Quotes About Literature

Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers

I have . . . a deep concern with the development of a literature worthy of our past, and of our destiny; without which literature certainly, we can never come to much. I have a deep concern with the development of an audience worthy of such a literature.

I see no reason in morality, why literature should not have as one of its intentions the arousing of thoughts of lust. It is one of the effects, perhaps one of the functions of literature to arouse desire, and I can discover no grounds for saying that sexual pleasure should not be among the objects of desire which literature presents to us, along with heroism, virtue, peace, death, food, wisdom, God, etc.

I have nothing but great respect for great scholars. But I was in grad school in the '80s and '90s, at the height of the theory craziness. It had a big part in why I ended up becoming a writer rather than a scholar, because I thought, "I just can't play these games." I was interested in literature because I loved literature, and so much of the theoretical positioning, at that moment 25 years ago, was antagonistic to literature. You know, trying to show that Jane Austen is a terrible person because she wasn't thinking about colonialism.

One task of literature is to formulate questions and construct counterstatements to the reigning pieties. And even when art is not oppositional, the arts gravitate toward contrariness. Literature is dialogue: responsiveness. Literature might be described as the history of human responsiveness to what is alive and what is moribund as cultures evolve and interact with one another.

Very often I hear talk about female literature, or femininity in literature. It's a categorization I am not sure about. Maybe there are a few elements that distinguish women's observations from men's, like the ability to notice some fine details.

No one who loves life can ignore literature, and no one who loves literature can ignore life.

The 20th century saw far greater catastrophes than September 11th, as bad as it was, and they didn't render literature or art or music irrelevant. In fact, I think that literature and art help us to understand - sometimes they provide narratives and metaphors for understanding history, for understanding recent catastrophes.

Literature has done great work for feminism - writing and reading are a practice of empathy - and great literature will continue to do so.

Literature gives us models of living human beings who may not agree with us and even be our enemies. D. H. Lawrence said that the purpose of literature was to expand our sympathies. To be a human being is to be in a state of tension between your appetites and your dreams, and the social realities around you and your obligations to your fellow man. And this conflict cannot be easily reconciled. The tension is always there as a kind of a pain in the human condition.

In America there is really very little knowledge of the literature of the rest of the world. Of the literature of Latin America, yes, But that's not all that different in inspiration from that of America, or of Europe. One must go further. You don't even have to go too far in terms of geography - you can start with the Native Americans and listen to their poetry.

A people may become great through many means, but there is only one measure by which its greatness is recognized and acknowledged. The final measure of the greatness of all peoples is the amount and standard of the literature and art they have produced.... No people that has produced great literature and art has ever been looked upon by the world as distinctly inferior.

Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in other countries. I feel that feminism is abandoned like a product that was a craze in the past.

My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.

What we lack is a basic willingness to see literature as providing some kind of necessary foundation. Our society still expects schools to prepare their charges for work only and not for life. As such, literature is construed as at best technically useless and random, at worst socially disruptive.

In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.

If the purpose of literature is to illuminate human nature, the purpose of fantastic literature is to do that from a wider perspective. You can say different things about what it means to be human if you can contrast that to what it means to be a robot, or an alien, or an elf.

I think about Chilean literature as a family, because I grew up reading the literature of my country. I feel like I have fathers and stepfathers and a lot of brothers and sisters and distant cousins and all that.

[People] didn't vote for me because they thought I was a racist and if you look at my campaign literature it is not much different than a lot of Republican literature and some conservative Democrats in the South.

Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way.

Considering that "literary fiction" is a sub-genre that's not quite the same as "literature," either, it follows that the short, semi-humorous bits posted online for all to see are something absolutely other, uniquely themselves compared to canonical short stories, for example, and so it'd probably be best to call it something other than "online lit" since I honestly think very little of it can compare to so-called "literature."

Of course the illusion of art is to make one believe that great literature is very close to life, but exactly the opposite is true. Life is amorphous, literature is formal.

All literature, all philosophical treatises, all the voices of antiquity are full of examples for imitation, which would all lie unseen in darkness without the light of literature.

We are human, and nothing is more interesting to us than humanity. The appeal of literature is that it is so thoroughly a human thing — by, for and about human beings. If you lose that focus, you obviate the source of the power and permanence of literature.

Science is a capital or fund perpetually reinvested; it accumulates, rolls up, is carried forward by every new man. Every man of science has all the science before him to go upon, to set himself up in business with. What an enormous sum Darwin availed himself of and reinvested! Not so in literature; to every poet, to every artist, it is still the first day of creation, so far as the essentials of his task are concerned. Literature is not so much a fund to be reinvested as it is a crop to be ever new-grown.

Literature bores me, especially great literature

I didn't choose literature. Literature chose me. There was no decision on my side.

Literature is no one’s private ground, literature is common ground; let us trespass freely and fearlessly and find our own way for ourselves.

It is only through literature that one can put oneself in someone else’s shoes and understand the other’s different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them.

That's really what SF is all about, you know: the big reality that pervades the real world we live in: the reality of change. Science fiction is the very literature of change. In fact, it is the only such literature we have.

Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.

Until you can become accountable to yourself and only yourself, you're probably not going to live a fully vital life. So much of literature is about accountability. The moral issues in most novels are about people becoming responsible for their own behaviour. One of the forces against being responsible for your own behaviour is the force of the past, in the way that the past tries to form you.

Kids' literature now is dystopian, you know.

Like morality, literature needs to be universal. So that the writer must put himself on the side of the majority, of the two billion starving, if he wishes to be able to speak to all and be read by all. Failing that, he is at the service of a privileged class and, like it, an exploiter.

We must strike down the insidious lie that a book is the creation of an individual soul labouring in isolation. We must strike it down because it threatens the overall quality and breadth of American literature.

It seems to me as I reviewed the literature that, with few exceptions, the more confident were the prescriptions about how to behave with ethics and integrity, the further removed was the author from the life and work of the everyday manager.

It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born?

The total absence of humor from the Bible is one of the most singular things in all literature.

[Mark] Twain is pointing at you. You, the reader of the book one hundred and thirty years ago and today. That is what has made it a great American novel and the most widely read book in American Literature around the world today.

Someone — Cyril Connolly? Ezra Pound? — once said that anything that can be read twice is literature; I would say that anything that bears saying twice is quotable.

Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.

Personal experience is the basis of all real literature.

For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.

I'm very aware of how much movies, literature and art affect culture. They are a reflection of the world around us and they are also a means by which we engage with the world around us.

In literature and art memory is a synonym for invention. It is the life-blood of imagination, which faints and dies when the veins are empty.

If you aren't just brought up in your tribe but interact with other people either directly or vicariously, through journalism and literature, you see what life is like from other points of view and are less likely to demonize them or dehumanize others and more likely to empathize with them.

Nothing in medical literature today communicates the idea that women's bodies are well-designed for birth. Ignorance of the capacities of women's bodies can flourish and quickly spread into the popular culture when the medical profession is unable to distinguish between ancient wisdom and superstitious belief.

Leisure, the highest happiness upon earth, is seldom enjoyed with perfect satisfaction, except in solitude. Indolence and indifference do not always afford leisure; for true leisure is frequently found in that interval of relaxation which divides a painful duty from an agreeable recreation; a toilsome business from the more agreeable occupations of literature and philosophy.