Quotes About Singing

I've loved singing since forever. Whether it was with my sisters while cleaning the kitchen, putting shows on for my stuffed animals, writing songs about my stuffed animals, starting an a capella group with my cousins while on vacation, or awkwardly singing along to karaoke tracks alone in my bedroom - singing always found a way into my life.

A lot of people think the blues is depressing but that's not the blues I'm singing. When I'm singing blues, I singing life. People can't stand to listen to the blues, they've got to be phonies.

Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.

When I'm singing at the piano and I'm having a really nice fun day singing, if I have a headache, the headache will immediately dissipate just the notes going through my head.

I'm singing in the rain, just singing in the rain; What a wonderful feeling, I'm happy again.

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.

I don't think we should speak so much. What if we were singing a song? We split, whilst singing.

Writing and reading decrease our sense of isolation. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship

The only thing better than singing is more singing.

As someone who listens almost exclusively to contemporary hip-hop and R&B, I definitely like "No Bullshit" by Chris Brown, and melodically I'm really into what he's doing - that song is kind of singular because it's got this piano intro and outro. But obviously I'm not singing about what he's singing about. What we want out of our songs is not the same thing.

Each of us has something within us which won't be denied, even if it makes us scream aloud to die. We are what we are, that's all. Like the old Celtic legend of the bird with the thorn in its breast, singing its heart out and dying. Because it has to, its self-knowledge can't affect or change the outcome, can it? Everyone singing his own little song, convinced it's the most wonderful song the world has ever heard. Don't you see? We create our own thorns, and never stop to count the cost. All we can do is suffer the pain, and tell ourselves it was well worth it.

We're all writing out of a wound, and that's where our song comes from. The wound is singing. We're singing back to those who've been wounded.

It's so different going in the studio and singing your own music and you don't really think about making sure that the message of the song or the idea behind the song comes across to people. Because it's in your head, it's in your heart, whatever, but it's... different when you're playing a character and you're singing as the character. There's just a lot more involved in that, I guess.

I've always loved music. I wasn't one of those "composing since I was five" kids, but I was definitely involved with music since I was that age - singing in musicals and taking lessons. Lots of lessons! Singing, dancing, acting, drums set. My mom pretty much had a full-time job carting me all over town six days a week.

I'm definitely not a dancer. I can move well, but it's more about the acting and the singing for me. Acting and singing are completely different, so I can't say which one I love better because I love them both. I love acting because I get to play different characters. But I also love my music because I get to portray me.

My energy to sing, I get it from my singing. Singing was not a reason to make a living. This is the only thing I wanted to do.

I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.

The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.

When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.

Spirituality is nothing more than the art of paying attention. When I give my whole heart and mind to a task such as singing - life's worry, suffering, or conflicts don't exist in that moment. Additionally, singing is about breath work, which is the most essential practice to living a conscious & healthy life.

I will play my part by singing the spirit into every open heart.

I mean, if you asked me what I’m going to be doing when I’m 85, I’d make a quick picture in my mind and, well, I’ll be singing.

God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.

And nevertheless I have loved certain of my masters, and those strangely intimate though elusive relations existing between student and teacher, and the Sirens singing somewhere within the cracked voice of him who is first to reveal a new idea. The greatest seducer was not Alcibiades, afterall, it was Socrates.

There are certain recordings where my voice sounds good to me. Singing live I really enjoy, but I don't know how good it sounds.

When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

My book 'Trust Your Heart', which is the story of my life, will be followed by 'Singing Lessons', a memoir of love, loss, hope, and healing, which talks about the death of my son and the hope that has been the aftermath of the healing from that tragedy.

If I had a chance to do things over again, I might not start singing. It was my husband Doolittle's idea. He pushed me out there, the booger. And I'm out there now, so I might as well make the best of it.

I always enjoy it when I walk on stage. There were some times when I was working so much in the '80s, and I felt really burnt-out. But I'd be up there singing and not be 10,000 million miles away, you know, just opening my mouth and the words coming out.

When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.

This LGBT singing choir has demonstrated how women are investing in tradition to create change, like alchemists turning discord into harmony.

From day one when you're singing, you're dreaming about making that first album and making your break into whatever music you want to break into.

Home should be an oratorio of the memory, singing to all our after life melodies and harmonies of old-remembered joy.

I felt really bad for someone who is swimming in so much hate. I just thought, that's someone who's in a really bad spot, and I am in such a happy spot. I laugh my head off every day with my husband and my kids who are mooning me and singing me songs.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.

My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

The singing of our sacred hymns, written by the servants of God, has a powerful effect in converting people to the principles of the Gospel, and in promoting peace and spiritual growth.

I don't like singing before noon.

I've been singing my whole life, since I was a kid; but never formally as a career. I did it in plays when I was younger, and I sang all styles of music: everything from Italian opera to blues.

There is nothing else that I would rather do than sing. I have such a great passion for it. Even if I don’t become successful or famous I am still going to continue singing.

I still havent got over the fact that I wont be the only person seeing the film. Im used to watching home videos of when I was little, singing Barbie Girl and stuff, and nobody sees them except the family. Now, there will be loads of people going to see The Golden Compass. At least, we hope they will.

The Path of Love is not a tedious Path. It's a Path of joy. It's a Path of singing and dancing. It's not a desert. It is a valley of flowers

There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it.

I was homeless and I was in San Diego and I started singing in a local coffee shop and people started coming to hear me sing.