Quotes About Memory

I'm still willing to continue living with the burden of this memory. Even though this is a painful memory, even though this memory makes my heart ache. Sometimes I almost want to ask God to let me forget this memory. But as long as I try to be strong and not run away, doing my best, there will finally be someday...there will be finally be someday I can overcome this painful memory. I believe I can. I believe I can do it. There is no memory that can be forgotten, there is not that kind of memory. Always in my heart.

We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.

to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.

It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that it purloined. Over the years, as the memory of Sophie Mol ... slowly faded, the Loss of Sophie Mol grew robust and alive. It was always there. Like a fruit in season. Every season. As permanent as a government job.

If any one faculty of our nature may be called more wonderful than the rest, I do think it is memory. There seems something more speakingly incomprehensible in the powers, the failures, the inequalities of memory, than in any other of our intelligences. The memory is sometimes so retentive, so serviceable, so obedient; at others, so bewildered and so weak; and at others again, so tyrannic, so beyond control! We are, to be sure, a miracle every way; but our powers of recollecting and of forgetting do seem peculiarly past finding out.

A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.

Images flicker, each one bringing its own sorrow or its own smile. Sometimes both. At the very worst, an impenetrable and sightless black and at best, a happiness so bright that it hurts the eyes to see, coming and going on some unseen projector perpetually turned by an invisible hand. One, then another. The hollow click of the shutter. Now stop. Freeze this frame. Pluck it down and hold it close and be damned by what you see. Henri always said: the price of a memory is the memory if the sorrow it brings.

The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory.

It's realizing that a great dream is not as good as a great memory. The dream can be had by anyone. The memory - must be made.

We have populations now in the West with a very short memory span. One reason for this short memory span is that television over the last fifteen years has seen a big decline in the coverage of the rest of the world.

Friedrich Hayek .. seems to have been the first to postulate what is the core of this paper, namely, the idea of memory and perception represented in widely distributed networks of interconnected cortical cells. Subsequently this idea has received theoretical support, however tangential, from the fields of cognitive psychology, connectionism and artificial intelligence. Empirically, it is well supported by the physiological study and neuroimaging of working memory.

One often feels as though something had happened before, I remember. It comes quite close to you and stands there and you know it was just this way once before, exactly so; for an instant you almost know how it must go on, but then it disappears as you try to lay hold of it like smoke or a dead memory. "We could never remember, Isabelle," I say. "It's like the rain. That has also become one, out of two gasses, oxygen and hydrogen, which no longer remember they were once gasses. Now they are only rain and have no memory of an earlier time.

Several sorts of memory exist in us; body and mind each possesses one peculiar to itself. Nostalgia, for instance, is a malady of the physical memory.

You are told a lot about your education, but some beautiful, sacred memory, preserved since childhood, is perhaps the best education of all. If a man carries many such memories into life with him, he is saved for the rest of his days. And even if only one good memory is left in our hearts, it may also be the instrument of our salvation one day.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.

Pain does not create a long-lasting memory, but the memory of luxury exerts itself for ever.

Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.

Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.

The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.

Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.

The true beloveds of this world are in their lover's eyes lilacs opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favorite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory.

Pure memory isn't based on recall but rather involuntary memory that's in your body and your nerves.

I started to realize, a lot of times if you go into your memory, your sense memory, you know more than you think you do, from having watched and listened.

As for my memory, I have a particularly good one. I never keep any record of my investigations or experiments. My memory files all these things away conveniently and reliably. I should say, though, that I didn’t cumber it up with a lot of useless matter.

I shattered that memory by going back there. Without realizing it until it was too late, I replaced that memory with the emptiness of that day.

We don't all see the same way at all. Even if I'm sitting looking at you, there is always the memory of you as well. And a memory is now. So someone who's never met you before is seeing a different person. That's bound to be the case. We all see something different. I assume most people don't look very hard at anything.

If the humanism that makes civilization civilized is to be preserved into the new century, it will need advocates. These advocates will need a memory, and part of that memory will need to be of an age in which they were not yet alive.

There are a hundred places where I fear To go, --so with his memory they brim! And entering with relief some quiet place Where never fell his foot or shone his face I say, 'There is no memory of him here!' And so stand stricken, so remembering him!

I listen to people talking sometimes, that great river that is language, with all its undercurrents of grammar and nuance, and I wonder how we all learn so quickly to speak it, given that we begin when we are barely old enough to stand upright. I have no memory of finding it hard. Indeed, I have no memory of it at all.

User experience is really the whole totality. Opening the package good example. It's the total experience that matters. And that starts from when you first hear about a product experience is more based upon memory than reality. If your memory of the product is wonderful, you will excuse all sorts of incidental things.

It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised? When we, ourselves, can taste that freedom.

I didn't remember what month that was, or what year even. I only knew the memory lived in me, a perfectly encapsulated morsel of a good past, a brushstroke of color on the gray, barren canvas that our lives had become.

in Italy, almost at every step, history and poetry add to the graces of nature, sweeten the memory of the past, and seem to preserve it in eternal youth.

In all circumstances, I always look for the light and build around it, with little memory of pain.

As long as the mind is there, your body and your world are there. Your world is mind-made, subjective, enclosed within the mind, fragmentary, temporary, personal, hanging on the thread of memory.

And he wants you to keep that at the front of your mind? He wants you to stay focused on the darkest seasons of your life? How could that possibly do any good?' . . . He wants you to remember who delivered you from that time. That's the point of holding on to memory: delivery, not darkness.

Karma, memory, and desire are just the software of the soul. It's conditioning that the soul undergoes in order to create experience. And it's a cycle. In most people, the cycle is a conditioned response. They do the same things over and over again.

Memory is a great deceiver: it embroiders until naught is left but the glory and the pleasure.

My first memory of loving music happened so early. We would always go to the beach in the summer and I would run from blanket to blanket, from family to family and just sing Lion King songs acapella.

I keep bumping into that silly quotation attributed to me that says 640K of memory is enough. There's never a citation; the quotation just floats like a rumor, repeated again and again.

A great memory does not make a mind, any more than a dictionary is a piece of literature.

Books are not men and yet they are alive. They are man's memory and his aspiration, the link between his present and his past, the tools he builds with.

The selective memory isn't selective enough.

Our generation, like the one before us, must choose. Without the threat of the Cold War, without the pain of economic ruin, without the fresh memory of World War II's slaughter, it is tempting to pursue our private agendas -- to simply sit back and let history unfold. We must resist the temptation.

The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, with their polished metallic surfaces.

My earliest memory is aged three, seeing sunlight on water and feeling it was really magical.

If your memory was OK you could descend upon on a bookshop – a big enough one so that the staff wouldn’t hassle a browser – and steal the contents of books by reading them. I drank down 1984 while loitering in the 'O' section of the giant Heffers store in Cambridge. When I was full I carried the slopping vessel of my attention carefully out of the shop.