Quotes About Singing

However, it [singing] wasn't until halfway through high school that it dawned on me that singing wasn't just a hobby, it was something I had a growing need for in my life, and that was about when I adopted the neglected guitar I found under our piano and started singing about all the things I could never say.

Not everybody's a great singer, but people can get better at singing. There's great singing teachers out there. It's a muscle, you just have to train it.

When I sing, I think mostly about the music. But I know that, through singing, my body shows everything that I am. I am a very passionate man and I suffer a lot and have a lot of joy also. In my opinion, it is very important for me to find this stimulus and motivation for singing.

The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'

When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.

It is the voice of the Church that is heard in singing together. It is not you that sings, it is the Church that is singing, and you, as a member of the Church, may share in its song.

In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.

I'll never feel as comfortable singing as I do playing. The mandolin is my real voice. My actual voice is sort of my secondary voice, but I love to do it and I love giving people relief from playing with a little bit of singing.

When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.

For me, singing was always about the lyrics. I'm hopeless at singing songs that don't have a core.

I sing both in my shower and in my car, mostly in my car, because I have this weird thing - whenever I'm singing to the radio - my friends kind of hate it - but I pick out the harmonies in my head, and I'm singing the harmonies to the tracks and I'm jamming it out.

I think I like singing when I'm singing live. It's just in the studio when it's a drag.

"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.

I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.

Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare! It's very strange. Acting seems much easier, in fact, because you are putting on a costume - whereas here you are taking everything off.

I started singing with the Amboy Dukes in '87. I sang 'Oh Baby Please Don't Go,' the old Van Morrison song by Joey Smith. I started singing more from then on.

I had been making films for almost ten years, and the head men at RKO thought of me only in terms of musicals. I found no fault with that, except I just couldn't stand being typed or pigeonholed as only a singing and dancing girl. I wanted to extend my range.

When I'm not touring, I sing at home, either at the piano or I'll pick up my guitar, singing old Buck Owens songs.

It's been a while. I haven't seen the actual gag reel they put on the DVD. I just saw the DVD myself, so I know that it's going to be some version of what we saw at our wrap party. Some of the funniest things probably wouldn't make it to the DVD and that involved Ryan O'Neal singing and they intercut that with the American Idol judges judging him, which was pretty funny.

I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.

My parents wanted me to be a lawyer. But I don't think I would have been very happy. I'd be in front of the jury singing.

There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.

When you're feeling down, did you know that you can change it in an instant? Put on a beautiful piece of music or start singing - that'll change your emotion.

All night I streched my arms across him, rivers of blood, the dark woods, singing with all my skin and bone ''Please keep him safe. Let him lay his head on my chest and we will be like sailors, swimming in the sound of it, dashed to pieces.'' Makes a cathedral, him pressing against me, his lips at my neck, and yes, I do believe his mouth is heaven, his kisses falling over me like stars.

Conducting has more to do with singing and breathing than with piano-playing.

I can do this, I tell myself firmly. I can be attracted to him. It's just a matter of self control and possibly also getting very drunk. So I lift my glass and take several huge gulps. I can feel the bubbles surging into my head, singing happily "I'm going to be a millionaire's wife! I'm going to be a millionaire's wife!" And when I look back at Tarquin, he already looks a bit more attractive. Alcohol is obviously going to be the key to our marital status.

Well, I started writing songs about three years ago when I learned to play the guitar, but I've been singing since I was eleven.

What I like about singing is that, for me, it's a substitute for the psychiatrist's couch.

If I stand there, appreciating the world around me as full of amazing sounds and the possibility of new ones, I think that invites other people to see the world that way, too. I love sharing the experience of singing with people, and I love sharing my stories. But when it comes to teaching, I have a lot of help.

When you write a song that is so personal to yourself, it's really hard to picture anybody else understanding it when you're singing it. There's things that are very broad and universal topics. Those are the songs that might work for others.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.

Sing lustily and with a good courage. Beware of singing as if you were half dead, or half asleep; but lift up your voice with strength.

In the bonds of Death He lay Who for our offence was slain; But the Lord is risen to-day, Christ hath brought us life again, Wherefore let us all rejoice, Singing loud, with cheerful voice, Hallelujah!

My mother always accused me of being in love with the sound of my own voice. When we went on road trips, she'd be like, 'Stop singing. Be quiet, you're talking just to hear yourself speak.' It was probably true. I like to ramble on, which is probably why I'm well suited to interviews. You know, there's no other forum where you're literally supposed to sit down and just talk for hours about yourself. I love it.

Remembering that life can be full of surprises is useful in any part of your life. You can try a new way of singing a song you’ve performed for years, a new way of showing your family your love for them, or a new recipe. Don’t just play the licks you know. We’re all improvising all the time — it’s good to recognize that and embrace it.

Musicals are good times. I live to do a musical, there's nothing like it, no experience like that in the movie business. You don't get to pull all those triggers at the same time doing anything else. Nothing pulls that from you. Dancing, acting and singing is like "Alright, I gotta fire on all cylinders right now" because that's what it requires. It's fun getting to exercise all those muscles.

Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.

The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.

It's difficult to see how it's possible to become immensely valuable by singing what are the most hideous songs.

If I made a mistake in singing a song or in the script, I could have some fun with it, then retain any of the fun that sounded amusing.

I'm not into that whole Satanic thing. It's just something to fall back on if you don't have much imagination. Singing you fiftieth song about having lunch with Satan--I'm not into it. It's silly.

Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.

The strands of spaghetti were vital, almost alive in my mouth, and the olive oil was singing with flavor. It was hard to imagine that four simple ingredients [olive oil, pasta, garlic and cheese] could marry so perfectly.

Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?