Quotes About Image

In recent years my understanding of God had evolved into increasingly remote abstractions. I'd come to think of God in terms like Divine Reality, the Absolute, or the One who holds us in being. I do believe that God is beyond any form and image, but it has grown clear to me that I need an image in order to relate. I need an image in order to carry on an intimate conversation with what is so vast, amorphous, mysterious, and holy that it becomes ungraspable. I mean, really, how to you become intimate with Divine Reality? Or the Absolute?

A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.

[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together.

I can never know beforehand how God’s image should appear in others. That image always manifests a completely new and unique form that comes solely from God’s free and sovereign creation. To me the sight may seem strange, even ungodly. But God creates every man in the likeness of His Son, the Crucified. After all, even that image certainly looked strange and ungodly to me before I grasped it.

All objects transmit their image to the eye in pyramids and the nearer to the eye these pyramids are intersected the smaller will the image appear of the objects which cause them.

I played with the image, because I think image is temporary. It's a projection. It's illusory.

You have nothing to sell except for the image: The image is everything.

That’s what real love amounts to - letting a person be what he really is....Most people love you for who you pretend to be....To keep their love, you keep pretending - performing. You get to love your pretense...It’s true, we’re locked in an image, an act - and the sad thing is, people get so used to their image - they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it - they feel like you’re trying to steal their most precious possession.

But I think the image that's thrown out on television is a bad image. Because you see players who want to imitate hip-hop stars. And the NBA is taking advantage of the situation.

Yet each of us also carries another portrait with us, a picture far more important than any in our wallet. Psychologists have a name for it. They call that mental picture of ourselves, our self-image. ... there's always the person whose self-image is bent all out of shape, like a photo carried too long in a wallet.The good news of the tremendous worth we have in God's eyes can light up our inner self-portrait.

We are one of many appearances of the thing called Life; we are not its perfect image, for it has no perfect image except Life, and life is multitudinous and emergent in the stream of time.

People hold an image of you and project that image when they feel you are changing. Disappear for a while. Break up your routines.

The minute you point a camera at something, you are manipulating the image, because you are cropping out whatever is to the left and right of it. The minute you put a light on someone, you are manipulating the image.

I think people need to understand that deep learning is making a lot of things, behind-the-scenes, much better. Deep learning is already working in Google search, and in image search; it allows you to image search a term like "hug."

They said 'if you have a 3D movie, we'll buy it' because they want it. For maybe two weeks I really thought of a silent, black and white 3D movie and I thought it could be great. I imagined it as a very special image, a very new image, but fortunately, I didn't have to do it.

We have a very precise image - an image at times shameless - of what we have lost, but we are ignorant of what may follow or replace it.

One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self. ... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide. ... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.

Writers would hate me saying this, and I love words, but I have to say that cinema exists, on one level, for the power of the big image and what that image does.

In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.

People have the idea that an image must stand for something else, that the real meaning needs to be described with language. Instead it is the image itself that is the meaning.

Today I weep for my country. No more is the image of America one of strong, yet benevolent peacekeeper. ... Around the globe, our friends mistrust us, our word is disputed, our intentions are questioned. We flaunt our superpower status with arrogance....After war has ended the United States will have to rebuild much more than the country of Iraq. We will have to rebuild America's image around the globe.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ.

We never see a tree except through the image that we have of it, the concept of that tree; but the concept, the knowledge, the experience, is entirely different from the actual tree. Look at a tree and you will find how extraordinarily difficult it is to see it completely, so that no image, no screen, comes between the seeing and the actual fact. By completely I mean with the totality of your mind and heart, not a fragment of it.

In Los Angeles there's, like, this awful image because the girls are so skinny. I don't think it's attractive whatsoever, and I also think that it gives a bad image to kids that are in their early teens. It's not healthy.

In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment.

There is no essential difference between sticking pins into a wax image of an enemy and burning candles in front of a wax image of the Virgin. You may think that both these practices are gross superstition, but you can hardly think that one is real and potent and deny reality and potency to the other.

You have to be able to connect to the world of archetypes. That is not so easy, and most people in the West have no clue, that that is necessary, because they have no clue of what that means. They see the image, they see Buddha here, but they don't see what the image represents. Its one thing to see with this physical eyes, it's another thing to see with this spiritual eye.

Stored away in some brain cell is the image of a long-departed aunt you haven't thought of in 30 years. Stored away in another cell is the image of a pink pony stitched on your first set of baby pajamas. All it takes to get that aunt mounted on the back of that pony is to eat a hunk of meatloaf immediately before going to bed.

I would have you imagine, then, that there exists in the mind of man a block of wax... and that we remember and know what is imprinted as long as the image lasts; but when the image is effaced, or cannot be taken, then we forget or do not know.

I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.

Before me floats an image, man or shade, / Shade more than man, more image than a shade.

The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.

When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.

Relationship between human beings is based on the image-forming, defensive mechanism. In our relationships each of us builds an image about the other, and these two images have relationship, not the human beings themselves.

This is the key to understanding the virgin birth. God's Word is full of faith and spirit power. God spoke it. God transmitted that image to Mary. She received the image inside of her. .. the embryo that was in Mary's womb was nothing more than the Word of God. .. She conceived the Word of God.

God is indeed dead. He died of self-horror when He saw the creature He had made in His own image.

The moral absolutes rest upon God's character. The moral commands He has given to men are an expression of His character. Men as created in His image are to live by choice on the basis of what God is. The standards of morality are determined by what conforms to His character, while those things which do not conform are immoral.

I believe that God breathed life into every person and that every person is made in the image of God and you have accept them as they are, on their journey. I'm not here to preach hate or push people down.

I bought a piano once because I had the dream of playing As Time Goes By as some girl's leaning on it drinking a martini. Great image. But none of it worked out. I can't even play Chopsticks. But I've got a nice piano at my house!

Many young girls are constantly consumed by controlling and managing their body image to the extent that they are much more involved in the production of the self than in living.

Certainly, the international image of the United States today is a lot less positive than 10 years ago. And that really shouldn't be, because you have been the victims of this awful terrorist attack, and I think America deserves the sympathy of the world.

If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.

People love buying into a lifestyle and an overall concept. So when they buy a shell-colored lip gloss, they can also buy shells for their house, as well as sunglasses and [items in] other categories [in that shade] to create one consistent image.

I've seen Leonardo Da Vinci notebooks which are filled with tiny, messy scrawls written in mirror image across the page. I'd love to know how he kept all his projects going at once.

I do not have a genetically "gifted" body. I have to work hard everyday and I am always working on maintaining a positive self image.

You pass by a little child, you pass by, spiteful, with ugly words, with wrathful heart; you may not have noticed the child, but he has seen you, and your image, unseemly and ignoble, may remain in his defenseless heart. You don't know it, but you may have sown an evil seed in him and it may grow, and all because you were not careful before the child, because you did not foster in yourself a careful, actively benevolent love.

As a younger woman, that pressure got me down, but I've made my peace with it. With airbrushing and digital manipulation, fashion can project an unobtainable image that's dangerously unhealthy. I'm excited about the ageing process. I'm more interested in women who aren't perfect. They're more compelling.

I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?