Quotes About Movies

I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.

I think one of the reasons that Steven (Spielberg) and I have been as successful as we have is because we like the movies. We like to go to the movies. We enjoy movies and we want to make movies like the ones we enjoy.

I remember seeing Airplane, and even Mel Brooks movies like History of the World Part I, and just really loving that style of movies that make fun of movies. I think it needs to be done. All of these movies are ripe for being poked at.

I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.

I've written a lot of movies with smoking, and the some of those movies absolutely gloried in the smoking and I wasn't concerned when I wrote them who would see them and how those movies would especially affect young people.

Some of my favorite movies are just movies that are just good stories, and aren't necessarily big budget movies or anything.

I make the joke, all the time, that if you have the word "man" and a number in the title, like Batman 2, Spider-Man 2 or Iron Man 12, you'll get it made. The kind of movies I make, studios don't make them. I've made a lot of movies, and at Castle Rock, we've made 125 movies. None of them get made at a studio. I've got to scrounge around for money, every time. I just like to tell stories. I'm a storyteller, so I want the most people to see it.

I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.

I love movies to death. I spent my entire youth in front of a TV watching old movies and as soon as I was able to get a subway pass when I was 14 I joined the Museum of Modern Art and was there all weekend watching old movies.

But strangely, [in] the original Matt Helm books, he's just this super hardass assassin. They sort of made it into a sexy romp for the movies. The books are very, very dark. I also watched 'OSS 117: Cairo, Nest Of Spies,' which is a French film. They just made a second one, I think, which is based on like, 100 novels. They're just fantastic. They're set in the '60s. A lot of the visual inspiration definitely came from 1960 James Bond movies and 'OSS 177' and also 'Pink Panther' movies.

I love movies. I adore movies. I grew up on Steve McQueen and Clint Eastwood and Warren Beatty. The list goes on. Spencer Tracy. I wanted to be in movies.

Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.

Everybody just asks me 'Are you going to make Hollywood movies now?' First, I don't know. Second, I never dreamed about that; I just dreamed about making movies with Tarantino. So if I can make movies with a lot of amazing directors - yes.

It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.

And usually the studios they don't want you to have credit for your movies because they want to take credit for the movies because if you get credit for your movies they've got to pay you more.

I like movies that are scary, but I don't want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn't make movies like that.

Movies are not the book. Movies are not even the screenplay. They are the movie.

I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

I watched a lot of movies. I was deeply influenced by movies.

Unfortunately, 'chick flick' has become a term to describe most movies that I don't even like. They're these movies that, yes, have women in them but they really don't reflect who women are, and there's something kind of silly or shallow or gossipy about them.

I don't know if the '80s were unique, but we certainly got original, groundbreaking stuff at the time with movies like 'Back to the Future' and 'Star Wars' - movies that became classics.

It's more important you learn what to make movies about than how to make movies

Movies are movement. A comic-book is immobility. From one still picture to another, but no movement. You need to make the movement in your head. In the movies, you see the movement. It's different. What is the same is the mind of the creator.

I hear a lot of, "We want to make a movie with you." Then "No, we don't want to make this one. We want to make that other movie with you." I don't really get that and it's very frustrating. It angers me. Because my movies are my movies.

Entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.

I'd like to make a great movie. I've made many movies. I think I've made some good movies, but I never felt I've made a great movie.

You're not able to do a lot of projects because you don't have a name. I wanted to get my movies to come over that hedge, so that I could do the movies that I wanted to do.

The Jackass movies are honestly some of the best movies I've ever seen. I laugh so hard at them. Those guys are geniuses. If they had grown up with a different group of people, they could've been performance artists at Bard College, and people would be writing papers about them.

I'm not a cinematic cinematic person. I go to the movies like I did back when I was a kid. I go to the movies and I sit down. If the music works, hmm. If it doesn't work, hmm. The whole concept of the thing, not as one piece here or there. For me, music is a large part.

As a kid, a little kid I loved going to the movies, and now I love making movies.

Everybody who's making the movies needs to work hard to make sure they're good. And if you don't show up and see the movies and support them financially, no one is going to make them. It's going to change unless it makes money. That's the long and short of it. You have to give in to the fact that it's a business.

We don't do movies for the industry. We do movies for the fans, for the people. If the industry give you a trophy or not, or pat you on the back or not, it's nice, but it's not something you should dwell on.

I liked writing, and I loved movies, obsessively loved movies, but I had never made the leap of thinking I would actually come out here and write stuff.

I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.

If military movies were automatically successful we'd make nothing but military movies. But seriously, patriotism is one thing that all Americans have in common.

I like most of the Humphrey Bogart movies because they had to act then, and they acted very well. Edward G. Robinson is probably the best actor I've ever seen on the movies.

It's of being alone with my dad. He drove a truck for a living. But he had a few free hours in the middle of the day, between the morning shift and the late afternoon shift. Because I was the youngest of nine, I could have him all to myself when they were at school. We'd watch movies at home, or go to the movies, and he introduced me to the guys who still inspire me today.

I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants.

I grew up watching a lot of old movies, so getting to ask about making movies in the '70s and people he was friends with, like Orson Welles, Lillian Hellman and Charlie Chaplin, and hearing a first-person account was pretty incredible.

I don't really like movies that are all one or the other. It's really about the play between both of them. Now that I've said that, there's actually lots of movies that I like that are one or the other but it's just not for me as a filmmaker.

American movies show you how to fight and break armsand necks. I want to make the action in my movies like dancing.

Let me roughly divide books into those which compete with the movies and those with which the movies cannot compete. They are the books that can elevate or instruct. If they are fine works of fiction, they can deepen your appreciation of human life. If they are serious works of nonfiction, they can inform or enlighten you.

Most of my movies are indies. The best scripts I can find are independent films. But I love big-budget movies, I love craft services!

I think one thing that always attracted me to movies was the personalities. I went to movies not because the stories necessarily appealed to me, but because of the people in them.

Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.

What you really need to build a character is exactly what you don't have in the movies - time. You know, movies are like a line drawing. You have to make very quick decisions, which are, in the end instinctive. Or you make a decision to say "Well, maybe I can do that, because... Oh, that could be irritating after a while, or distracting, etc. etc." Some of it is a matter of time, always.

I'm not a big fan of western movies and I really don't like cowboy-indian movies. I have never watched them.

There is no legimate actor who can resist the powerful lure of the movies. It isn't the money that fetches him. It isn't the great publicity. It is simply this: the movies enable an actor to look at himself.