Quotes About Singing

My mother was a music teacher and my grandfather was a professor of music, and there was a lot of singing in the family. It wasn't like trained singing or anything like that, but it was singing.

Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.

To me, singing is basically a form of prayer. I get this great joy when I`m singing - whatever I`m singing. I missed it when I left it.

However, it [singing] wasn't until halfway through high school that it dawned on me that singing wasn't just a hobby, it was something I had a growing need for in my life, and that was about when I adopted the neglected guitar I found under our piano and started singing about all the things I could never say.

I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'

Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.

I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.

I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.

Even when I'm singing on record there's a lot of times when I'll fight for a bit of imperfection. I might not have quite hit the note to the perfect pitch, but there was a soul in there and feeling that,to me, delivers the emotion of that moment. For me, doing a show, the excitement of singing live, and the possibility that you're not going to be perfect - that's the thrill of it.

I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'

I've just always loved singing, and I come from a family that loves singing around the kitchen table.

I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.

I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.

One night as I girl I spied my grandma and one of her sisters outside, holding hands and singing, "Sprites of the night are we, are we. Singing and dancing joyfully." It was witchy and wonderful because it meant there was power in joy. They were not afraid of the night because they were giggling. I am very interested in finding the surprising boundaries, for instance, where do joy and fear meet?

If you're doing a music film, you've got to be singing about something. Or, you have to be singing in a vocabulary that has tremendous appeal or else people are not going to want to sit there for eighty or ninety minutes hearing this stuff.

Singing has always been a part of my life. I started at Opryland singing, and I realized I could make a living at it. I thought it was something I would grow out of. I didn't know what I was going to do with my life. Everything's just sorta fallen into place.

As someone who listens almost exclusively to contemporary hip-hop and R&B, I definitely like "No Bullshit" by Chris Brown, and melodically I'm really into what he's doing - that song is kind of singular because it's got this piano intro and outro. But obviously I'm not singing about what he's singing about. What we want out of our songs is not the same thing.

I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.

Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.

Blood in the water I sing, and one who shed it: deadliest hunger I sing, and one who fed it- weaving the ancient-most tale of the Sea's sending: singing the tragedy, singing the joy unending This is our shame- this is the whole Ocean's glory: this is the Song of the Twelve. Hark to the story! Hearken, and bring it to pass: swift lest the sorrow long ago laid to it's rest devour us tomarrow!

My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool.

I didn't understand that I could sing until I was like 11 or 12. My mom heard me singing around the house and she said, What are you doing? You really can sing! So then I started going to school and singing to the girls.

Sometimes,' he whispered at last, 'sometimes, I dream I am singing, and I wake from it with my throat aching.' He couldn't see her face, or the tears that prickled at the corners of her eyes. 'What do you sing?' she whispered back. She heard the shush of the linen pillow as he shook his head. 'No song I've ever heard, or know,' he said softly. 'But I know I'm singing it for you.

I came from a folk-family background. Although we weren't really the all-singing, all-dancing-around-the-piano folkies or anything like that, there is that idea of singing and playing with your parents and your family and your cousins.

So I believe in singing to such an extent that if I were asked to redesign the British educational system, I would start by insisting that group singing become a central part of the daily routine. I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.

Splutter, splutter. Yes - we're off - we're rising. But why start off with an engine like that? But it smooths out now, like a long sigh, like a person breathing easily, freely. Like someone singing ecstatically, climbing, soaring - sustained note of power and joy. We turn from the lights of the city; we pivot on a dark wing; we roar over the earth. The plane seems exultant now, even arrogant. We did it, we did it!

I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh

I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.

If they're singing about heartbreak, they've lived it.

It was like I couldn't even begin to tell my mom I was singing. I didn't want anyone to think that she was trying to get me to sing. I wanted to prove to myself I could do it on my own. I really wanted to do a completely different thing.

When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.

I'm always nervous about singing...always. It may be one of the only things I sweat about.

I remember when the candle shop burned down. Everyone stood around singing 'Happy Birthday.'

What I like about singing is that, for me, it's a substitute for the psychiatrist's couch.

There was one emotional outlet my people always had when they had the blues. That was singing.

When you write a song that is so personal to yourself, it's really hard to picture anybody else understanding it when you're singing it. There's things that are very broad and universal topics. Those are the songs that might work for others.

It's the silliness--the profligacy, and the silliness--that's so dizzying: a seven-year-old will run downstairs, kiss you hard, and then run back upstairs again, all in less than 30 seconds. It's as urgent an item on their daily agenda as eating or singing. It's like being mugged by Cupid.

Opera singing is in every way of inestimable value; a real heritage for all mankind that has been reached over centuries of studies, attempts, flights of the spirit.

I decided I was going to give up singing and concentrate on acting, and a result of that, I didn't do another film for two to three years, and I don't blame it on anybody but myself

When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.

If Frank Sinatra is singing, maybe everything will go good.

In the bonds of Death He lay Who for our offence was slain; But the Lord is risen to-day, Christ hath brought us life again, Wherefore let us all rejoice, Singing loud, with cheerful voice, Hallelujah!

You know, I think you have to sound right singing whatever it is that you sing.

I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!

I discovered at 18 that singing and songwriting was my strength. I decided that it was closest to my heart and if I pursued it then there would be no competition. I would just live my life being myself and living my dream.

Harry Potter star Daniel Radcliffe has confessed that until recently, he thought the 16-year-old fellow tween idol [Justin Bieber] was a female. 'I only heard Justin Bieber for the first time two weeks ago. I genuinely thought it was a woman singing. I'd never heard it before. Is it big in England yet?'

There was never any pressure on me to go into the business, but I was always aware of it. I'd go on the set with my father and he and my mother would always be singing.