Quotes About Imagination

The region belonging to the pure intellect is straitened: the imagination labours to extend its territories, to give it room. She sweeps across the boarders, searching out new lands into which she may guide her plodding brother. The imagination is the light which redeems from the darkness for the eyes of the understanding. Novalis says, 'The imagination is the stuff of the intellect' -affords, that is, the material upon which the intellect works.

I think the secret of great acting is that you have to bring your imagination to the party. You have to have a great imagination and you have to bring it every day when you're working. Your imagination and your skills as an actor are what see you through, not what you're wearing or where you are.

The imagination is far better at inventing tortures than life because the imagination is a demon within us and it knows where to strike, where it hurts. It knows the vulnerable spot, and life does not, our friends and lovers do not, because seldom do they have the imagination equal to the task.

The imagination is the spur of delights... all depends upon it, it is the mainspring of everything; now, is it not by means of the imagination one knows joy? Is it not of the imagination that the sharpest pleasures arise?

Faced with an exciting question, science tended to provide the dullest possible answer. Ions might charge the air but they fell flat when it came to charging the imagination - my imagination, anyway.

When I was a kid, I used to escape from my family with my imagination, and I kept this spirit into my adult life. This doesn't always happen. All children have imagination, but for some it doesn't carry over.

In Western society, and particularly in American society, imagination is stulified from infancy. The imaginative child is discouraged and upbraided. He is told that the process is mere dreaming, that it wastes time and leads nowhere. It is said to be "impractical." As the child grows and its imagination inevitably leads it to express unconventional ideas and to try new behavior, it is chided and even viciously punished for such signs of unorthodoxy.

A novel, for me, relies on my imagination to inspire your (the reader's) imagination. It is not all there for you. My novels or my stories come to me visually. I use words to translate the novel I see inside my head into words that I hope will create a movie inside your head.

Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.

Love is purely a creation of the human imagination, it is merely perhaps the most important of all the examples of how the imagination continually outruns the creature it inhabits.

When the problem [quantum chromodynamics] is finally solved, it will all be by imagination. Then there will be some big thing about the great way it was done. But it's simple -it will all be by imagination, and persistence.

I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.

You can't make money without selling something real. You can't make something real without first imagination manifesting itself in your head. You can't have imagination without surrendering yourself to an idea that you want to create something of value to other human beings.

I believe in empathy. I believe in the kind of empathy that is created through imagination and through intimate, personal relationships. I am a writer and a teacher, so much of my time is spent interpreting stories and connecting to other individuals. It is the urge to know more about ourselves and others that creates empathy. Through imagination and our desire for rapport, we transcend our limitations, freshen our eyes, and are able to look at ourselves and the world through a new and alternative lens.

The culture is with some rapidity fearing its imagination. I don't know why. Imagination is not of interest.

Imagination is a flame that ignites the creative spirit. Imagination lights up your mind by stoking mental fires. It can be stimulated from the outside through the senses, or from the inside through the driving power of curiosity and discontent.

Imagination is as vital to any advance in science as learning and precision are essential for starting points. Let me warn you to beware of two opposite errors: of letting your imagination soar unballasted by facts, but on the other hand, of shackling it so solidly that it loses all incentive to rise.

You can say the president's private life takes up so much of his time that he doesn't focus on his job, so therefore he's terrible. But in my imagination, the 23 hours of the day that we don't experience, he's very hard at work. He's quite an effective and successful president - in my narcissistic imagination.

In a movie, you need good actors, whereas in a book, you don't, unless you have a really bad imagination. In a book, your imagination will do the acting for you. Also, the process of revelation is often different. Tension is achieved in a different way.

Isaac Watts, of course, is a hymn writer in the tradition of Congregationalism who lived in the seventeenth and early eighteenth century. He is very interesting and important because he was also a metaphysician. He knew a great deal about what was, for him, contemporary science. He was very much influenced by Isaac Newton, for example. There are planets and meteors and so on showing up in his hymns very often. But, again, the scale of his religious imagination corresponds to a very generously scaled scientific imagination.

An artist must have imagination. An artist who does not use his imagination is a mechanic.

The characters within a book were, from a certain point of view, identical on some fundamental level ‒ there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.

There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.

Imagination plays too important a role in the writing of history, and what is imagination but the projection of the author's personality.

Just as one's imagination is stirred by a girl's smile, so is one's imagination stirred by the possibilities of chess.

The imagination is an organ of understanding. And the imagination needs all the faculties at hand, all the sensibility, all the conscious and unconscious intelligence it can galvanize to fulfill its luminous mission.

That's the imagination that happens in the theater. That imagination is translated in film by the film magicians and all the technology.

Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.

Jazz spent a chunk of the day fantasizing about ways to kill his grandmother, plotting them and planning them in the most excruciating, gruesome detail his imagination would allow. It turned out his imagination allowed quite a bit. He spent the rest of the day convincing himself--over and over--not to do it.

I want to suggest to you that the day of the artists has come. That there are things about symbols and the genuine indirectness of art with integrity that can speak into a lost and stuck imagination. We are awakening the imagination of people who have become cynical about the old 'grand stories' that have done so much harm. We are sowing the possibility that the might be one which could actually set them free.

L'imagination m'apportait des délices infinies. En recouvrant ce que les hommes appellent la raison, faudra-t-il regretter de les avoir perdues...? My imagination gave me infinite delight. In recovering what men call reason, do I have to regret the loss of these joys?

All meaningful and lasting change starts first in your imagination and then works its way out. Imagination is more important than knowledge.

You see, this would be a death by the imagination. And though the imagination feeds on phantoms, it needs a premise in reality to begin with. Then it can go on from there under its own power.

Imagination applied to the whole world is vapid in comparison to imagination applied to a detail.

Imagination is no longer conceived as simplistically opposed to perception and reason; rather, perception and reason are recognised as being always informed by the imagination.

The Beatles came and everybody forgot about everything else. That was a friendly, together, hip interpersonal music, introducing electric sustain, and it captured the imagination of everybody. So improvising, even though it was in a very rich period in terms of impact on the public, the '6Os were very hard times on players financially.

Art is the sex of the imagination.

The Universal mind is not only intelligence, but it is substance, and this substance is the attractive force which brings electrons together by the law of attraction so they form atoms; the atoms in turn are brought together by the same law and form molecules; molecules take objective forms and so we find that the law is the creative force behind every manifestation, not only of atoms, but of worlds, of the universe, of everything of which the imagination can form any conception.

Your curse is that you have chosen a form that requires endless study .... It means you have to read, you have to observe, you have to think, so that when you turn your imagination on, it has the fuel to do its job.

As light fades and the shadows deepen, all petty and exacting details vanish, everything trivial disappears, and I see things as they are in great strong masses: the buttons are lost, but the sitter remains; the sitter is lost, but the shadow remains; the shadow is lost, but the picture remains. And that, night cannot efface from the painter's imagination.

A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.

What's in front of you is a whole world of experiences beyond your imagination. Put yourself, and your growth and development, first.

The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.

We are what we imagine. Our very existence consists in our imagination of ourselves. Our best destiny is to imagine, at least, completely, who and what, and that we are. The greatest tragedy that can befall us is to go unimagined.

You will certainly not doubt the necessity of studying astronomy and physics, if you are desirous of comprehending the relation between the world and Providence as it is in reality, and not according to imagination.

I don't really know what Americans are like. I've no idea. I know a few things about them. In my imagination, they have warm peachy hearts, whereas the English have horrible spiteful withered hearts - success in England inspires envy - in America, it inspires hope.

Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.

The only thing that limits us is our imagination.