Quotes About Jazz

The Schnauzer listens to jazz. I listen to jazz because he likes it, and I have even gone to jazz concerts with him, but truthfully I would rather listen to retarded children pounding on pan lids with wooden spoons.

I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.

I never liked jazz music because jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes. After that I liked jazz music. Sometimes you have to watch somebody love something before you can love it yourself. It is as if they are showing you the way. I used to not like God because God didn't resolve. But that was before any of this happened.

I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.

Comedians and jazz musicians have been more comforting and enlightening to me than preachers or politicians or philosophers or poets or painters or novelists of my time. Historians in the future, in my opinion, will congratulate us on very little other than our clowning and our jazz.

The cool thing is that jazz is really a wonderful example of the great characteristics of Buddhism and great characteristics of the human spirit. Because in jazz we share, we listen to each other, we respect each other, we are creating in the moment. At our best, we're non-judgmental.

In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.

To say that the Afro American created jazz doesn't mean anything bad about Anglo Americans, and I always teach my younger jazz musicians that at this point the entirety of the American tradition is your heritage, and you need to know it.

The black hole in democracy is integrity. The great unspoken is integrity. When integrity is not first and foremost, it's quite palpable but not visible. It's always there. Jazz highlights it because musicians and jazz always represented a high level of integrity.

I put out a recording of me singing mostly jazz because I wanted people to know I'm coming from a jazz background.

Through the dark days of legalized segregation and on into the civil rights era, jazz shone as a beacon for achieving interracial respect and understanding. It seemed as if the dream of a color-blind society was within reach in the jazz world, where musicians were judged on merit and not skin color.

I was in school for jazz voice, which is the dumbest way to spend $35,000 a year. I just felt like a rip-off of good jazz singers. I didn't feel like I was being anything special, and I always wanted to be special. It's like you know you have something inside you that's gonna make you different than everybody else and make you somebody in this life, but you wish you could figure out what it is, because at most things, you're either mediocre or really, really bad.

The history of jazz for the last 45 years has come through the Monterey Jazz Festival stages. I think there's developed a legacy and an aura around the festival.

'Jazz Artist of the Century' would have to be a distinctive soloist and ensemble player, a composer, an arranger, a bandleader, and a driver; would have to span all the genres and periods of jazz; would have to have run her own label; [would] possess a deep spirituality, with grace and a sense of humor; and would have to have succeeded against all odds. Who else? Mary Lou Williams.

The basic difference between classical music and jazz is that in the former the music is always graver than its performance - whereas the way jazz is performed is always more important than what is being played.

Historians in the future, in my opinion, will congratulate us on very little other than our clowning and our jazz.

I was into jazz even when I was a kid. My parents would play Ella Fitzgerald, George Shearing, and Dixieland music. I loved The Monkees, The Beatles, The Eagles, and America.

I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.

Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!

If jazz has to be termed as a wave, then music is a sea, but if the reflectors in the water is the chord.

I was raised on piano and saxophone and jazz music for ten or twelve years. Before I even picked up a bass. My whole family has always pushed the arts, you know? My brother is a doctor of music and my cousin is an opera singer over in Austria. Arts were always a big thing in our family.

With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.

I think we are in the midst of this period where we are committing this suicide on the planet and everybody is just using up all of our natural resources like a bunch of insane people. That's what I worry about more than I worry about jazz.

I listen to all kinds of songs. There's something to be learned from every type of music and from the one making it, whether it's pop or jazz or hip-hop.

Jazz is so incestuous that it's starting to kill itself.

Louis Armstrong is jazz. He represents what the music is all about.

When Jazz broke through in England, I remember sneaking to listen on the radio much to my parent's disapproval.

Visually I've always liked the 20s 30s for film. I do these because I like the music. I like the clothes. I like the way the women and the guys look. There are soldiers and sailors and gangsters with the machine guns in their violin cases. It's a very colorful era of New York, full of great theater and great nightclubs and great jazz.

Jazz is like blues with a shot of heroin!

Jazz is not background music. You must concentrate in order to get the most out of it. You must absorb it.

A lot of times, jazz musicians try to educate people. What other genre does that?

The virtuoso element in jazz playing, all those very fast runs in the upper extremes, simply doesn't appeal to me. That's why I don't want to make my concerto "virtuosic" in the sense of a technical show-off. I want a beautiful sound and a melodic and lyrical line. I am more interested in the way someone can play musically.

Understanding is the least important thing when it comes to digging jazzbecause, like anything else, jazz is a form of entertainment. It is created to be enjoyed, not understood like you read a blueprint.

I grew up with classical music blasting in my parents' living room and my older brother's practicing saxophone in his room listening to jazz... a beautiful chaos.

The value of jazz still has to be clarified. People involve themselves with its superficialities without digging for its soul.

Jazz is a democratic musical form. We take our respective instruments & collectively create a thing of beauty.

What I came back to is that jazz is a music to be played and not to be intellectualized on.

Whenever there's a change with Jazz & its aesthetics, it's almost always reflected with a change in the culture.

There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language.

As for music, my tastes are eclectic. Elvis Costello is my all-time favorite. I listen to a lot of jazz, primarily the great female vocalists, and I am very fond of the late cabaret singer Nancy Lamott.

I feel myself trying to be charming, and then I realize I’m obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I’ve basically turned into Liza Minnelli: I’m dancing in tights and sequins, begging you to love me. There’s a bowler and jazz hands and lots of teeth.

In blues, classical and jazz, you get more revered with age.

I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.

There used to be a club in new york called Bradley's - I've never been there, it closed in the 80's - but I used to study with Junior Mance, and he would tell me about Bradley's. It was a very important place for a generation of jazz musicians in New York. It was really all about pianists there.

As long as there are people trying to play music in a sincere way, there will be Jazz.

It's almost worse because you think that you're mature and classic when you're in the newsie cap jazz phase. It's not a great look, a young person trying to seem old and mature and cultured. That's a summarily not-cool look.

I understand that there are forms of entertainment that can make people weep or jazz them up so they feel like they have had an experience. But I also know that an hour later that's faded and you are back to the difficult realities of your own life. And we need to help people know how to go beyond those difficulties to a place where God dwells.

The music I like best is kind of frozen in my mind from the Sixties and Seventies. I still listen to the same jazz music I listened to when I was eighteen years old, and like and admire it just as much.