Quotes About Romantic

I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.

Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic.

I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.

What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.

I get some of my ideas from watching my three daughters, but most of them come from my own memories of growing up. I can remember how romantic I was, not just about love, but romance in the classic sense - the romantic ideals: of honor and truth, of loyalty, sacrifice and fairness. Those were the elements that made a story satisfying to me.

I'm an incurable romantic, and 'Casablanca''s one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.

I am neither romantic nor a visionary, and that is my weakness and perhaps my power; at any rate it is one difference. In less romantic and visionary terms, I am a Jew, (with powers of introspection and eclecticism attendant, perhaps.) But I am alien to your natural grace, to the spirit which you would know as a participator in America.

G-Dragonhe is very romantic. I’m his roommate so I see everything. He’s seriously romantic. If he dates someone he makes a song for them. One time he asked me how the song was. And I said oh my god if this was released in Korea there’d be a huge deal and it would make so much money. But… since it’s for the woman he loves it’s only for her and gives up that money/fame from that song.

The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.

I'm very romantic, I'm extremely romantic. I date my wife.

There's a quote that I learned in college a million years ago. "Happy, thought I, is the man who can, in one and the same embrace, hold both his love and the object of his love." Holding the feeling that you have and all the images that you've got and all the fantasies and romantic associations while also holding the actual core person that's been saddled with all of this.

The world is no longer a romantic place; some of its people still are however, and therein lies the promise. Don't let the world win.

I'm a romantic; you have to be to marry four times.

Is that why you hate me?" I ask. "Partly," She admits. "Jealousy is certainly involved. I also think you're a little hard to swallow. With your tacky romantic drama and your defender-of-the-helpless act. Only it isn't an act, which makes you more unbearable. Please feel free to take this personally.

Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.

I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations.

i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.

The importance of a lost romantic vision should not be underestimated. In such a vision is power as well as joy. In it is meaning.Life is flat, barren, zestless, if one can find one's lost vision nowhere.

But I was a pure romantic, and only operating with half my burners turned on.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

I think a sense of humor is a very personal thing, and I don't know if I am talented enough to do romantic comedies.

Over the course of my life I've had more than my fair share of romantic relationships with wonderful women, many moved on to live happy, healthy, and productive lives, and I'm pleased to say remain dear friends today. Sadly, there are a few who have chosen to rewrite history in an attempt to stay in the spotlight. I guess, as the old saying goes: You can't win 'em all!

Scotsmen are metaphisical and emotional, they are sceptical and mystical, they are romantic and ironic, they are cruel and tender, and full of mirth and despair.

I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.

But I've always been hard to cast, I've never been an ingenue, I've never been the romantic lead. I'm an actor; give me the script and I do what I do and hope it's good.

The greater the power of any subjective state, the more total is a Romantic's assumption that everyone understands exactly what he is about to do, therefore waste not a moment by stopping to tell them.

Kate Middleton has a nice silhouette and she is the right girl for that boy. I like that kind of woman, I like romantic beauties. On the other hand, her sister struggles. I don't like the sister's face. She should only show her back.

If, therefore, nonsense is really to be the literature of the future, it must have its own version of the Cosmos to offer; the world must not only be tragic, romantic, and religious, it must be nonsensical also.

I'm probably a bit romantic about it, but I think we humans miss having contact with fire. We need it.

We love to entertain audiences and this picture does that - it's romantic, it's funny, it's got a nice message and I think it's a gift to the audience to be able to enjoy this movie.

I would love to do a sweeping romantic period drama, like Jane Eyre. That would be my dream. It's always been my dream, as far as acting.

Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.

I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.

The romantic stuff comes a lot easier when you're experiencing true love. It feels better, it feels more natural to record love songs when you're in love.

To be robbed and betrayed by a fiendish underground conspiracy, or by the earthly agents of Satan, is at least a romantic sort of plight - it suggests at least a grand Hollywood-ready confrontation between good and evil - but to be coldly ripped off over and over again by a bunch of bloodless, second-rate schmoes, schmoes you chose, you elected, is not something anyone will take much pleasure in bragging about.

I think it's important to have closure in any relationship that ends - from a romantic relationship to a friendship. You should always have a sense of clarity at the end and know why it began and why it ended. You need that in your life to move cleanly into your next phase.

I don't like the piano player music of the movies, the Michael Nyman, and sometimes that piano music makes me puke. It's not really romantic. It's just trying to get your Pavlovian juices flowing because it's a technique now.

I'm an incurable romantic. The essence of romance is an unshakable conviction that next time will be different.

Friends can be said to "fall in like" with as profound a thud as romantic partners fall in love.

Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.

I would love to write a mystery - a romantic, funny mystery.

To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).

I'm attracted to intelligence and creativity and passion - and not necessarily the romantic kind. I want to learn from someone who is greedy for information and light and laughter and the whole world. Someone who celebrates their days and finds inspiration in what other people accomplish.

And there is also the paradox that the dominating culture imbues the Indian past with great meaning and significance; it is valued more because it is seen as part of the past. And it is the romantic past, not the present, that holds meaning and spiritual significance for so many members of the dominating culture. It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.

It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.

In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance.

There may come a time when it will be possible for you to humiliate your worst enemy or even to defeat him, but in order to love the enemy you must not do it... The Greek language has another word [for love]. It calls it agape. Agape is more than romantic love. Agape is more than friendship. Agape is understanding, redemptive goodwill for all men. Agape is an overflowing love, a spontaneous love, which seeks nothing in return. And theologians would say that it is the love of God operating in the human heart. When you rise to love on this level you love all men, not because you like them, not because their ways appeal to you, not because they are worthful to you, but you love all men because God loves them. And you rise to the noble heights of loving the person who does the evil deed while hating the deed that the person does. And I think this is what Jesus means when he says, “Love your enemies.”