Quotes About Journalism

I have so much more compassion for journalists and the work that they have to do, in order to do the jobs that they have to do. I am much more in awe of and am celebratory of great journalism when I see it, and I'm much more critical of bad journalism, or crap masquerading as journalism.

The difference between literature and journalism is that journalism is unreadable and literature is not read.

I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.

I reluctantly signed up for a journalism major, thinking I needed a fall-back way to make money should my career as a novelist fail to take off. As I started to try on journalism, including doing internships and working at the campus paper, I found I actually liked it. So I started to want to be a journalist.

The Lord's Prayer is 66 words, the Gettysburg Address is 286 words, there are 1.322 words in the Declaration of Independence, but government regulations on the sale of cabbage total 26.911 words. The difference between literature and journalism is that journalism is unreadable and literature is not read.

Comedians, such as yourself, Jon Stewart and others, are a valuable supplement, and here's why: Good journalism at its best frequently speaks truth to power. What's happened with journalists - again, I don't except myself from this criticism - in some ways we've lost our guts. We need a spine transplant. What's happened is comedians, in their own way, speak truth to power and fill that vacuum that we in journalism have too often left, particularly post 9/11.

I always thought that I could write a novel. In my case, it was misguided. I do believe that the best nonfiction is not "literary journalism," a misleading term, but rather journalism that asks the questions that serious literature asks. It's storytelling that happens to be true. So I don't think it was a missed opportunity. After awhile you learn what you're really good at. Life is short, so spend time doing that.

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

I think that if there are problems in journalism they're created by journalists... the trivialisation of the news and the sort of snyed, cynical allowance of untruth to be in a newspaper because it might be titillating.

That's what comics journalism does better than anything else: you can get a feeling of what it was like. Like Scott McCloud says, especially with a simple drawing style, you can project yourself into the image, and imagine yourself having those experiences.

I have a passion for words. I love words. And I'm just learning and developing my skills for words. I do books and I do journalism and plays. I have a broad palette. I don't have a great eye for direction. I love working with actors and I work very well with them because I appreciate what they bring to the table. I'd never say never, of course, but I look at it and don't really fancy it. I want to try and master the word side of it first.

They take journalism really seriously because they know the force that it is and can be.

I fooled some of the most brilliant people in journalism.

Journalism is one of the devices whereby industrial autocracy keeps its control over political democracy; it is the day-by-day, between-elections propaganda, whereby the minds of the people are kept in a state of acquiescence, so that when the crisis of an election comes, they go to the polls and cast their ballots for either one of the two candidates of their exploiters.

I hear, more than ever, people actively searching for women to direct, actively wanting to finance women's films, which is not to say it is easy, but I think it's been a great instance of how journalism has put pressure on business to be more fair between genders.

As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey.

The trouble is nowadays that parts of the media operate in a very partisan way. There's no point in complaining about it, that's the way it is. But let's be clear, a lot of it is driven by the views of a pretty small number of people, rather than a normal standard of journalism.

If I do, I say so. That's the only way out of that. If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words "I don't know." I mean, there are certain basic principles, like the dignity of the individual and the individual's responsibility, and certain basic economic principles, like how when something costs less, more of it will be consumed... There are certain things that I feel pretty confident about.

The first victim in journalism today is proximity. I know I've used that word a lot. Because of foreign budgets, newspapers have consolidated, and journalists now cover dozens of countries at a time. It is physically not possible for one person to understand and live the unique sets of experiences in all these places in honest and meaningful ways. Outlets used to send journalists to places like Congo for months at a time, and they were stationed there for months or years. There was a sense of immersive reporting, and that has been a casualty of the shift in news over the past years.

Among the reasons that you go into journalism, I suppose, are some rather idealistic, even foolish reasons. In my case one of the reasons was I wanted to explain how things really work, how political power really works.

Tricks you need to transform something which appears fantastic, unbelievable into something plausible, credible, those I learned from journalism. The key is to tell it straight. It is done by reporters and by country folk.

I was raised by a formidable woman. She always pushed me to be competitive in a man's world. That's maybe one of the attractions to journalism in the beginning. It was a male profession, and I was comfortable in that.

Internet journalism is not a world we know very well at all. It's conducted more on the screen and less in bars, which makes it rather less useful for getting stories about people throwing up over one another, which is what one's after.

As electronic journalism came to be evaluated for its cost effectiveness, the network world began breaking up.

Letting journalism be from the perspective of the journalist. It's usually a no-no, and journalists are encouraged to be completely objective.

Journalism can go right up to the door of the room in which the decisions are made. A novel can go inside the room - and inside the character's heads.

Journalism is an immense power, that threatens soon to supersede sermons, lectures, and books.

As the newspaper industry continues to contract, one of the most commonly voiced fears is that serious investigative journalism will be among the victims of the scaleback. And, indeed, many newspapers are drastically reducing their investigative teams.

My job is to lay it out clearly, not to give my policy prescriptions.Very little journalism is world changing. But if change is to happen, it will be because people with power have a better sense of what’s happening to people who have none.

In journalism, especially, we tend to deal with large, complex systems by finding especially interesting people and story lines to focus on.

Society doesn’t need newspapers. What we need is journalism.

Surely the glory of journalism is its transience.

It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.

When I entered politics, I took the only downward turn you could take from journalism.

Every profession has changed. Journalism has changed. Medicine has changed. Technology has changed and it evolves. The same is true of football. Free agency has now allowed teams to be a dynasty as they have been before. It is not a great thing for the fans, but it is a good thing for the players.

As for journalism education, there are some terrifically exciting things going on in some schools. Others are struggling to adapt. Curriculum changes can be slow, by design. Yet there are arguably more dynamic minds, old and young, gravitating to teaching than ever before, both on the research and scholarly side and on the side of what is called "professional practice," a term that usually refers to experienced journalists without Ph.D's moving to the academy.

When I was young, I flirted with the idea of a career in journalism on one hand and politics on the other.

And I've been incredibly lucky to have a long career in journalism that has given me a front-row seat to some of the most important moments in modern American political life.

We don't go into journalism to be popular. It is our job to seek the truth and put constant pressure on our leaders until we get answers.

Memory is the personal journalism of the soul.

An exciting and yet highly lucid account of the formation and significance of Karl Kraus's modernist journalism, an activity that Walter Benjamin and Gershom Scholem regarded as the most Jewish writing in the German language. The Anti-Journalist is the best book I have seen on this engaging topic.

Camera-Phones are at the root of the Citizen-Journalism revolution.

Many people would no more think of entering journalism than the sewage business - which at least does us all some good.

If you want to change something by Tuesday, theater is no good. Journalism is what does that. But, if you want to just alter the chemistry of the moral matrix, then theater has a longer half-life.

I keep telling myself to calm down, to take less of an interest in things and not to get so excited, but I still care a lot about liberty, freedom of speech and expression, and fairness in journalism.

David [Halberstam] kept on doing what he did because he loved it. One of the obituaries I read quoted him as saying that he did journalism for the same reason the great Julius Irving did basketball: He loved doing it even when he was having a bad day.

The photographer must bear the responsibility for his work and its effect …[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.

Concussions is one of these pack journalism issues, frankly. There's no increase in concussions. The number is relatively small. The problem is, it is a journalist issue.