Quotes About London

My stepfather introduced me to The London Library when I was about 18; the clientele has definitely changed since then, but it is still a wonderful oasis in the middle of London.

London life was very full and exciting [...] But in London there would be no greenhouse with a glossy tank, and no apple-room, and no potting-shed, earthy and warm, with bunches of poppy heads hanging from the ceiling, and sunflower seeds in a wooden box, and bulbs in thick paper bags, and hanks of tarred string, and lavender drying on a tea-tray.

I would use the power of procurement, I would say if you want to do business with the mayor of London, you must pay your staff a London Living Wage.

London goes beyond any boundary or convention.It contains every wish or word ever spoken, every action or gesture ever made, every harsh or noble statement ever expressed. It is illimitable. It is Infinite London.

I studied music all the way through college, but as soon as I graduated from university, I got straight into London and got straight into film music. So really my experiences have been being around the orchestras in London and being around the people who work in film music.

I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.

I was always a sports nut but I've lost interest now in whether one bunch of mercenaries in north London is going to beat another bunch of mercenaries from west London.

I went to London a lot as a young designer because London was a major inspiration, not only for the clothes but the sense of freedom. I remember going to see a stage production of "The Rocky Horror Picture Show" in the mid Eighties and loving the mix of Goth and humor, and in my shows I've always liked to play jokes and have fun.

Although I have lived in London, I have never really considered London my home because it was always going to be a stopping-off point for me, and it has been too.

I love London and Los Angeles equally. I was born and brought up London and then I went to Los Angeles as a teenager to stay with my sister Joan. So I feel I belong to both.

I wake up every morning and I feel like I'm juggling glass balls. I live in Los Angeles, my business is run out of London, and most evenings I'm cuddled up in front of Skype, in my dressing gown, speaking with my studio in London. I travel a lot, my team travel a lot, but I wouldn't have it any other way.

When I was a little kid it was my dream to go to drama school, but it was never something I thought would happen to me. I was a Jewish girl from North London and things like that don't happen to Jewish girls from North London called Amy Winehouse.

I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"

I'm a big fan of London in the summertime. English people are dependent on weather to change our attitudes, and, provided it's a decent summer, everyone's spirits are uplifted and the whole place is in bloom. It's a magical transformation. London in the summer, going to see bands play outside, watching football.

I consider myself extremely lucky to have been born and raised in London, and to have had on my doorstep this most fascinating of cities with so many relics of 2000 years of history still to be found in its streets. One of my greatest pleasures was, and still is, exploring London.

I was sitting in a caf in London with my husband and baby daughter when my phone rang with the news! I feel so incredibly lucky and honored to be nominated, and so grateful to be part of the family that is The Killing.

I had neither kith nor kin in England, and was therefore as free as air -- or as free as an income of eleven shillings and sixpence a day will permit a man to be. Under such circumstances, I naturally gravitated to London, that great cesspool into which all the loungers and idlers of the Empire are irresistibly drained.

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.

I'd been reading Daniel Defoe's Journal of the Plague Year when the [1992 Los Angeles] riots broke out and I began to see them both - L.A. and the London plague - as the same event. A time of crisis. A time when rich and poor get thrown together - and, suddenly one sees alternatives. I began to think about what happens when the containment of a presumed danger through the regimentation of space breaks down, such as when South-Central L.A. began to invade Beverly Hills.

The City of London has never been known for understanding technology and has never matched Silicon Valley's tradition of knowledgeable investment in technology start-ups, just as the U.K. government has never matched the vast investment made by the U.S. government.

I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.

Where dwells the religion? Tell me first where dwells electricity, or motion, or thought or gesture. They do not dwell or stay atall. Electricity cannot be made fast, mortared up and ended, like London Monument, or the Tower, so that you shall know where to find it, and keep it fixed, as the English do with their things, forevermore; it is passing, glancing, gesticular; it is a traveller, a newness, a surprise, a secret which perplexes them, and puts them out.

When I was in London a Kachin youth criticized me for not condemning the Burmese military for their offensive in Kachin State. I answered "condemnation is not the solution." We want to build reconciliation, not condemnation.

Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.

An American in London...cannot but be impressed and charmed by the city. The momumentality of Washington, the thriving business of New York, the antique intimacy of Boston, plus a certain spacious and open feeling reminiscent of Denver and San Francisco-all these he finds combined for his pleasure.

I've always said if I could own one piece it would be Vermeer's The Love Letter, and if I could put it anywhere it would be in a David Chipperfield building. I'm almost there with the building - Chipperfield is building a new house for me in London. The Vermeer is a long way off.

The things that prey on my mind in London seem to disappear as soon as I find myself in a different environment. Survival mode kicks in.

I don't feel very optimistic in London.

I'm always afraid someone's going to tap me on the shoulder one day and say, 'Back to North London'.

Commuter trains are the easiest target for terrorists, as we have seen in Madrid, London, and now Bombay. But it is difficult for a Westerner to comprehend the kind of overcrowding in a Bombay local train; they ferry six million passengers a day. A bomb that goes off in one of those compartments will have maximum impact.

I feel comfortable in places like London. You get many cultures in L.A. but it's strangely segregated.

My family are from Liverpool, so I have some twang there - I have a Midlands accent, and I was raised about an hour north of London, so my voice is a mess. Although, to American ears, it sounds like the crisp language of a queen's butler.

I crammed my exams in London and did fine.

I guess it started in London, the night our dad blew up the British museum.

The Jews believed Jerusalem to be the centre. I have seen a kratometric chart designed to show that the city of Philadelphia was in the same thermic belt, and, by inference, in the same belt of empire, as the cities of Athens, Rome, and London. It was drawn by a patriotic Philadelphian, and was examined with pleasure, under his showing, by the inhabitants of Chestnut Street. But, when carried to Charleston, to New Orleans, and to Boston, it somehow failed to convince the ingenious scholars of all those capitals.

Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.

I was born in Tehran at a time when women's rights were deteriorating at a rampant rate. My parents didn't want to raise their daughter in a social, political, and religious climate that was growing increasingly oppressive toward women and girls, so they emigrated to London. But the struggle of the Iranian people was permanently etched in my social consciousness from a young age.

Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.

The sixteen hundred dairies in California’s Central Valley alone produce more waste than a city of twenty-one million people-that’s more than the populations of London, New York, and Chicago combined.

Glaswegian ebola patient moved to London's Royal Free Hospital. Not so independent when it matters most are we jocksville?

The original Return of the Living Dead, I was attached to direct it, and I wrote the story. Production was delayed. In the meantime I went to London to do Lifeforce.

I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.

It came to me that Hyde Park has never belonged to London - that it has always been , in spirit, a stretch of countryside; and that it links the Londons of all periods together most magically - by remaining forever unchanged at the heart of a ever-changing town.

I used all diligence to arrive at London and therefore I now gave my crew a certificate under my hand, of my free and willing return, without persuasion or force by any one or more of them.

I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.

I played the Piccadilly Theater with "Gypsy" and also the Old Vic, and I've done other shows in London, but not for 40 years.

As a student in London, I had seen so many shows, so many plays and had seen so many greats of the day.

Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.