Quotes About Metaphor

Landscape pictures can offer us, I think, three verities: geography, autobiography, and metaphor. Geography is, if taken alone, sometimes boring, autobiography is frequently trivial, and metaphor can be dubious. But taken together, as in the best work of people like Alfred Stieglitz and Edward Weston, the three kinds of information strengthen each other and reinforce what we all work to keep intact - the affection for life.

Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.

For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That's a metaphor for the acquisition of knowledge. When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water. We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.

I think that as poets, we can get away with stuff because we can ride on the melt of metaphor. We cover a lot of terrain psychically and temporally and linguistically via metaphor, and that can be a stand-in for an argument, whereas in prose, you have to make the argument, and you have to be convincing because the sequence must make sense in time and purpose.

Metaphor isn't just a fancy turn of speech. It shapes our thoughts and feelings, reaches out to grasp new experience, and even binds our five disparate senses. James Geary's fascinating and utterly readable I is an Other brings the news on metaphor from literature and economics, from neuroscience and politics, illuminating topics from consumer behavior to autism spectrum disorders to the evolution of language. As a writer, as a teacher, and as someone just plain fascinated by how our minds work, I've been waiting years for exactly this book.

Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)

It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?

The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move around genres and sort of change you ideas, change your face, you know?

Web media needs to move to TV metaphor - with full-screen imagery and other content interrupted with full-screen ads.

Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.

I've always been a fan of plain writing. I hate metaphor-laden, heavily larded, lyrical writing.

Metaphor is no argument, though it be sometimes the gunpowder to drive one home, and imbed it in the memory.

In claiming that prohibition, not the drugs themselves, is the problem, Nadelmann and many others - even policemen - have said that "the war on drugs is lost." But to demand a yes or no answer to the question "Is the war against drugs being won?" is like demanding a yes or no answer to the question "Have you stopped beating your wife yet?" Never can an unimaginative and fundamentally stupid metaphor have exerted a more baleful effect upon proper thought.

The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician.

I believe people have different ways of approaching the Word. For me, it's metaphor, written by people a long time after Christ died and interpreted by specific groups. I read the gospels that aren't included in the Bible. These make me feel good about calling myself a Christian.

The body is like an elaborate metaphor. One may be able to taste and not swallow, like the anorexic, or to swallow and not integrate, like the bulimic or obese.

Seeing sound, the high order stuff that's not audible still affects how everything else behaves. There might be a visual metaphor for that somewhere.

A metaphor cannot be paraphrased

This garden is no metaphor - more a task that swallows you into itself, earth using, as always, everything it can.

Face, to me, is a metaphor of sadness. And I want to share this sadness. I'm not really interested whether it's an Indian face or not - that's not as important for me. But it's still important to establish the relationships in order to bring about a consciousness of our fragility.

The library is not a shrine for the worship of books. It is not a temple where literary incense must be burned or where one's one devotion to the bound book is expressed in ritual. A library, to modify the famous metaphor of Socrates, should be the delivery room for the birth of ideas - a place where history comes to life.

A myth... is a metaphor for a mystery beyond human comprehension. It is a comparison that helps us understand, by analogy, some aspect of our mysterious selves. A myth, in this way of thinking, is not an untruth but a way of reaching a profound truth.

A theory of creativity is actually just a metaphor. A pool of ideas, a well of memories, a voice.

Tango is serious and takes discipline. It must be studied hard to be done well. It is elegant, formal, passionate and intimate. It is about power and vulnerability. It is both dance and metaphor. And to its captives becomes a magnificent obsession

I am convinced that pilgrimage is still a bona fide spirit-renewing ritual. But I also believe in pilgrimage as a powerful metaphor for any journey with the purpose of finding something that matters deeply to the traveler. With a deepening of focus, keen prepartion, attention to the path below our feet, and respect for the destination at hand, it is possible to transform, even the most ordinary journey into a sacred journey, a pligrimage.

I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.

But in fact if you look at film as a metaphor, only through the negative can you have the positive print. What I'm trying to get to is the positive value of negation.

Sport provides the spectacle, the metaphor, the religious ritual, the putty to fill the cracks in countless lives.

Ghosts are a metaphor for memory and remembrance and metaphorically connect our world to the world we cannot know about.

It has always seemed to me that if you could talk about your work in fully-formed phrases, you wouldn't write it. The writing is the statement, you see, and it seems to me that the poem or the story or the novel you write is the kind of metaphor you cast on life.

There isn't a river or creek in the country - or there are very few - that doesn't have some small group of people working on a restoration or creek cleanup project. Let me give you one example that's a great metaphor: In Washington, D.C., there is a group called the Anacostia Watershed Society. Two rivers converge and define Washington - one which everybody knows about, the Potomac, and the Anacostia, which they don't. The Anacostia is one of the most polluted urban rivers in the country.

Breastfeeding is an unsentimental metaphor for how love works, in a way. You don’t decide how much and how deeply to love - you respond to the beloved, and give with joy exactly as much as they want.

It is impossible to build sound constitutional doctrine upon a mistaken understanding of Constitutional history... The establishment clause has been expressly freighted with Jefferson's misleading metaphor for nearly forty years... There is simply no historical foundation for the proposition that the framers intended to build a wall of separation... The recent court decisions are in no way based on either the language or intent of the framers.

Sit back, enjoy the ride and hang out with me for a little while. ( sorry, cheesy driving metaphor!)

There is no metaphor for death. All comparisons are odious, but I'll do one anyway. We all have these moments of harsh clarity where we realize that something is gone, whether that is youth, whether that is someone we care about, whether that is where we literally lose someone we care about to death. Or we end a relationship that we thought would last forever, or have one ended for us. We all have these moments in life where it seems impossible to fill up the time that we have left for us, and yet we have to do it somehow.

Yeah, obviously we use vampires as a metaphor for something else, something deeper than just the supernatural. But there's just something about the bloodsucking walking dead, that can say so much to people. There are really so many people trying to get control over you on a daily basis and steal your soul in some way, take a part of you.

Language is memory and metaphor.

Have you ever thought about the grid of Manhattan?' It's like...a metaphor for life. You think you have the freedom to walk anywhere. But in fact... you are strictly controlled. Up or down. Left or right. Nothing in between. No other options.' Life should be like an open space...you should be able to walk in whatever direction you choose.

Instead of the metaphor of scales in balance, I prefer the idea of a jazz quartet: you're trying to make music that feels and sounds good, and sometimes you only hear the trumpet or just the bass and piano. Sometimes all four are playing at the same time, but perhaps at different volume.

The metaphor I routinely use is polar bears in the Sahara desert. You take creatures adapted to the cold and put them in the heat, the very traits that allow them to survive in one environment will conspire against them in the other. We are polar bears in the Sahara with one important distinction: we are smarter than the average bear. Once we identify the nature of the problem, we can think our way out of it. But it begins by acknowledging you didn't fail because you couldn't succeed. Because you didn't even know what the scope of the problem was. It's not your fault.

Movement is my medium and my metaphor. I know that if a wave of energy is allowed to complete itself, it yields a whole new wave, and in fact that is all I really know. Riding these waves means joining the cosmic dance that, as Dante says, 'moves the sun and the other stars.'

Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.

In reality, genuine epiphanies are extremely rare. In contemporary adult life maturation & acquiescence to reality are gradual processes. Modern usage usually deploys epiphany as a metaphor. It is usually only in dramatic representations, religious iconography, and the 'magical thinking' of children that insight is compressed to a sudden blinding flash.

You have to put your own oxygen mask before you put on others... It's a good metaphor for parenting

The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory

Safe Harbor is a state of mind... its the place - in reality or metaphor - to which one goes in times of trouble or worry. It can be a friendship, marriage, church, garden, beach, poem, prayer, or song.

Using a metaphor in front of a man as unimaginative as Ridcully was like a red flag to a bu... was like putting something very annoying in front of someone who was annoyed by it.

The folly of mistaking a paradox for a discovery, a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself for an oracle, is inborn in us.