Quotes About Read

If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.

You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.

Read. Read anything. Read the things they say are good for you, and the things they claim are junk. You'll find what you need to find. Just read.

Mother, I am young. Mother, I am just eighteen. I am strong. I will work hard, Mother. But I do not want this child to grow up just to work hard. What must I do, mother, what must I do to make a different world for her? How do I start?" "The secret lies in the reading and the writing. You are able to read. Every day you must read one page from some good book to your child. Every day this must be until the child learns to read. Then she must read every day, I know this is the secret

I attempt to read one book every day. I don't always achieve that, especially when I'm traveling. But when I'm home, I read almost a book a day. I certainly read a minimum of two or three a week. And as a result of that, I've read over 3,000 books in areas that interest me, like consciousness and spirituality, holistic health, leadership, success, psychological awareness, therapy, etc.

My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.

The one thing I'm terrified of trying to write about is sex. I mean my God, my wife might read it or my daughter might read it or my son might read it, so no, I've never really written about eroticism at all.

I'm a spiritual person, I believe that if you read the bible, you get what you want from it. But, when you actually read it, you see the beauty, spirituality, the joy and love and what makes us godly. And then if you read between the lines of all the same books, you always see the human influence in the writing... it's not all about religiousness, it's about spirituality.

If you are in passionate love and want to celebrate your passion, read poetry. If your ardor has calmed and you want to understand your evolving relationship, read psychology. But if you have just ended a relationship and would like to believe you are better off without love, read philosophy.

Gabriel Garcia Marquez is one of my all-time favorite writers. I feel spiritual when reading his words, even though they're translated. I wish desperately that I could read it in its original language. I already feel like I'm going to church when I read him; imagine if I could read it in the original.

Read for fun, read for information, read in order to understand yourself and other people with quite different ideas. Learn about the world beyond your door. Learn to be compassionate and grow in wisdom. Books can help us in all these ways.

I studied piano from the age of three. My grandmother taught piano. I stayed at her house during the day while my parents worked. I obviously wanted to learn to play. And so she asked if she could teach me, and my mother said don't you think she's too young. My grandmother apparently said no. So I could read music before I could read, and I really don't remember learning to read music. So for me it's like a native language. When I look at a sheet of music, it just makes sense.

Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.

It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.

Read the Bible, read the Bible! Let no religious book take its place. Through all my perplexities and distresses, I seldom read any other book, and I as rarely felt the want of any other.

I feel guilty if I'm not reading books, but I read scripts of movies or things that I know I'm committed to that I'm going to do the project. I tell myself, "I'm going to read this script like six times," and I only read it the initial time.

I don't read a word that's written about me. I don't read my own interviews. I don't read reviews. I think it would drive me insane.

In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again That is why I read: I want everything to be okay. That’s why I read when I was a lonely kid and that’s why I read now that I’m a scared adult.

The book on my nightstand right now isnt anything that inspired me, but it entertained me. I read a book on Labor Day, it was a holiday, and I have three daughters, and we all went to the shopping mall and I sat on the bench and read a book while they shopped, it was called The Greatest Golfer there Ever Was, it was a great book, easy to read and entertaining.

Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'

Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.

I don't think we need a critic to negotiate with the audience. People say, "Who are you writing for?" I'm writing for myself but my audience is anybody who knows how to read. I think a story should engage anybody who knows how to read. And I hope that my stories do, maybe on a different level for more sophisticated readers than, say, a high school kid, but still a story has got to grab you. That's why we read it.

I re-read The History of White People by Nell Irvin Painter. It's a book every one should read, particularly Americans, as the USA is her primary focus. Her book demonstrates that white is not universal, that white is not neutral, that it has a history, which she eloquently delineates. It's not often you finish a book understanding how the world operates better than before you read it.

I opposed the Fatwa against Salman Rushdie. I read the book and took a critical distance. I did not think The Satanic Verses is a blasphemous book. I did not consider the book as being a great read, but as an intellectual I read, I assess, and I respond. I make a difference between true freedom of expression to which we owe a response and provocation, which we ignore.

I never know how to give advice to a writer because there's so much you could say, and it's hard to translate your own experience. But of course, I always try. The main thing that I usually end up saying is to read a lot. To read a great deal and to learn from that.

We are underbred and low-lived and illiterate; and in this respect I confess I do not make any very broad distinction between theilliterateness of my townsman who cannot read at all and the illiterateness of him who has learned to read only what is for children and feeble intellects. We should be as good as the worthies of antiquity, but partly by first knowing how good they were.

I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.

As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.

You read some good reviews and then you read a bad one, and the bad one pisses you off but there's nothing you can do. It's just an opinion.

Sometimes Joyce is hilarious. I read Finnegans Wake after graduate school and I had the great good fortune of reading it without any help. I don't know if I read it right, but it was hilarious! I laughed constantly! I didn't know what was going on for whole blocks but it didn't matter because I wasn't going to be graded on it. I think the reason why everyone still has so much fun with Shakespeare is because he didn't have any literary critic. He was just doing it; and there were no reviews except for people throwing stuff on stage. He could just do it.

If kids like a picture book, they're going to read it at least 50 times. Read anything that often, and even minor imperfections start to feel like gravel in the bed.

Hassan couldn't read a first-grade textbook but he'd read me plenty. That was a little unsettling but also sort of comfortable to have someone who always knew what you needed.

I've read a lot of bad books. I used to review books for a living, and when you're a reviewer you read tons of terrible books.

One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

I advise writing to oneself. If you don't want to read it, nobody else is going to read it.

So give yourself that chance to put together the 80, 90 pages of a draft and then read it very in a nice little ceremony, where you're comfortable, and you read it and make good notes on it, what you liked, what touched you, what moved you, what's a possible way, and then you go about on a rewrite.

God didnt put you on earth just to read about what others do. He made you TO DO some things others will want to read about!

I read everything. I've always got a book on the go and I'm really nerdy about it, I get through books and don't remember anything about them afterwards. But I read all sorts, from classic to contemporary.

You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.

I grew up a really nerdy kid. I read science fiction and fantasy voraciously, for the first 16 years of my life. I read a lot of classic Cold War science fiction, which is much of the best science fiction, so I speak the language well, which is a commodity that's not easy to come by in Hollywood.

I read, read enormously on all different fields of Islamic thought, from philosophy to Islamic literature, poetry, exegeses, knowledge of the Hadith, the teachings of the prophet. That's how I trained myself. And then I was appointed imam by a Sufi master from Istanbul, Turkey.

Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.

I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."

For most people, what is so painful about reading is that you read something and you don't have anybody to share it with. In part what the book club opens up is that people can read a book and then have someone else to talk about it with. Then they see that a book can lead to the pleasure of conversation, that the solitary act of reading can actually be a part of the path to communion and community.

How far we are going to read a poet when we can read about a poet is a problem to lay before biographers.

There are people out there who will not read books, but somehow they'll read my books.

I still love books. Nothing a computer can do can compare to a book. You can't really put a book on the Internet. Three companies have offered to put books by me on the Net, and I said, 'If you can make something that has a nice jacket, nice paper with that nice smell, then we'll talk.' All the computer can give you is a manuscript. People don't want to read manuscripts. They want to read books. Books smell good. They look good. You can press it to your bosom. You can carry it in your pocket.