Quotes About Page

Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.

The bigger the budget, the more people that you have to coordinate and it's not easy to do that always because, not only do people have trouble communicating in that way, but often there are internal disagreements and everybody is not necessarily on the same page. Even in a big-budget movie with famous actors and directors, everybody could be on a completely different page. The director has to figure out a way of getting everybody on the same page, more or less, and keeping them there.

When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.

I'm not doing no more 'Flavor of Loves.' I'm trying to grow. I don't want to stay on the same page. You can't stay on the same page in order to get to the next chap.

As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.

The only place where you can really surprise or shock the reader, or make someone laugh, is on the lower righthand corner - the very last panel - so as you turn the page, the payoff is in the upper lefthand panel. To pace every story so that there's a setup and a payoff at the page turn was a huge challenge; it's a part of the medium and you really have to learn what can be done in the medium.

I just sit down and the page just comes out and I look at it and the elements that appear on that page have a lot to do with what's going on in my life.

Cancer's only one page in my life, and I will not allow this page to impact the rest of my life.

Write a page every single day, even if what you put on the page that day is no good - it's the only way to get better.

I walked away with a renewed passion for Scripture and I was powerfully reminded that God's Word really is a lamp to guide my feet along this journey of discovering who I am. I hope people will soak in the Scripture that I highlight throughout page after page of 'Hello, My Name Is' book.

For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.

As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.

The trick in writing children's books is to set up danger, mystery and excitement on page one. Force the kid to turn the page . . . Then in the middle of each chapter there's a dramatic point of excitement, and at chapter's end, a cliffhanger.

The Republicans finally got some good news over the weekend. The North Koreans set off a nuclear bomb. Thank God. It was so powerful it knocked the Mark Foley story right off the front page. And knocked him off the page he was on, too.

The other day I found her passport in her drawer when I was putting away my dad's laundered handkerchiefs. I wish I hadn't. For the purpose of my story, she should have it with her. I sat on my dad's bed and flipped through page after empty page. No stamps. No exotic locales. No travel-worn smudges or creases. Just the ID information and my mother's black-and-white photo which if it were used in a psychology textbook on the meaning of facial expressions would be labelled: Obscenely, heartbreakingly hopeful.

Yes, anyone can log onto your "anonymous" band's MySpace page and hear the music. So, in theory you have gotten your music in front of 5 billion people. The other thing is that something has to cause them to go to those bands MySpace page, and it's that reliance on taste makers or radio, that is still very much a part of how music is sold and marketed.

Tomorrow is the first blank page of a 365-page book. Write a good one.

They put the thing down your throat so you don't swallow your tongue, and they put electrodes on your head. That's what was recommended in Rockland State Hospital to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. You can't read a book because you get to page 17 and have to go right back to page one again.

Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.

Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world.

If you feel a bump on page one hundred, it may be you went off on page fifty.

The Bible tells us to be like God, and then on page after page it describes God as a mass murderer. This may be the single most important key to the political behavior of Western Civilization.

We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.

The decisive moment in the defeat of upper class, capital-S, Society may have come when, in newspapers all over the nation, what used to be call the Society page was replaced by the Style section.

Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.

When the voice of your friend or the page of your book sinks into democratic equality with the pattern of the wallpaper, the feel of your clothes, your memory of last night, and the noises from the road, you are falling asleep. The highly selective consciousness enjoyed by fully alert men, with all its builded sentiments and consecrated ideals, has as much to be called real as the drowsy chaos, and more.

Writing is really very easy. Tap a vein and bleed onto the page. Everything else is just technical.

They have no power over you. It's all a show, a deception. Your urges scream and bluster at you; they cajole; they coax; they threaten; but they really carry no stick at all. You give in out of habit. You give in because you never really bother to look beyond the threat. It is all empty back there. There is only one way to learn this lesson, though. The words on this page won't do it.

The other book that I worry no one reads anymore is James Joyce's Ulysses. It's not easy, but every page is wonderful and repays the effort. I started reading it in high school, but I wasn't really able to grasp it. Then I read it in college. I once spent six weeks in a graduate seminar reading it. It takes that long. That's the problem. No one reads that way anymore. People may spend a week with a book, but not six.

I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.

[Colin to Sugar Beth] I put my heart on every page.

Your Self, Aware Presence, knows no resistance to any appearance and, as such, is happiness itself; like the empty space of a room it cannot be disturbed and is, therefore, peace itself; like this page, it is intimately one with whatever appears on it and is thus love itself; and like water that is not affected by the shape of a wave, it is pure freedom. Causeless joy, imperturbable peace, love that knows no opposite and freedom at the heart of all experience....this is your ever-present nature under all circumstances.

It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.

Sometimes, your eyes see something your brain doesn't. You pick up a nmewspaper and yourhead gives you a phrase that you didn't consciously read yet. You walk into a room and you realize something's out of place before you've bothered to properly look. I felt that happening now." "Sam's thoughts on page 304 of Linger.

Merely that I have a World Wide Web page does not give me any power, any abilities, nor any status in the real world.

Words had started swimming off the page, circling my head, the letters doing one-eighties as if they were riding skateboards.

Meggie Folchart: Having writer's block? Maybe I can help. Fenoglio: Oh yes, that's right. You want to be a writer, don't you? Meggie Folchart: You say that as if it's a bad thing. Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.

I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

Movies are collective, cooperative endeavours, which I like a lot. But writing is all up to you, it's what's so scary; it's just you and that page. But I really like it a lot.

I have done, this year, what I said I would: overcome my fear of facing a blank page day after day, acknowledging myself, in my deepest emotions, a writer, come what may.

I think the secret of memoirs is keeping those parts of yourself off the page, which makes what you do share more valuable.

But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.

Beppu (n.) The triumphant slamming shut of a book after reading the final page.

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].

Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.

Winning is about having the whole team on the same page.

Sons of the Dawn is a page-turner, and author Hank Nuwer is to be thanked for enriching our sense of the West with this memorable novel.

Being a musician, you want to be able to do the hardest stuff there is. People would think it's classical, but in classical, it's all on the page and the difficulty is keeping up with the music.