Quotes About Singing

Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.

Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.

I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.

I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.

It is the voice of the Church that is heard in singing together. It is not you that sings, it is the Church that is singing, and you, as a member of the Church, may share in its song.

The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.

For me, there's a tremendous challenge of singing with Faith, who, in my opinion is one of the best singers in the world. She doesn't get enough credit for being as good as she is. She's so beautiful that people look past her singing. But for a journeyman like me to keep up with her is a real tough sprint.

Meditation is totally different. When you concentrate you close your mind to everything else. Meditation means just an openness, a relaxed openness. It is not concentration. While listening to me you are listening to the birds singing in the trees too. The wind passing through the trees singing its song - you are open to it too. The aeroplane passing by, or the train - you are open to it too. This is meditation - you are simply open, available, conscious, available, all doors are open.

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.

You know, YOUR President, the one with the big ears-he ain't my President - had that woman singing for him at his Inauguration. She's going to get her [expletive] whooped. How dare Beyonce sing MY song that I been singing forever. Now I'm going to sing it for y'all.

I had to come out on stage with my little staff and robe and I had this sun on top of my head that my mom made - that was the first time I was ever on stage singing in front of anybody. I realized that I was one of the best acts of the night but I didn't give singing much thought after that. I was really into playing baseball.

I took piano lessons when I was a little kid, but even before that, you're singing in the classroom and wherever. Gosh, children are always singing. But I took music lessons, some choir and things like that at school. I learned how to play the guitar when I was about 13... ancient history.

I love singing and I think I have a really nice voice, but I don't think I have an unbelievable singing voice. I think I have a great character voice.

As someone who listens almost exclusively to contemporary hip-hop and R&B, I definitely like "No Bullshit" by Chris Brown, and melodically I'm really into what he's doing - that song is kind of singular because it's got this piano intro and outro. But obviously I'm not singing about what he's singing about. What we want out of our songs is not the same thing.

Each of us has something within us which won't be denied, even if it makes us scream aloud to die. We are what we are, that's all. Like the old Celtic legend of the bird with the thorn in its breast, singing its heart out and dying. Because it has to, its self-knowledge can't affect or change the outcome, can it? Everyone singing his own little song, convinced it's the most wonderful song the world has ever heard. Don't you see? We create our own thorns, and never stop to count the cost. All we can do is suffer the pain, and tell ourselves it was well worth it.

We're all writing out of a wound, and that's where our song comes from. The wound is singing. We're singing back to those who've been wounded.

The Christian faith is a singing faith, and a good way to express it and share it with others is in community singing.

I love singing. The joy of singing live - I don't think I will ever stop that.

Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."

It's so different going in the studio and singing your own music and you don't really think about making sure that the message of the song or the idea behind the song comes across to people. Because it's in your head, it's in your heart, whatever, but it's... different when you're playing a character and you're singing as the character. There's just a lot more involved in that, I guess.

Presley brought an excitement to singing, in part because rock and roll was greeted as his invention, but for other reasons not so widely reflected on: Elvis Presley had the most beautiful singing voice of any human being on earth.

The kids (in the Jesus Movement) weren't singing for themselves. It seemed like they were singing TO Someone.

There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.

I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.

Singing was my first love and I never even considered it after I started acting, but now I'm bringing it back into my life. I trained from the ages of 11 to 17. When I moved to New York and got into serious acting, I just kind of abandoned the whole singing thing. But when I grew up in Pennsylvania I went to voice lessons once a week.

I really enjoy singing and I really enjoy acting, but singing I've been doing since I was really young.

When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.

Do we ask what profit the little bird hopes for in singing?

I get to travel around the world and meet all of these amazing people, and they're singing my songs! And to me, that's crazy.

Singing beautiful melodies is one thing, but to deliver the text so that the people understand it, even in a foreign language, has to be worked at very hard.

Problem with segregation isn't that people can't live in peaceful harmony singing "Kumbaya" - although that wouldn't be bad. The problem is that many of these Whitopian communities are taking state, local, and federal resources with them.

It just seemed fitting to have our own lounge with our own dance review that paid homage to where The Pussycat Dolls originated, ... So it wasn't just another nightclub. It was somewhere where people can go and see an old school show with real dancing and real performing and real singing. It's perfect for Vegas. It's got that whole cabaret, burlesque-inspired review of dancing, and the whole fishnets, and boas.

If I had a chance to do things over again, I might not start singing. It was my husband Doolittle's idea. He pushed me out there, the booger. And I'm out there now, so I might as well make the best of it.

I would enjoy doing what cats do: singing, sleeping, and licking my nuts.

I was the worst bricklayer in the world. I can show you buildings I worked on - they're a hazard. I closed a window one time. I forgot to set back a brick and I just kept going - there I was singing 'There's no business like show business'.

An athlete learns how to hold her breath, but that doesn't work in singing. You have to learn to relax.

Sometimes I'll go out into the crowd and keep singing, but I'll get maybe seven rows out and I'm out of synch, I'm a couple seconds behind the band and then it becomes chaos.

Singing is what got me into everything and made me fall in love with this industry.

Well, I loved singing in the chorus, and there was some connection for me between gospel and choral music.

Tentatively I stood a great lump of wood on the chopping block and bought the axe down on it. It flew into two perfect halves. Such was my elation that I ran inside, put on our ancient cracked record of Aretha Franklin singing Respect and danced all by myself for half an hour in our living room, without inhibition, almost crying with jubilation – not just about the wood, but because I could live competently some of the time, and because that day I liked myself.

What I like about singing is that, for me, it's a substitute for the psychiatrist's couch.

I'm definitely inspired by music; I feel like I can express a part of myself, a part of my heart and my soul, that I can't express just acting by writing music or singing music. It takes the emotions to another level. I feel really connected to something else, you know.

There was one emotional outlet my people always had when they had the blues. That was singing.

[During fee negotiations for singing in Vienna:] I'm not interested in money, but it must be more than anyone else gets.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.

I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.