Quotes About Page

Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.

Every page of content you've created could be the first interaction with your web site.Think of every page as a home page.

So many people want to live their lives and their dreams through their own Facebook page or their Twitter page. They want to show every detail of their life to everyone in the world. That scares me because I don't have any Facebook page or Twitter I don't like it, I don't want it.

The definition of a page-turner really aught to be that this page is so good, you can't bear to leave it behind, but then the next page is there and it might be just as amazing as this one.

I have a sustained interest in frippery. I can't refute the monster accusation, either. Some writers are awful on the page and kind in person. More often it's the other way around. I'd say I'm probably the same amount of asshole on the page as in life. I do try to be entertaining about it, however - in both places.

You know very well that whether you are on page one or page thirty depends on whether they fear you. It's as simple as that.

I did, although I didn't read from page 1 to page 187 but I read chunks of it. I did a little bit of science when I was in the university so I was able to understand the graphs and pie charts and stuff like that. It was extremely dry.

How well I know what I mean to do When the long dark Autumn evenings come, And where, my soul, is thy pleasant hue? With the music of all thy voices, dumb In life’s November too! I shall be found by the fire, suppose, O’er a great wise book as beseemeth age, While the shutters flap as the cross-wind blows, And I turn the page, and I turn the page, Not verse now, only prose!

I don't read like other people do - back and forth, across the page. I tend to scan a page at a time.

For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.

Page after page of professional economic journals are filled with mathematical formulas leading the reader from sets of more or less plausible but entirely arbitrary assumptions to precisely stated but irrelevant theoretical conclusions.

As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.

The media uses polls to create news stories. I think polls are just an extension of the editorial page, an excuse to get them on the front page. You can ask any question you want, get any answer you want, and then run around with that as a news story.

If you have poor management that's not doing the right job, you end up with unions filling the void and... page after page of work rules and thicker and thicker contracts.

It felt good to be surrounded by books, by all this solid knowledge, by these objects that could be ripped page by page but couldn't be torn if the pages all held together.

You don't have to be best friends as basketball players but I do believe in chemistry. I think it makes everything different if a team is really together and they're all on that same page. They might not like each other, per se, but if you're on the same page and the chemistry is there, you can play great basketball. You can go back to teams like Detroit, the Bad Boys. Those guys had great chemistry, that's why they won.

Words in prose ought to express the intended meaning; if they attract attention to themselves, it is a fault; in the very best styles you read page after page without noticing the medium. Works of imagination should be written in very plain language; the more purely imaginative they are, the more necessary it is to be plain.

Page one is a diet, page two is a chocolate cake. It's a no-win situation.

There's no excuse therefore, for a 1,152 page book. I think we should all be using 300-page paperbacks. These exist.

We are all a volume on a shelf of a library, a story unto ourselves, never possibly described with one word or even very accurately with thousands. A person is never as quiet or unrestrained as they seem, or as bad or good, as vulnerable or as strong, as sweet or as fiesty; we are thickly layered, page upon lying page, behind simple covers. And love - it is not the book itself, but the binding. It can rip us apart or hold us together.

I am interested in the confines of the page and busting through/off the page as well. A writer must let go of the line when writing prose poems, which brings its own pleasures.

Sometimes I think that maybe we are just stories. Like we may as well just be words on a page, because we're only what we've done and what we are going to do.

In the years since The Life and Extraordinary Adventures of Private Ivan Chonkin, Voinovich has sharpened his satire, and Monumental Propaganda is a novel that slashes and rips -- but not on every page. He expands his narrative to accommodate shrewd philosophy and inventive portraiture, a very amusing disquisition on Soviet latrines and a number of outlandish plot developments. In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurd.

When the voice of your friend or the page of your book sinks into democratic equality with the pattern of the wallpaper, the feel of your clothes, your memory of last night, and the noises from the road, you are falling asleep. The highly selective consciousness enjoyed by fully alert men, with all its builded sentiments and consecrated ideals, has as much to be called real as the drowsy chaos, and more.

Writing is really very easy. Tap a vein and bleed onto the page. Everything else is just technical.

When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.

A lot of times I'll doodle on something while I'm doing interviews, because sometimes I'm on the phone for three or four hours and I want to get something going. I'll just start from a scribble, or something that someone else already put on the page.

The fact that we don't' talk about it, that we don't have a politics in which this question of war and peace can even get onto the table, so that we can open up our Orwell, our 1984, or Animal Farm, or whatever, and read the political text that's being spotted to us on the television right off of the page; the fact that we don't have a politics robust enough to actually debate whether or not we want to be a country permanently at war. That's what keeps me from sleeping at night.

I've been saying for years that page view-based advertising is a corrupting force.

If you wrote a page a day, at the end of the year you would have a book. Whether it's any good or not is beside the point, but you would have a book, instead of just talking about it all the time.

So here they are, the dog-faced soldiers, the regulars, the fifty-cents-a-day professionals riding the outposts of the nation, from Fort Reno to Fort Apache, from Sheridan to Stark. They were all the same. Men in dirty-shirt blue and only a cold page in the history books to mark their passing. But wherever they rode and whatever they fought for, that place became the United States.

When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.

What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.

It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.

Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.

I love writing. I'm not particularly comfortable in the actual world - I'm much more comfortable on the page. So if I could have a life where I could just slip the pages under the door and somebody would slip me a meal back, then that would be perfect for me.

At Wal-Mart, if you couldn't explain an idea or a concept in simple terms on one page of paper Sam Walton considered the new idea too complicated to implement.

A DARK MATTER is a page-turning thriller of every sort: psychological, sociological, epistemological . Plus, it's really scary.

Critics say Internet advertising suffers from limitless inventory, which depresses prices. These exclusive front-page sponsorships are not limitless. If HBO doesn't move quickly enough, Showtime can buy out Gawker and Jezebel for the key fall TV season. On any individual day, there isn't room for both of them; and that's healthy.

I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page.

In presidential campaign I released a 65-page file from the Syracuse University College of Law that showed poor grades, back in college, also. If I were plagiarizing consistently, my grades would have been better.

You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.

Girls you've gotta know when it's time to turn the page.

Writing the last page of the first draft is the most enjoyable moment in writing. It's one of the most enjoyable moments in life, period.

About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell... I defy anybody to read the first page and not keep going to the last.

She tore a page from the book and ripped it in half. Then a chapter. Soon, there was nothing but scraps of words littered between her legs and all around her. The words. Why did they have to exist? Without them, there wouldn't be any of this. Without words, the Führer was nothing. There would be no limping prisoners, no need for consolation or wordly tricks to make us feel better. What good were the words? She said it audibly now, to the orange-lit room. "What good are the words?

There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.

You would think there is a higher bar than having a Facebook page to run for president.