Quotes About Myth

My thesis is that what we call 'science' is differentiated from the older myths not by being something distinct from a myth, but by being accompanied by a second-order tradition-that of critically discussing the myth. ... In a certain sense, science is myth-making just as religion is.

Without myth, however, every culture loses its healthy creative natural power: it is only a horizon encompassed with myth that rounds off to unity a social movement.

This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

In the native literatures of North America there aren't any novels. Instead, the major genre is myth. And myths are stories that are fundamentally about the world, not about human individuals. A myth needn't include any humans at all. If it does include them, they're usually minor characters - imaginary humans sent out like scouts to report back on what's happening in the mythworld, but not central participants in the action.

If the bible myth of Jonah in the whale and the Mother Goose myth of Jack and the Beanstalk were switched at birth so that Jack in the Beanstalk were in the bible, do you think any child would notice?

John Calvin's theology emphasizes the sanctity of conscience, the sanctity of companionate marriage, and the obligation of those in power to attend to the well-being of the people in general, especially the poor. Interestingly, for the interpretation of Hamlet, for example, he forbids even the thought of revenge. This is not the Calvin of myth, but when the Elizabethans read him there was no such myth, nor would there be now, if he were read.

A too often forgotten truth is that you can live through actual events of history and completely miss the underlying reality of what's going. What history misses, the myth clearly expresses. The myth in the hands of a genius give us a clear picture of the inner import of life itself.

The power of both myth and art is this magical ability to open doors, to make connections - not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in. . .and at the same time, mythic stories and art celebrate our essential differences.

No myth of miraculous creation is so marvelous as the face of man's evolution.

What does all this mean finally, I kept asking like a college kid. Why does it make me want to cry? Maybe it’s that we are all outsiders, we are all making our own unusual way through a wilderness of normality that is just a myth.

Evolution is the creation-myth of our age. By telling us our origin it shapes our views of what we are. It influences not just our thought, but our feelings and actions too, in a way which goes far beyond its official function as a biological theory.

When we think of his lone effort to live and its bleak reward, the mind turns to the myth "for His mercy endureth forever," with confiding revulsion.

I think the big myth about habits, and happiness too, is that there's somehow a magic "one size fits all" solution. That, "If it works for you it's going to work for me," and it's just a matter of figuring out what that habit would be, whether that's do it first thing in the morning, or start small, or do it for thirty days, or give yourself a cheat day.

Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'

One may call the world a myth , in which bodies and things are visible, but souls and minds hidden. Besides, to wish to teach the whole truth about the Gods to all produces contempt in the foolish, because they cannot understand, and lack of zeal in the good, whereas to conceal the truth by myths prevents the contempt of the foolish, and compels the good to practice philosophy.

I think everyone can relate to the werewolf myth - because we've all, as a result of alcohol, drugs, exhaustion, rage, gone off the leash and come to regret it later. I appeal to this psychologically - the unleashed id - but with a biological cause; I'm hopefully making possible supernatural circumstances.

The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed.

The second thing that happened is, DNA analysis is much more sophisticated. All you have to do now is spit in a test tube and you find out all kind of things in six weeks - where they are from in Africa or Europe. You can prove or disprove the fundamental African-American myth that you descended from a Cherokee great, great grandmother.

There is no sex without a cue. People who date have their cues at home, before they meet. You think about where to go, what to eat, what to do and say. Sometimes the cue is short - - just before we reach the bar - - but sex is never just spontaneous. Spontaneity is a myth.

It's another myth that dancing distorts or destroys your feet. If you have the right shaped foot to start and a good, strong technique, your feet should be fine.

Just getting totally absorbed in that and therefore when I came back around to [Buckminster Fuller] and found that much of it was made up, I realized that nevertheless, it really was crucial, crucial for how he understood himself, I believe, and certainly crucial for how anyone else ever engaged in his ideas and therefore as a starting point, how can we engage in his ideas today, but with a remove of knowing that it is a myth and being able to navigate it in that sort of level, at that level of reading him as a story.

History shows us that the songs - the myth, the experience and the emotion - live longer the less you explain.

God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smoking; Dean had bought some in New York. It made me think that everything was about to arrive - the moment when you know all and everything is decided forever.

There's so much myth and baloney. Like a 80-year-old man able to manhandle a 300-pounder with his little finger. Ridiculous. Or this matter of breaking bricks and boards wth the edge of your hand. Now I ask you, did you ever see a brick or a board pick a fight with anybody?

The man who will be the future of the WWE. He will be right under me. He is the man, he is the myth, he is the legend, soon to be.. he is, Alex Riley.

When we start making distinctions between soul and spirit, we're in very, very murky waters. There is the whole issue of the English language, which has a rather limited vocabulary when it comes to psychological descriptions, not to speak of spiritual descriptions. We're good mythically - the English language is superb for myth. But we're not very good for psychology or spirituality.

The storyteller is deep inside everyone of us. The story-maker is always with us. Let us suppose our world is attacked by war, by the horrors that we all of us easily imagine. Let us suppose floods wash through our cities, the seas rise . . . but the storyteller will be there, for it is our imaginations which shape us, keep us, create us - for good and for ill. It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.

Black people in the US are told all the time, from all aspects, that they're nothing, that they're less than. And of course that bears fruit, but no one wants to shoulder part of the blame. A lot of people here can't see around their own family's history. They don't want to see that where they come from and the people they surround themselves with might have played a role in all this. This is all part of our national myth about the individual. We think that a lack of success comes from the individual not working hard enough. A lot of people in this country really believe that.

Today the function of the artist is to bring imagination to science and science to imagination, where they meet, in the myth.

Whereas Absurdism in Europe seemed a logical, almost inevitable response to the irrationality of war, the analogous elements that surfaced in American drama seemed more a response to a materialist society run amok. The American-style Absurdism seemed to spring full-blown out of television advertisements and situation comedies, which had become new myth-making machines.

That shoreline where the island of knowing meets the unfathomable sea of our own being is the landscape of myth.

The very concept of solid ground is a myth. The galaxy itself is adrift.

There's a reason why trainspotters are not girls, there's a reason why there's the myth of the slightly autistic male genius, there's a reason why Gertrude Stein believed that her self-presentation was male. One could argue that was Susan Sontag also. The things that we associate with femaleness are not the single-minded, exclusive pursuit of a vocation, whether it be art or anything else. It is not a model that is widespread in our culture, it's not something we think of for women.

History is a myth that men agree to believe.

A part of me wants to sort of try and sound cool and feed this myth that I'm some sort of glamorous lothario, but I was raised by women - my mother and her mother and my aunts - and as a result, most of my friends have always been women.

I think objectivity is like this strange myth that people think you're supposed to achieve, but actually, the dirty little secret is that it's not attainable any more than pure justice is attainable by the courts.

All minorities think they're immune, but we're absolutely part of the one in five that gets skin cancer! It's a myth, and myths are meant to be debunked!

What dazzles us in Stacy Schiff's Cleopatra are not the alluring mythologies about the evasive queen, but the astonishing if rare historical facts that Schiff has meticulously and lovingly excavated. Schiff offers not just Cleopatra's story but the story of an amazing era, one that has vanished but still affects us, questioning the way we look at myth, history, and ourselves.

The myth of Bardot is finished, but Brigitte is me.

We measure our presence in generations; we cannot dig down ten thousand years and find our bones. Our arrival is scribed upon the line of history; it does not drift upon the winds of story, or float upon the shrouds of myth. We are still explorers and discoverers, seeking meaning through movement and examination. But we are coming to a time of listening. Our sweat and breath are now upon this land. Voices rise up, and we begin to hear the echoes in the stones.

If this country [America] is to survive, the best-fed-nation myth had better be recognized for what it is: propaganda designed to produce wealth not health.

[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job . . . into myth, into epic, into a kind of beauty never before seen.

We're not the paragons of virtue that we'd all like to think we are. And so, to shatter that myth, God will use suffering to expose the stuff of which we're made.

And so Galahad decided that it would be a disgrace to set off on a quest with the other knights. Alone he would enter the dark forest where there was no path. This is the myth of The Hero's Journey.

I am confident that those who believe in belief are wrong. That is, we no more need to preserve the myth of God in order to preserve a just and stable society than we needed to cling to the Gold Standard to keep our currency sound. It was a useful crutch, but we've outgrown it. Denmark, according to a recent study, is the sanest, healthiest, happiest, most crime-free nation in the world, and by and large the Danes simply ignore the God issue. We should certainly hope that those who believe in belief are wrong, because belief is waning fast, and the props are beginning to buckle.

It is emphatically the case that life could not arise spontaneously in a primeval soup of any kind.... Furthermore, no geological evidence indicates an organic soup ever existed on this planet. We may therefore with fairness call this scenario the myth of the pre-biotic soup.

The true novelist is one who understands the work as a continuous poem, is a myth-maker, and the wonder of the art resides in the endless different ways of telling a story.