Quotes About Poets

In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.

All poets write bad poetry. Bad poets publish them, good poets burn them.

The poets are supposed to liberate the words – not chain them in phrases. Who told the poets they were supposed to think? Poets are meant to sing and to make words sing. Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?

Poets, if they're genuine, must keep repeating "I don't know." Each poem marks an effort to answer this statement, but as soon as the final period hits the page, the poet begins to hesitate, starts to realize that this particular answer was pure makeshift that's absolutely inadequate to boot. So the poets keep on trying, and sooner or later the consecutive results of their self-dissatisfaction are clipped together with a giant paperclip by literary historians and called their oeuvre.

One can say that the disaffection is still a lingering naiveté about, not the place of poetry in the world, but - how to say this - the moral and intellectual presence of poets in the world. And while this may seem an old conversation to many poets who roll their eyes and say, "Here we go again about the function of poetry," I think that conversation, about poetry as an engaged art in a world that is full of regression or still lacking in progress, is still really not well-developed. It's almost an avoided conversation.

I'm not going to tell people how to write, but we do have a skill set, and the more we put ourselves out into the world as poets, as a sort of poet of the tribe, as representatives of metaphor, and try to claim space for metaphor in the inner life, that's going to be important and be helpful to poetry and bring a tension for poets writing about whatever they choose.

I see that you believe in love such as the poets and romancers have represented... The poets represent love as the sculptors design beauty, as the musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature.... To try to find in real life such love as this, eternal and absolute, is the same thing as to seek on the public squares such a woman as Venus or to expect nightingales to sing the symphonies of Beethoven.

For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

...these poets here, you see, they are not of this world:let them live their strange life; let them be cold and hungry, let them run, love and sing: they are as rich as Jacques Coeur, all these silly children, for they have their souls full of rhymes, rhymes which laugh and cry, which make us laugh or cry: Let them live: God blesses all the merciful: and the world blesses the poets.

I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.

In general, I would think that at present prose writers are much in advance of the poets. In the old days, I read more poetry than prose, but now it is in prose where you find things being put together well, where there is great ambition, and equal talent. Poets have gotten so careless, it is a disgrace. You can’t pick up a page. All the words slide off.

Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.

I try to write lyrics that will be able to function on their own if they get separated from the music. But I wouldn't want to take anything away from poets, who work without the frames songwriters get from melody, and I think lyrics should be considered as their own thing.

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.

Italian is a very different poetic situation and there are these hard and fast rhythmic periods, settenari, ottonari of seven and eight syllables. These are fundamental to the way people speak and write and breaking them is more radical in Italian than when we break a line. I'm sure there are Italian poets who want to write poetry as prose and break these Petrarchan rules. And breaking them is fun and a valid thing to do. But I'm more interested in trying to write poetry that absorbs tradition and uses it in new ways, and doesn't throw it out.

I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.

Ireland is a land of poets and legends, of dreamers and rebels. All of these have music woven through and around them. Tunes for dancing or for weeping, for battle or for love.

If any of you are secret poets, the best way to break into print is to run for the presidency.

Andy Brown is one of our most interesting and exciting younger poets. With its love of ideas and language, his work demonstrates that there need be no barriers in poetry; that the philosophical, the lyrical and the playful can be combined in work of assured and generous vision.

Saints and martyrs had never interested Maggie so much as sages and poets.

The artist looks for a subject. You know, a lot of new poets don't seem to have a subject. I don't totally understand that.

I happen to believe that there are a lot of good poets around at present, but a poet like Alex Kuo, who possesses a highly developed moral sense and a bitter honesty, is rare at any time and especially in this time. We need him.

In the end, time is the best ally of poets. It clarifies their works and makes them accessible to an ever widening circle of readers.

Nobody has ever measured, not even poets, how much the heart can hold.

A quote that I like very much comes close to explaining my attitude about taking photographs. ‘Chinese poetry rarely trespasses beyond the bounds of actuality the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.’

I know by experience that the poets are right: love is eternal.

One of the most intuitive nature writers of our recently past century, Peter Matthiessen, lends a poets voice to the desperate effort to save the tiger.

I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets.

All good poets of the past, almost without exception, were at least bilingual if not trilingual.

We have to raise the consciousness; the only way poets can change the world is to raise the consciousness of the general populace.

Sometimes the greatest love is not found in the dramatic scenes that poets and writers immortalize. Often, the greatest manifestations of love are the simple acts of kindness and caring we extend to those we meet along the path of life.

Nature, after all, is still the grand agent in making poets.

The poets get a quizzical ahem. They reflect time, I am the very ticking.

As we all know, poets are born brain-wired a certain way and every poet I know wrote as a child. I'm no exception.

How can you work on letting your thoughts go and getting synchronized into the moment and questioning your wild imagination. But I say just think of all the great Japanese and Chinese poets and scholars who were also meditators.

Anyone who wants to be a writer should, if given the opportunity, hang out with "real writers," that is, poets or writers who are lions in literature, semi-lions, or published authors.

People were usually much better in their letters than in reality. They were much like poets in this way.

Travellers, like poets, are mostly an angry race: by falling into a daily fit of passion, I proved to the governor and his son, who were profuse in their attentions, that I was in earnest.

love wasn't the soft, silky words the poets spoke of. Love,with it's twin edges, was the one factor that weakened so many women, that pushed them to compromised their own wants, their own needs for the needs and wants of another.

I was inspired by, when I was in college, seeing some incredible speakers come to my school: Michael Eric Dyson, Spike Lee, Nikki Giovanni, and other poets and writers. I always loved that experience: going and sitting in an auditorium and listening to their opinions.

Children have a master to teach them, grown-ups have the poets.

The ancient Greeks, poets, authors and philosophers all puzzled over the question but nobody really knows what love is - including me. Longing for another person is an exciting mental experience.

By adherence to a special set of rules, the child of the shabby-genteel can sometimes leap across the time which has passed by his family and function in the real world without doing violence to the hopes his mother held out for him. But those who cannot live within this pattern are the freaks and poets, and they travel a different road to peace.

Poets, we know, are terribly sensitive people, and in my observation one of the things they are most sensitive about is money.

God makes many poets, but he only gives utterance to a few.

In working on a poem, I love to revise. Lots of younger poets don't enjoy this, but in the process of revision I discover things

The poets down here don't write nothin' at all, they just stand back and let it all be.

Janice Gould is one of our best poets. The music of her poetry will delight you, and her gentle courageous accounts of tribal, family, and personal history make this book unforgettable. Doubters and Dreamers is a master-piece.