies want their brands to reflect some idealised, perfected image of themselves. As a consequence, their brands acquire no texture, no character and no public trust.

Certainly, the international image of the United States today is a lot less positive than 10 years ago. And that really shouldn't be, because you have been the victims of this awful terrorist attack, and I think America deserves the sympathy of the world.

I was hoping to be a healthy example, because we can't all look like all of these actresses and the models you see on the covers of magazine. And they aren't doing it healthfully anyway, I promise you. And I could not believe the backlash. I could not believe that people twisted and turned that story - and accused me of having body image issues or an eating disorder. And then someone explained to me that most people on the planet probably don't know what Weight Watchers is, that it's really just about good eating habits.

I see the relationship sincerity/humor differently. Instead of seeing a balance between them, I see them more inextricably linked, as if one is the hard candy shell that gives to the other, or one is the apparition, the ghost-image that invokes the other.