Quotes About Singing

What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.

I've loved singing since forever. Whether it was with my sisters while cleaning the kitchen, putting shows on for my stuffed animals, writing songs about my stuffed animals, starting an a capella group with my cousins while on vacation, or awkwardly singing along to karaoke tracks alone in my bedroom - singing always found a way into my life.

I'm an entertainer, period. But I'd probably have to say my passion is in singing. I'm willing to go broke singing.

I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.

I love singing - singing is what I'm famous for doing. Now it's turned into things I am famous for doing - like having rows with my mum or about my boyfriend, so it does get irritating.

I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.

I was always musical - yelling when I was a baby, singing into a brush and singing in the shower.

I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.

Writing songs out of my faith was a real natural progression. I grew up singing in my dad's choir and singing with my family. Christian music became the music that I identified myself with and was a way that I expressed my faith. Even at a public school I would take my Christian music in and play it for my friends.

As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.

I don't think we should speak so much. What if we were singing a song? We split, whilst singing.

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.

Since Moses was in Egypt land, Gods people have been struggling for justice while singing freedom songs. Theology can be clarifying. A good sermon has its place. But nothing is more essential for the life of faith in a community than liturgy that invites us to sing the freedom songs that are sung around the throne of God. Brother Ken Sehested is a song leader in that great cloud of witnesses. Receive his words as gift-and keep singing.

I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.

"Everything must change, everything must stay the same." Those are good words to have circling around in my head. I just wish that I was able to deal with them, not by singing, but by helping myself. But singing helps, too.

I guess I could be singing about Superman, or about Zarathustra coming down from the mountain, but in my mind I was singing about Julian Assange. I wish I could say that Nietzsche inspired my lyrics but all I can honestly say is I was inspired by the graphic design of these '70s paperback covers for Beyond Good & Evil and The Birth of Tragedy and The Gay Science.

EVERYONE suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight. Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away ... O, but Everyone Was a bird; and the song was wordless; the singing will never be done.

I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.

Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare! It's very strange. Acting seems much easier, in fact, because you are putting on a costume - whereas here you are taking everything off.

Writing was something I always did but that turned into singing and rapping. That something that came out of my writing.

When I'm not touring, I sing at home, either at the piano or I'll pick up my guitar, singing old Buck Owens songs.

Dancing was a big part of my life, but I would never consider myself a dancer. I adore singing, and music has always been a huge part of my life, but I also enjoy acting.

The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.

I was not ambitious as a child. My father encouraged me to enter competitions and contests, which became very much part of my life. I was not the typical teenager. I was very closed, shy and didn't hangout with my friends at disco's. My parents wanted me at home. Singing became my life, I traveled a lot on the job, and my job became my dream.

...and suddenly you started singing out your love for me. My name and everything, loud enough to reach the top floors of all the buildings. I should have told you to stop, but I didn’t want you to stop. I didn’t mind if your love for me woke people up. I didn’t mind if it somehow sneaked into their sleep.

It's one of the craziest feelings to be on stage and know that you were sitting on your bedroom floor when that song came to be and now there's an arena full of people singing it.

I thought people wouldn't take me seriously if too much acting was involved in the singing. But now I love the idea of mixing everything together.

This LGBT singing choir has demonstrated how women are investing in tradition to create change, like alchemists turning discord into harmony.

There was one emotional outlet my people always had when they had the blues. That was singing.

When you write a song that is so personal to yourself, it's really hard to picture anybody else understanding it when you're singing it. There's things that are very broad and universal topics. Those are the songs that might work for others.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.

A black man singing about a blond girl was potential trouble.

Love is the harmony of two souls singing together.

And I go out of Father's house and I walk down the street, and it is very quiet even thought it is the middle of the day and I can't hear any noise except birds singing and wind and sometimes buildings falling down in the distance, and if I stand very close to traffic lights I can hear a little click as the colors change.

Eric Peters is a chronicler of his journey; he's been a faithful steward of the story God is telling through him, and this newest chapter, BiRDS OF RELOCATiON, is Eric's testimony that along the way there are moments of deep joy and gratitude-they may seem brief, but they're bright, and they're worth singing about. The joy I hear on this record heralds a long and welcome peace.

I'm going to be singing Dreams and Rhiannon when I'm 75 - and that's just fine with me. I just hope my chiffon doesn't get tangled in my rocking chair.

I spent many years laughing at Harry Secombe's singing until somebody told me that it wasn't a joke.

I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.

Now that I'm out and I'm shouting in doorways Freed from a love more like murder I should be singing but in liberation Feel like a ship with no rudder.

Writing is a performance, like singing an aria or dancing a jig

I think some people are born to Entertain. They just have those personalities and they are great at it. Their forte isn't singing so they use auto tune, etc... But they have a lot of talent in entertaining.

Every word was a singing sparrow, a magic trick, a truffle for me. The words made me laugh in delight.

I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.

I really enjoy singing, it's entirely different to acting because I'm just being myself.

When you put biblical truth to the songs used in churches, you'll have the congregation leave singing the sermon. You'll have God's thoughts, things that are God-breathed, stuck in their heads. It's sad to think about a really catchy tune paired up with bad theology because that could, honestly, do a lot of damage in church.

We are the ghosts of the singing furies .

So I got interested in singing and I have always used my voice. Not professionally as much, but around the living room, the campfire, that kind of thing.