Quotes About Memory

I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.

I love Nashville, but I miss the Gulf Coast, the wetlands, and the Delta of Lower Alabama every day. Magnolia Springs is a sweet little town in reality, but, in my heart, it is a kind of mythological oasis. I relive the memory every time I cross the Magnolia River. My memory is probably not accurate, but it's a wonderful memory. So Magnolia Springs lives in my heart as a beautiful, cool, watery place.

I think the relationship between memory and time is a very deep and tricky one, to tell you the truth. I don't consider memory another sense. I do consider memory that which allows us to think that time flows.

It is true that one of the first acts of tyrants is to erase history, to wipe out the recorded memory of a people. With that in mind, it's important to remember that the work that we do as writers, artists and performers will form an essential part of the collective memory that future generations will draw upon. And so we owe it to those future generations to defend that memory and be honest witnesses to our times.

The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.

No woman should have a memory. Memory in a woman is the beginning of dowdiness. One can always tell from a woman's bonnet whether she has got a memory or not.

Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.

Where there is a living memory of struggle, they have a living memory of the rebellion. Where there's no struggle afterward the rebellion is forgotten.

When the starry sky, a vista of open seas, or a stained-glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things I see, hear, or think, The "sublime" object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be.

I thought back to a childhood memory: the first dead body I'd ever seen was the body of an immigrant washed up on shore. I went back to that memory. As a child, you can't process these types of images in a healthy way. I don't think anyone can, really. So I explored that. These people were buried in mass graves. I don't know if their families ever heard from them again.

I've been a foreigner for the past twenty years. I don't have roots anymore. My roots are in my memory and my writing. That's why memory is so important. Who are you but what you can remember?

This kind of forgetting does not erase memory, it lays the emotion surrounding the memory to rest.

Memory blurs, that's the point. If memory didn't blur you wouldn't have the fool's courage to do things again, again, again, that tear you apart.

Several sorts of memory exist in us; body and mind each possesses one peculiar to itself. Nostalgia, for instance, is a malady of the physical memory.

We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.

A scattered dream that's like a far-off memory... a far-off memory that's like a scattered dream. I want to line the pieces up... yours and mine.

As a novelist, I mined my history, my family and my memory, but in a very specific way. Writing fiction, I never made use of experiences immediately as they happened. I needed to let things fester in my memory, mature and transmogrify into something meaningful.

Pain does not create a long-lasting memory, but the memory of luxury exerts itself for ever.

Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.

To fire a bullet into the heart or brains of one's fellow man even a fellow man striving to do the same to you creates what might be called an unassimilable memory: a memory that floats on daily life the way an oil stain floats on rainwater. Stir the rain barrel, scatter the oil into countless drops, disperse it all you like, but it will not mix; and eventually the slick comes back, as loathsomely intact as it ever was.

Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.

'Moonwalking with Einstein' refers to a memory device I used when I memorized a deck of playing cards at the U.S. Memory Championship. When I competed in 2006, I set a new U.S. record by memorizing a deck of cards in one minute and 40 seconds. That record has since fallen.

I'd love a super human memory. My memory has never been good.

Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind.

And so was Luria, whose words now came back to me: ‘A man does not consist of memory alone. He has feeling, will, sensibility, moral being ... It is here ... you may touch him, and see a profound change.’ Memory, mental activity, mind alone, could not hold him; but moral attention and action could hold him completely.

A friend's loyalty lasts longer than their memory. Over the course of a long friendship, you might fight with your friend, even get angry with them. But a true friend will forget that anger after a while, because their loyalty to their friend outweighs the memory of the disagreement.

I could bear the memory, but I could not bear the music that made the memory such a killing thing.

It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.

I wonder if memory is true, and I know that it cannot be, but that one lives by memory nevertheless and not by truth.

My work is mostly about memory. It is very important to me that everybody that I have been close to in my life I make photographs of them.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

You got to get away from words if you want to understand any animal. It thinks in pictures, it thinks in smells, it thinks in touch sensations - little sound bites like, it's a very detailed memory.

A life is like a garden. Perfect moments can be had, but not preserved, except in memory.

Today is not yesterday: we ourselves change; how can our works and thoughts, if they are always to be the fittest, continue always the same? Change, indeed is painful; yet ever needful; and if memory have its force and worth, so also has hope.

Ironically, when I was playing in my first band, I would deliberately not write down any lyrics. I have a really good memory and I would just keep them in my head.

I witness with pleasure the supreme achievement of memory, which is the masterly use it makes of innate harmonies when gathering to its fold the suspended and wandering tonalities of the past.

I still have in my memory, almost agonizing impressions of a serious illness which I had when I was about eight years old. Those about me called it scarlet fever, and its very name seemed to have a diabolical quality.

Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.

To the Memory of those faithful brown slave-men of the plantations throughout the South, Daddy's contemporaries all, who during the war while their masters were away fighting in a cause opposed to their emancipation, brought their blankets and slept outside their mistresses' doors, thus keeping night-watch over otherwise unprotected women and children -- a faithful guardianship of which the annals of those troublous times record no instance of betrayal.

Since Percy’d lost his memory,his whole life was one big fillin-the-blank. He was____________________, from____________________. He felt like ____________________, and if the monsters caught him, he’d be____________________.

In the end, the only events of my life worth telling are those when the imperishable world erupted into this transitory one All other memories of travels, people and my surroundings have paled beside these interior happenings But my encounters with the 'other' reality, my bouts with the unconscious, are indelibly engraved on my memory. In that realm there has always been wealth in abundance, and everything else has lost importance by comparison.

Memory is a great deceiver: it embroiders until naught is left but the glory and the pleasure.

We cannot hoard life as we can money. When a person tries to be a miser of his health, he usually makes himself miserable. Mental talents, if buried and not used, tend to deteriorate. Whoever would save his memory by not using it will lose it.

You always have the memory of the bottom, and fear of the bottom. And when you start going to the bottom you panic.

When we are forced to do multiple things at once, not only do we perform worse on all of them but our memory decreases and our general well-being suffers a palpable hit.

Memory is not frozen, it's very much alive, it moves, it changes.

The memory represents to us not what we choose but what it pleases.

Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.