Quotes About Magic

There was a guy named Ed Mishell. He was this grandfatherly guy who did all the illustrations for the catalogs and reviewed magic effects for the magic magazines, so all of the magic dealers would send him magic effects for free-it was a great deal. His basement was full of this stuff. He took me under his wing, and he would sneak me into the Society of American Magicians meetings in New York. It's the world's oldest magic organization.

Magic enables man to carry out with confidence his important tasks, to maintain his poise and his mental integrity in fits of anger, in the throes of hate, of unrequited love, of despair and anxiety. The function of magic is to ritualize man's optimism, to enhance his faith in the victory of hope over fear. Magic expresses the greater value for man of confidence over doubt, of steadfastness over vacillation, of optimism over pessimism.

I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love.

Normally, I do magic on the stage. But I can make magic credible and resonate through a TV screen.

Apple was our benefactor at starting General Magic, but about a year later decided they would rather BE General Magic and tried to make us blink out of existence... which we eventually did, but it took a few years.

I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.

We need not wait for the world to become more mystical; the world is mystical. Our problem is not that the world lacks magic; our problem is that we don't believe in its magic. We do not show up fully for life, and then wonder why life is not showing up more fully for us.

If you could ever do a project that really has magic in it, and justifiable magic, you should do it.

I thought, "Wow, English is like magic." It not only shattered my voice, it changed me physiologically. I believed this for months ... There's magic in the language. I never fell out of the enchantment.

The inner defenses are unconscious. They consist of a kind of magic aura which the mind builds around cherished belief. Arguments which penetrate into the magic aura are not dealt with rationally but by a specific type of pseudo-reasoning. Absurdities and contradictions are made acceptable by specious rationalizations.

Magic underlies the relationship between us, and the greater immensities of birth and death. Thus the experience of being in the presence of something magical is an empowering, uplifting experience. Magic, understood this way, contributes meaning to life.

Half magic is no magic at all.

When we talk about magic a lot of people think you use that to pick up girls. So therefore there's this slimy connotation associated with it, like, "Oh hey, pick a card - my number's on it!" So I think I've avoided ever having people think that's what's happening. I try to make magic the treat of the interaction or the treat of the flirt. I've never gone up and tried to do a trick to get a girl's number, only because I feel like that's what people expect and it feels slimy.

Look, I'm a coach, I'm not Harry Potter. He is magical, but in reality there is no magic. Magic is fiction and football is real.

And where does magic come from? I think that magic's in the learning.

Music is Magic. Magic is Life

A river seems a magic thing. A magic, moving, living part of the very earth itself.

I loved magic, and so I would practice my magic tricks in front of a mirror for hours and hours and hours because I was told that you must practice, you must practice and never present a trick before it's ready.

I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

Now I can do the bolts," she slurred. "I've been trying to focus enough magic all week." The magic shifted and swirled, finally etching a picture in the air. It was a rough picture of Foaly, and he was laughing. I hate you, centaur!" screamed Opal, lunging toward, and then through, the insubstantial image. Her eyes rolled back into her head, and then she collapsed, snoring, on the floor. Artemis straightened his tie. Freud, he was certain, would have a field day with that.

Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.

The Web is cool, but the library is magic. Where else can the spirit of generations of writers stir your soul? So many writers talk about libraries setting them on their magical paths, it's almost a groaner. But we know it's true. Wander through the stacks and you can feel the dreams, the unique worlds bubbling within each volume. The magic enters you as if by osmosis. On the Web, you may feel clever, lucky and driven to download--but rarely inspired to dream and to write.

And I knew that there was some dark corner of me that would enjoy using magic for killing—and then long for more. That was black magic, and it was easy to use. Easy and fun. Like Legos

Genius is another word for magic, and the whole point of magic is that it is inexplicable.

No waving of enchanted wands but heightened perception. No magic objects, but a transformed and enhanced reality. No spells or chants, but the raw power of the human will to enact supernatural change upon the universal fabric. This is the kind of "magic" that fills Lords of Rainbow - elemental, organic, humanistic - an extension of reality.

It is significant comment on the victory of science over magic that were someone to say ‘if I put this pill in your beer it will explode,’ we might believe them; but were they to cry ‘if I pronounce this spell over your beer it will go flat,’ we should remain incredulous and Paracelsus, the Alchemists, Aleister Crowley and all the Magi have lived in vain. Yet when I read science I turn magical; when I study magic, scientific.

I think it was in the Rose Garden where I issued this brilliant statement: If I had a magic wand -- but the president doesn't have a magic wand. You just can't say, 'low gas.'

When I was a little kid - and even still - I loved magic tricks. When I saw how movies got made - at least had a glimpse when I went on the Universal Studios tour with my grandfather, I remember feeling like this was another means by which I could do magic.

Sex pleasure in woman is a kind of magic spell; it demands complete abandon; if words or movements oppose the magic of caresses, the spell is broken.

A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.

Henceforth, whilst there are a great many theories and models proposed as to how, or why, magic works (based on subtle energies, animal magnetism, psychological concepts, quantum theory, mathematics or the so-called anthropomorphic principle) it is not a case that one of them is more 'true' than others, but a case of which theory or model you choose to believe in, or which theory you find most attractive. Indeed, from a Chaos Magic perspective, you can selectively believe that a particular theory or model of magical action is true only for the duration of a particular ritual or phase of work.

The truth is more magical - in the best and most exciting sense of the word - than any myth or made-up mystery or miracle. Science has its own magic: the magic of reality.

When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."

My idea of magic doesn't have much to do with stage tricks and illusions. The whole world abounds in magic.

It's not that I literally believe in magic or spirits. In my logical life I absolutely don't believe in any kind of mumbo jumbo. But I do have this belief in the greater magic of the universe.

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.

If you would bring the magic out of your mind - the magic which will transform everything - you must believe.

Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.

But magic is neither good nor evil. It is a tool, like a knife. Is a knife evil? Only if the wielder is evil.

Harry Potter has been a fantastic experience and the fact it has made stars of us all is unbelievable at times - it really is magic of a sort.

The believer in magic and miracles reflects on how to impose a law on nature--: and, in brief, the religious cult is the outcome of this reflection.

Hemingway and Saroyan had the line, the magic of it. The problem was that Hemingway didn't know how to laugh and Saroyan was filled with sugar.

Underneath all civilization, ancient or modern, moved and still moves a sea of magic, superstition, and sorcery. Perhaps they will remain when the works of our reason have passed away.

People don't understand that that's really what it is. They're looking for a magic phone number or something. And to a certain extent, I understand that, because comedy is treated so much as a stepping stone by a lot of people.

The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the springs of wonder. The communication by the glance is in the greatest part not subject to the control of the will. It is the bodily symbol of identity with nature. We look into the eyes to know if this other form is another self, and the eyes will not lie, but make a faithful confession what inhabitant is there.

You can keep yourself alive. That's the magic of being an actor.

That's how I do this life sometimes by making the ordinary just like magic and just like a card trick and just like a mirror and just like disappearing. Every Indian learns how to be a magician and learns how to misdirect attention and the dark hand is always quicker than the white eye and no matter how close you get to my heart you will never find out my secrets and I'll never tell you and I'll never show you the same trick twice. I'm traveling heavy with illusions.

There is no magic to achievement. It's really about hard work, choices, and persistence.