Quotes About Journalism

I have so much more compassion for journalists and the work that they have to do, in order to do the jobs that they have to do. I am much more in awe of and am celebratory of great journalism when I see it, and I'm much more critical of bad journalism, or crap masquerading as journalism.

Journalism is concerned with events, poetry with feelings. Journalism is concerned with the look of the world, poetry with the feel of the world.

The quality of life in America is dependent on the quality of the journalism. Most people don't realize that, but if you think about it, journalism is one of the pillars on which our society is perched.

Democracies succeed or fail based on their journalism. America is strong because its journalism is strong. That is how democracies work. They're only as good as the quality of the information that the public possesses and that is where we come in.

The only school that let me in was U.C. Santa Cruz, which is where I went. They didn't have a journalism program, so I took sociology, which is the closest thing to journalism.

It is chiefly, I regret to say, through journalism that such people find expression. I regret it because there is much to be said in favour of modern journalism. By giving us the opinions of the uneducated, it keeps us in touch with the ignorance of the community.

I came to nonfiction through journalism. My first book was journalism, and it was so frustrating to me, while I was writing it, that I wasn't capturing the moments the way they were when I lived them; I was filtering and re-filtering. I had to come to terms with the fact that I couldn't and shouldn't claim authenticity. Then, when the book was published and I gave readings, I'd hear myself read and it was like I was eavesdropping on a dream - even with myself as the narrator. I knew that guy but couldn't exactly recognize him.

I don't really like the way that journalism works in the UK anyway; it's all about getting the most shocking thing out of somebody and kind of twisting people's words, which isn't really journalism, as far as I'm concerned.

A reckoning is coming on the state of the internet journalism, because right now, the way it's set up, there is so much room for libel to squeak through that you're going to see...they're going to rewrite the rule book on journalism very soon. They have to, because the bloggers are getting away with so much rumor-mongering about public officials and even private figures because they don't have editors and they don't have fact checkers and they don't have lawyers. There is going to be a price to pay somewhere down the line.

From about ninth grade on, I knew I was a writer at heart. I had fantasies of being a great novelist, but I thought that seemed like an iffy way to try to make a living. So I tried journalism while in college, and really liked it. But even in journalism, I've always pursued ways to be somewhat literary, whether writing a column or writing books.

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

The best writers who have put pen to paper have often had a journalism background.

The current state of music journalism is not bad, but it's not great at all. Some of the hip-hop stuff people get into is exciting, because there's a passion and there's something to explain to a more mainstream audience, so you get these passionate writers who want to express their love for rap and hip-hop, which is cool. But there are too many magazines, and the access has been diminished, so the quality of profiles has gone way down. Internet stuff can be really good, though. I like the dialogue between fans on the Internet. I think that's the best rock writing that's going on right now.

Journalism is one of the devices whereby industrial autocracy keeps its control over political democracy; it is the day-by-day, between-elections propaganda, whereby the minds of the people are kept in a state of acquiescence, so that when the crisis of an election comes, they go to the polls and cast their ballots for either one of the two candidates of their exploiters.

Journalism was being whittled away by a Wall Street theory that profits can be maximized by minimizing the product.

People who think there is something pedestrian about journalism are just ignorant.

The story of journalism, on a day-to-day basis, is the story of the interaction of reporters and officials

Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.

Tricks you need to transform something which appears fantastic, unbelievable into something plausible, credible, those I learned from journalism. The key is to tell it straight. It is done by reporters and by country folk.

Henry Blodget does occasionally have a new idea. If you're making a point about aggregation or the emptiness of modern journalism, he's far from the best target. Try Huffpo - or Gawker writers whose souls have been corroded by irony.

Journalism's ultimate purpose is to inform the reader, to bring him each day a letter from home and never to permit the serving of special interests.

Journalism only tells us what men are doing; it is fiction that tells us what they are thinking, and still more what they are feeling. If a new scientific theory finds the soul of a man in his dreams, at least it ought not to leave out his day-dreams. And all fiction is only a diary of day-dreams instead of days. And this profound preoccupation of men's minds with certain things always eventually has an effect even on the external expression of the age.

I have written millions of words about contemporary England - in journalism. Why don't I take it as the background for a novel? I may do one day. But the simple answer is that it does not excite the novelistic part of my brain; it does not fire it up.

I still believe that if your aim is to change the world, journalism is a more immediate short-term weapon.

It's funny but when young people say to me "what can I study to be a force for change, should I study law or biology or business?" My answer is music, drama, journalism, communications.

Tailoring the facts to fit one's theory constitutes neither good science nor good journalism. Rather, it is intellectually dishonest and, when published for consumption by a mass audience, adds up to propaganda.

Letting journalism be from the perspective of the journalist. It's usually a no-no, and journalists are encouraged to be completely objective.

After two years studying what rewrite men did with the facts I phoned them, I knew that journalism was essentially a task of stringing together seamlessly an endless series of cliches.

Journalism in America is dead. I've been saying it on the air since 2008.

A rat called Possible New Strain was sitting under a spaghetti strainer held down with a pile of journalism textbooks, saying rude things in rat-speak.

Journalism's been a continuing course in adult education for me.

I'm an avid reader, and though it doesn't always work out in terms of relaxation, I've got to keep myself up to date with current affairs. I was a journalism student in college, and I don't feel like I can relax unless I feel informed. When people say they can't watch the news because it's too stressful, I just think, ignorance isn't bliss. It's just another way to procrastinate.

Myth is much more important and true than history. History is just journalism and you know how reliable that is.

Environmental concern is now firmly embedded in public life: in education, medicine and law; in journalism, literature and art.

I personally feel that there's a lot of music journalism that is dominated by genre, because you need a language in which to write, but actually the things that strike people about music, are very hard to write about, and its sonic connections, it's a sense of harmony that I think we all have even if we don't know how to express it - it's something musical, it's synapse connections in our brain.

Surely the glory of journalism is its transience.

Speaking to the subject is the most overrated thing in journalism.

Journalism is literature in a hurry.

London is one of the world's centres of Arab journalism and political activism. The failure of left and right, the establishment and its opposition, to mount principled arguments against clerical reaction has had global ramifications. Ideas minted in Britain – the notion that it is bigoted to oppose bigotry; 'Islamophobic' to oppose clerics whose first desire is to oppress Muslims – swirl out through the press and the net to lands where they can do real harm.

The media has changed. We now give broadcast licenses to philosophies instead of people. People get confused and think there is no difference between news and entertainment. People who project themselves as journalists on television don't know the first thing about journalism. They are just there stirring up a hockey game.

If we're going to live as we are in a world of supply and demand, then journalists had better find a way to create a demand for good journalism.

We don't go into journalism to be popular. It is our job to seek the truth and put constant pressure on our leaders until we get answers.

I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition.

What passes for investigative journalism is finding somebody with their pants down - literally or otherwise.

Confronting the US made him [Hugo Chavez] a target for demonization. Partisan and/or lazy journalism exaggerated his faults, ignored his virtues, and downplayed the influence of strident and on occasion anti-democratic opponents. The flip side is his anti-imperialist posturing so dazzled his cheerleaders they overlooked his flaws, flaws which worsened over time, and they created their own caricature.

We don't consider ourselves equal opportunity anythings, because that's not - you know, that's the beauty of fake journalism. We don't have to - we travel in fake ethics.

The media does not do news. The media is the Democrat Party hacks assigned to journalism positions. Some hacks are consultants. Some are candidates. Some serve in elective office. Some are professors. Some are teaching assistants. Some run think tanks. Others are in the media.

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.