Quotes About Place

I live in the same house I’ve lived in for 25 years. I haven’t gone off and bought mansions, you know, even though my subject is living… living in a mansion wouldn’t do for my readers. I have to keep my credibility alive with my readers, so we’re in the same place. I just make that place nicer and nicer. And… and that’s a secret. And people don’t know that. People think, oh, she lives in this fabulous place, it’s the same old place. It started out like a farm, it got to be a farmette, then it got to be an estatelet. I built a wall, it helped a lot. But it’s the same place, the same grounded nature.

The Wrong Person in the Wrong Place = Regression. The Wrong Person in the Right Place = Frustration. The Right Person in the Wrong Place = Confusion. The Right Person in the Right Place = Progression. The Right People in the Right Places = Multiplication.

The good news of suffering is that it brings us to the end of ourselves - a purpose it has certainly served in my life. It brings us to the place of honesty, which is the place of desperation, which is the place of faith, which is the place of freedom.

But, for a little while, this is the place for us -- a good place too--a place of good omen, a place of beginning things--and of ending things I never thought would end.

A place (lieu) is the order (of whatever kind) in accord with which elements are distributed in relationships of coexistence. It thus excludes the possibility of two thing being in the same location (place). The law of the 'proper' rules in the place: the elements taken into consideration are beside one another, each situated in its own 'proper' and distinct location, a location it defines. A place is thus an instantaneous configuration of positions. It implies an indication of stability.

The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.

When you write a song about a place, you are writing a song about a place that might be in a hundred years, or a place that has been, or that was - in your imagination. I think that also embodies the American spirit. You are looking for what you can call "a place."

I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.

The backstreet cafe in Casablanca was for me a place of mystery, a place with a soul, a place with danger. There was a sense that the safety nets had been cut away, that each citizen walked upon the high wire of this, the real world. I longed not merely to travel through it, but to live in such a city.

Countries can be redeemed. Entire cultures can be brought to "salvation". The land itself can be healed. ... And such miraculous change is brought about by one primary avenue: God working through the market place. ... The primary means to true revival, though, takes place first in the market place.

I might say: if the place I want to get to could only be reached by way of a ladder, I would give up trying to get there. For the place I really have to get to is a place I must already be at now. Anything that I might reach by climbing a ladder does not interest me.

We want Old Town Square to be a focal point for fun in Bandera, a place where locals can hold their special events and meetings, or just visit us for a relaxing dinner with friends on the patio. Likewise, tourists can use Old Town Square as a home base during their visit to Bandera. They can stay overnight and dine with us, but also explore all that Bandera has to offer. This was the place to come to. We want to make it that kind of place again.

In a mad moment, my family and I purchased a home in Maine because it's the place in the world that my wife loves better than any other place or any other human, and so I have committed my life and what had once been my economic security that has now returned to insecurity, to a patch of painful, rocky land on the shores of horrible, cold waters to a place where people go in the summer to experience autumn because leaves start falling on August 1.

Without a complex knowledge of one's place and without the faithfulness to one's place on which such knowledge depends, it is inevitable that the place will be used carelessly, and eventually destroyed. Without such knowledge and faithfulness, moreover, the culture of a country will be superficial and decorative, functional only insofar as it may be a symbol of prestige, the affectation of an elite or "in" group.

If there is a nice place, and the place does not come to you - you have to come to the place.

When we talk about Orientalist painting, we're talking about painting generally from the seventeenth through the nineteenth century, and some would say even into the twentieth, that allows Europe to look at Africa, Asia Minor, or East Asia in a way that's revelatory but also as a place in which you can empty yourself out. A place in which there is no place. It's an emptiness and a location at once.

You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.

I knew that the world around you is only uninteresting if you can't see what is really going on. The place you come from is always the most exotic place you'll ever encounter because it is the only place where you recognise how many secrets and mysteries there are in people's lives

If there be no place for wild bison in all of Montana, then surely we have crossed a line between the Last Best Place and the the Once Best Place.

The cave is a dark, shadowy place. It's a place that's very close and yet distant at the same time, and it's a place of revelation and isolation. Your form, your body, your writing is your confinement.

I went to a place recently I think is one of the most f**ked up places I've ever been to. I'm convinced this place is the epitome of American excess, of American greed. I'm talking about a place called Cold Stone Creamery. Whoa. If you have not been there, the basic gist of Cold Stone is that they take ice cream and then they just go ape sh*t with it.

I like any story that starts one place and really takes a huge journey to a whole new place; that people in their life want to take that journey. They want to be able to find things in their life that aren't working and work through them to a new place of change.

All great spirituality teaches about letting go of what you don’t need and who you are not. Then, when you can get little enough and naked enough and poor enough, you’ll find that the little place where you really are is ironically more than enough and is all that you need. At that place, you will have nothing to prove to anybody and nothing to protect. That place is called freedom. It’s the freedom of the children of God. Such people can connect with everybody. They don’t feel the need to eliminate anybody . . .

Each experience in your lifewas absolutely necessary in order to have gotten you to the next place, and the next place, up to this very moment.

Everybody thought New York was this hard, cruel place, and I found it to be an extraordinarily wonderful place filled with the most interesting people.

When gods die, they die hard. It's not like they fade away, or grow old, or fall asleep. They die in fire and pain, and when they come out of you, they leave your guts burned. It hurts more than anything you can talk about. And maybe worst of all is, you're not sure if there will ever be another god to fill their place. Or if you'd ever want another god to fill their place. You don't want the fire to go out inside you twice.

I'm a nomad. I have a place in New York in the Flatiron District, and I have a place in Paris in Ile Saint-Louis, and I spend a lot of time in Congo.

Some may belittle politics, but we know - who are engaged in it - that it is where people stand tall. And, although I know it has its many harsh contentions, it is still the arena that sets the heart beating a little faster. And if it is, on occasions, the place of low skulduggery, it is more often the place for the pursuit of noble causes.

I can write anywhere really. I have a hard time writing when the birds are tweeting and the brooks are running outside. I've tried that several times, for months at a time, trying to write in a quiet, wonderful place where birds are twittering and coffee's brewing. And nothing happens. But if I'm in an old dump like my old apartment and I can't find my fingernail clippers and nothing's working except the old tea maker, that's just great. You always have to find and live in a place that's a little uncomfortable when you're a writer. You need a burr in your side.

After chiding the theologian for his reliance on myth and miracle, science found itself in the unenviable position of having to create mythology of its own: namely, the assumption that what, after long effort, could not be proved to take place today had, in truth, taken place in the primeval past.

No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.

Our children and grandchildren visit us regularly in the Élysée Palace . The little ones are constantly running around outside in the garden. The first time they were intimidated by this place, but now they move around here totally normally. I think it is important that people really live in this place.

I realize that having a style would be very beneficial for my practice from a marketing standpoint, but I can't do it. I believe my responsibilities as an architect are to design the most appropriate building for the place. Each place has a distinct culture and function, which for me requires an appropriate answer.

The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.

This country will not be a good place for any of us to live in unless we make it a good place for all of us to live in.

The place of justice is a hallowed place.

When we resent someone in some way we need to "be on the alert" that even innocent gestures on their part can become suspect to us. Even something as simple as their walking into a room or whispering something to someone else can be conjured up in our minds, to look to us as if they're doing it on purpose to irritate us -as if they're involved in some diabolical plot to hurt us further. What they may be doing may have no connection to their past actions that hurt us in the first place but our resentful feelings against them can often taint our perception of what's really taking place.

In London, I've always lived within 10 miles of where I was born. You see, there is something called a spirit of place, and my place happens to be London, at least once a fortnight.

I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).

You can put the greatest seafood restaurant next to an average steak house in an urban area, and that steak house will do more business than the seafood place. If you go to the water, you can put an average seafood place next to the greatest steak house, and people are going to eat seafood.

I feel that when the reforms in UN take place and the Security Council will be expanded in the permanent membership category, India will have a place, I hope so, but first it is to be expanded.

A community is the mental and spiritual condition of knowing that the place is shared, and that the people who share the place define and limit the possibilities of each other's lives. It is the knowledge that people have of each other, their concern for each other, their trust in each other, the freedom with which they come and go among themselves.

When a person does not think, "Where shall I put it?" the mind will extend throughout the entire body and move to any place at all. . . . The effort not to stop the mind in just one place - this is discipline. Not stopping the mind is object and essence. Put it nowhere and it will be everywhere. Even in moving the mind outside the body, if it is sent in one direction, it will be lacking in nine others. If the mind is not restricted to just one direction, it will be in all ten.

If you place [your bet] with God, you lose nothing, even if it turns out that God does not exist. But if you place it against God, and you are wrong and God does exist, you lose everything.

Skateboarding and that whole industry just became so far away. I was trying to find that ultimate place, that place of contentment but I couldn't. I didn't find it in pushing the dark things of life to the limit either.

... home isn't always the place where you were born and bred. Home is the place where your everyday clothes are, and where somebody or something needs you.

I pointed to an article with bold headlines reporting that the police had refused to allow the PAP to hold a rally at Empress Place, and then to the last paragraph where in small type it added the meeting would take place where we were now. I compared this with a prominent report about an SPA rally. This was flagrant bias.

When you read, I'm sure you don't realize that your eyes are going backwards and forwards and to this place and that place. Mine don't do that.