Quotes About Poet

There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.

In days of yore, the poet's pen From wing of bird was plunder'd, Perhaps of goose, but now and then, From Jove's own eagle sunder'd. But now, metallic pens disclose Alone the poet's numbers; In iron inspiration glows, Or with the poet slumbers.

So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.

That's a fairly Wordsworthian way to look at things! But yeah, actually - part of the poet's work, I think, is to maintain or reintroduce the imaginative capacity of their earlier self while nonetheless maturing. And I do think the more successful the poet is at this particular thing, the greater their achievement as a poet.

A young poet in America should not be advised at the outset to give up all for the Muse-to seclude himself in the country, to live hand from mouth in Greenwich Village or to escape to the Riviera. I should not advise him even to become a magazine editor or work in a publisher's office. The poet would do better to study a profession, to become a banker or a public official or even to go in for the movies.

The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.

The poet is born with the capacity of arranging words in such a way that something of the quality of the graces and inspirations he has received can make itself felt to other human beings in the white spaces, so to speak, between the lines of his verse. This is a great and precious gift; but if the poet remains content with his gift, if he persists in worshipping the beauty in art and nature without going on to make himself capable, through selflessness, of apprehending Beauty as it is in the divine Ground, then he is only an idolater.

So, then, the best of the historian is subject to the poet; for whatsoever action or faction, whatsoever counsel, policy, or war-stratagem the historian is bound to recite, that may the poet, if he list, with his imitation make his own, beautifying it both for further teaching and more delighting, as it pleaseth him; having all, from Dante’s Heaven to his Hell, under the authority of his pen.

A poet who makes use of a worse word instead of a better, because the former fits the rhyme or the measure, though it weakens the sense, is like a jeweller, who cuts a diamond into a brilliant, and diminishes the weight to make it shine more.

I wish that we lived in a time and a generation where people would stop viewing my honesty as overly emotional. People always act like I spend my life crying in a dark room. I don't, I'm good. I'm a man. I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I don't think people realize that we die, we leave here, and either they forget about you or remember you. And how they remember you is up to you. I just want to be remembered as a poet that was open and honest because I wake up every morning and I'm me.

As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.

The end of spring- the poet is brooding about editors.

A children's writer should, ideally, be a dedicated semi-lunatic, a kind of poet with a marvelous idea, who, preferably, when not committing the marvellous idea to paper, does something else of a quite different kind, so as to acquire new and rich experience.

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.

What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.

If I were poet now, I would not resist the temptation to trace my life back through the delicate shadows of my childhood to the precious and sheltered sources of my earliest memories. But these possessions are far too dear and sacred for the person I now am to spoil for myself. All there is to say of my childhood is that it was good and happy. I was given the freedom to discover my own inclinations and talents, to fashion my inmost pleasures and sorrows myself and to regard the future not as an alien higher power but as the hope and product of my own strength.

The poet dreams of the classroom I dreamed I stood up in class And I said aloud: Teacher, Why is algebra important? Sit down, he said. Then I dreamed I stood up And I said: Teacher, I’m weary of the turkeys That we have to draw every fall. May I draw a fox instead? Sit down, he said. Then I dreamed I stood up once more and said: Teacher, My heart is falling asleep And it wants to wake up. It needs to be outside. Sit down, he said.

The poet is he who can write some pure mythology today without the aid of posterity.

With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.

Shakespeare's fault is not the greatest into which a poet may fall. It merely indicates a deficiency of taste.

When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.

An architect, to be a true exponent of his time, must possess first, last and always the sympathy, the intuition of a poet... this is the one real, vital principle that survives through all places and all times.

The swan, like the soul of the poet, By the dull world is ill understood.

He that works and does some Poem, not he that merely says one, is worthy of the name of Poet.

My grandmother was energetic and fearless - a talented poet and songwriter. She was also interested in chemistry and history and medicine, taking care of the people in her hacienda in Mexico, delivering babies. She could have become anything, but this was the 1930s, and she was forced into an arranged marriage.

I have decided, it is fruitless. For I am no longer sure of anything concerning my existance. A philosopher is a dead poet and a dying theologian.

Spending of the best part of one's life earning money in order to enjoy questionable liberty during the least valuable part of it, reminds me of the Englishman who went to India to make a fortune first, in order that he might return to England and live the life of a poet. He should have gone up garret at once.

I am a black woman poet and I sound like one.

The great poet makes us feel our own wealth, and then we think less of his compositions. His best communication to our mind is to teach us to despise all he has done.

We can’t sit back and celebrate Martin King and ask when will there be another like him. No, no my dear young friends. We must join our voices with that blessed poet June Jordan and demonstrate that 'we are the ones we’ve been waiting for.'

To be an Irish poet after that 19th century in which there was such a struggle toward the light, I think still will always be in the hearts of the writers of my generation and the generations before and hopefully the generations after.

Not being a poet, I prize truth above beauty.

It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them.

He who, in an enlightened and literary society, aspires to be a great poet, must first become a little child. He must take to pieces the whole web of his mind. He must unlearn much of that knowledge which has perhaps constituted hitherto his chief title to superiority. His very talents will be a hindrance to him.

I was born with the devil in me,' [Holmes] wrote. 'I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing.

I don't like the stigma that comes with being called a poet . . . So I call what I'm doing an improvisational adventure or an inebriational travelogue.

Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the asronomer that possibly inhabited you in the beginning.

Question: Why are we Masters of our Fate, the captains of our souls? Because we have the power to control our thoughts, our attitudes. That is why many people live in the withering negative world. That is why many people live in the Positive Faith world. And you don't have to be a poet or a philosopher to know which is best.

I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.

The true poet is called to take in the splendor of the world and for that reason will always be inclined to praise rather than tofind fault.

As the poet said, 'Only God can make a tree,' probably because it's so hard to figure out how to get the bark on.

In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?

Accordingly, the poet should prefer probable impossibilities to improbable possibilities. The tragic plot must not be composed of irrational parts.

In Náhuatl, the language of the Aztec world, one key word for poet was 'tlamatine,' meaning 'the one who knows,' or 'he who knows something.' Poets were considered 'sages of the word,' who meditated on human enigmas and explored the beyond, the realm of the gods.

No poet or orator has ever existed who believed there was any better than himself.

Poet, forger of ideals, dreamer among the possibilities of life, prophet of the millenium, do you get impatient with the prosaic life around you -- the dulness, and the earthliness, and the brutishness of men? Fret not. Go forward into the realm which stretches before you; climb the highest mountain you can reach, and plant a cross there. The nations will come up to it some day. Work for immortality if you will; then wait for it. If your own age fail to recognize you, a coming age will not.

But I'm too old to be written about as a young poet.

Just because a poet said something didn’t mean it was true, only that it sounded good.